Highlight: The Latest Architecture and News

Amid growing recognition of architecture's responsibility toward environmental and planetary ecologies, contemporary practice is increasingly oriented toward working with what already exists—its material, spatial, and historical conditions. Within this shift, architecture and design aesthetics are increasingly about reshaping inherited environments. This approach underpins the work of SSdH, a Melbourne-based architecture practice founded in 2020 by Todd de Hoog, Harrison Smart, and Jean-Marie Spencer. Working across scales of renovation, extension, and adaptive insertion, the studio consistently engages existing buildings as active agents. Winner of the ArchDaily 2025 Next Practices Awards, the Australian firm foregrounds environmental responsibility, material economy, and collaborative processes grounded in site-specific conditions.

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Based in Mexico City, Estudio Ome, founded by Susana Rojas Saviñón and Hortense Blanchard, is an architectural and landscape practice working across forests, volcanic terrains, urban fragments, and former industrial sites. Winner of the ArchDaily 2025 Next Practices Awards, the studio develops projects through sustained observation of ecological and territorial conditions, where design decisions arise directly from the behavior of soil, water, vegetation, and ground.

Each project begins with repeated encounters. The terrain is first approached through walking and prolonged observation, letting drainage patterns, erosion, and seasonal shifts become legible before any formal measurement occurs. These visits form the basis for interpreting both visible and subterranean layers—hydrology and historical transformations that continue to exert force on the surface.

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"I want to start by thanking architecture itself." With these words, Chilean architect Smiljan Radić, the 55th laureate of the Pritzker Architecture Prize, opened his acceptance speech in Mexico City. Reflecting on what he calls "distractions," he thanked the many encounters that have accompanied him throughout his life and practice: from art, cities, materials, structures, and compositions to landscapes, poetry, nature, forms, stories, and memories. He spoke about what, within them, provoked him and the marks they left on his architectural imagination.

From the black light in Chandigarh and the interior of San Salvatore in Rialto, to the heaps of stone on the Croatian island of Brač; from the fallen columns of the Temple of Poseidon and the abandoned shires scattered across Chile, to People Meet in Architecture, Kazuyo Sejima's 2010 Venice Architecture Biennale, the traveling Chilean circus, and the silence of the water within the cisterns of Hagia Sophia, his speech unfolded as a tribute to moments, encounters, and distractions. A collage of memories and impressions that, together, shaped the architect he became.

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Each year, the ArchDaily Next Practices Awards highlights emerging studios that are expanding the scope of architecture through new methods, materials, and ways of working. Selected from a global pool, these practices reflect a shift away from singular definitions of the discipline, engaging instead with broader questions of construction, environment, and social impact. Rather than operating within fixed categories, many of these studios position themselves across fields, combining design, research, and production to respond to contemporary conditions.

Named one of the winners of the 2025 edition, Hand Over is a Cairo-based practice operating across design, construction, and research. Founded by Radwa Rostom, a civil engineer with over fifteen years of experience in development and sustainability, the studio works through an integrated design-build model, engaging with earth construction, local materials, and community-based processes.

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Daryan Knoblauch's work sits at the intersection of architecture and live cultural production, with a focus on how space is made legible through tension and atmosphere. Rather than treating temporary work as a lesser category of architecture, Knoblauch approaches installations, stages, and event architectures as full disciplinary problems—where enclosure, stability, light, and movement must be resolved with the same seriousness as any building, often under tighter constraints and faster timelines.

Across projects, a consistent thread is the productive tension between high-modern precision and an intentionally raw clarity of assembly. Membranes and lightweight systems are not deployed as surface effects, but as structural and spatial instruments—tuned to wind, load, and occupation, and calibrated to produce a sublimity that is felt as much as it is seen. Here, ephemerality is not simply a duration, but a design condition: temporality makes forces—weather, wear, performance—more visible, and demands an ethic of making that is both exacting and adaptable.

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The UIA World Congress of Architects 2026 Barcelona has released its full program, outlining the structure, participants, and range of activities scheduled to take place from June 28 to July 2, 2026. Expanding on the previously introduced theme, Becoming. Architectures for a Planet in Transition, the Congress is conceived as a distributed event across multiple venues and urban contexts rather than a single-site conference. Organized by the International Union of Architects (UIA) in collaboration with the Higher Council of the Colleges of Architects of Spain (CSCAE) and the Architects' Association of Catalonia (COAC), the event is expected to gather approximately 10,000 participants and 250 speakers from more than 130 countries.

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Bringing together a week of exhibitions, installations, and industry exchange, Milan Design Week 2026 and the 64th edition of Salone del Mobile.Milano concluded on April 26, following six days of programming across the fairgrounds and the city. Held from April 20 to 26, this year's events reaffirmed Milan's central role within the global design calendar. The Salone itself drew over 316,000 visitors from 167 countries. With 1,900 brands represented and a strong international presence, the week once again operated as both a cultural platform and an economic engine, navigating a context marked by market uncertainty while maintaining its capacity to convene designers, institutions, and industry leaders at a global scale.

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Architecture is often evaluated through what gets built. But in many cases, what matters happens after: how spaces are used, adapted, and made part of everyday life. For Región Austral, winner of ArchDaily's 2025 Next Practices Awards, this is where design really begins. Working across many contexts, the practice approaches public space not as a single object, but as something that needs to be activated, negotiated, and sustained over time. Their projects focus less on defining form and more on creating the conditions for use, with design serving as the starting point.

This approach can be seen across different contexts, from the Olympic Neighborhood Square to the Playón de Chacarita network. While each project responds to a specific situation, both explore how public space can support collective life in areas marked by fragmentation and inequality. Instead of following a predefined approach, the work adapts to different urban conditions, using participation and incremental strategies to shape how spaces function over time.

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Milan reactivates its role as a global design capital this week as Milan Design Week 2026 has began on April 20, followed by the opening of the 64th edition of Salone del Mobile.Milano on April 21 at Fiera Milano, Rho. Rather than a single event, the week unfolds as a layered system in which the fair and the city operate through different temporalities and spatial conditions. From early openings across urban districts to the formal start of the fairgrounds program, the staggered calendar reinforces a continuous flow of activity that extends across institutions, infrastructures, and public space.

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From April 20 to 26, Milan Design Week 2026 returns as a citywide platform where design operates as both a cultural practice and a form of exploration. Framed by the Fuorisalone theme "Be the Project," this year's edition shifts the focus from outcome to process, positioning design as a dynamic, human-centered act shaped by intuition, responsibility, and transformation. Installations and exhibitions across the city foreground making as an open-ended condition, one that embraces error, temporality, and experimentation as integral to creative production. Within this context, design becomes a space of exchange between disciplines, materials, and intelligences, reflecting broader conversations around sustainability, emerging technologies, and the evolving relationship between the physical and the digital.

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Studio NEiDA operates at the intersection of architectural practice, research, and curatorial work, with a consistent focus on how buildings emerge from the material and cultural conditions of a place. Rather than treating materiality as a finishing language, the studio frames it as the beginning of an architectural narrative—starting from what is locally available, they look at what craft knowledge exists on the ground, and how those resources and skills situate a project within an architectural lineage. This approach foregrounds limitations and possibilities as productive forces, and positions design as an iterative process of aligning spatial intent with the realities of construction culture and vernacular intelligence.

Across their work, NEiDA's interests extend beyond form toward the socio-political and climatic contexts that shape how architecture is made and inhabited. They emphasize learning from non-authored, vernacular, and informal building practices as a way of establishing a shared grammar for intervention, and they describe an indoor–outdoor continuity not as a stylistic preference but as a response to local life and ventilation logics—where outdoor rooms can be as spatially defined and programmatically central as interior ones. Collaboration, in this framework, is not auxiliary: the studio highlights on-site exchange with craftspeople and builders as a core methodology, where projects evolve through collective intelligence and adaptive communication.

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The construction industry today faces an unavoidable paradox: the urgent need for sustainable solutions for the future of cities collides with the exhaustion of the term "sustainability" itself, often reduced to a hollow commercial label. In this scenario, Arquivo – one of the winners of ArchDaily's 2025 Next Practices Award – emerges as a facilitator and mediator between different stakeholders in the construction field through disassembly – or rather, de-construction – and the reuse of building elements. Etymologically, if "construction" derives from the Latin construere (to heap up, assemble), the prefix "de-" imposes a conceptual inversion: it is not about destroying, but about disassembling with intelligence to understand the logic of the parts.

While conventional demolition practices generate a vast volume of waste and energy consumption, Arquivo proposes reuse as a viable alternative for the circular economy. The company operates in the gap between disposal and new construction, guided by a clear premise: "Reuse is only fully realized when the material gains a new life."

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From April 21 to 26, the 64th edition of Salone del Mobile.Milano returns to Rho Fiera Milano, bringing together over 1,900 exhibitors across more than 169,000 square meters of sold-out exhibition space. Yet beyond its scale, the 2026 edition signals a more structural shift through collaborations with figures such as Rem Koolhaas and David Gianotten (OMA) and Formafantasma, the Salone continues to reposition itself as an evolving cultural infrastructure rather than a conventional trade fair. This year introduces new curatorial and strategic layers, most notably the preview phase of Salone Contract and the debut of Salone Raritas, alongside immersive installations and exhibitions, while the Salone's footprint across Milan grows further through city-wide interventions during Milan Design Week.

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Having thrown a stone today, Eshu kills a bird of yesterday. The Yoruba proverb tells both a story of reparation and of ancestrality by joyfully bending spacetime conventions and accessing subjects from the past with present actions. The saying offers a poetic entry point to broader West African traditions and to the practice of Scottish-Nigerian artist and architect Dele Adeyemo. Named one of the winners of the ArchDaily 2025 Next Practices Awards, Adeyemo's work brings together ecology, spirituality, dance, and territory, examining how embodied cultural practices can generate alternative spatial possibilities within and against the architecture of racial capitalism.

Born in Nigeria and raised in the United Kingdom, Adeyemo has been visiting Lagos for many years. Through this engagement, he has developed an extensive body of research on collective movement practices that predate capitalism and offer distinct, often imaginative spatial intelligences operating alongside dominant systems. ArchDaily spoke with Dele about his artistic and pedagogical practices, and how he identifies design sophistication where architects often perceive deficiency.

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Milan, a global hub of fashion and finance, increasingly asserts itself as a leading center for architecture and design. Its status as Italy's second-largest city underpins its vibrant cultural scene, attracting both established and emerging creative talent. Additionally, Milan is home to esteemed educational institutions recognized for their focus on heritage preservation and conservation. Its cultural and design significance is increasingly pronounced, as a growing number of creators are relocating to establish their presence in this vibrant creative hub.

Among Milan's most iconic landmarks are the flamboyant Gothic Duomo di Milano, the historically and artistically significant Santa Maria delle Grazie, and the ornate Galleria Vittorio Emanuele II, along with numerous Renaissance and Baroque sites. The city also boasts some of the most innovative modern and contemporary architecture, showcasing a unique dialogue between tradition and modernity. This synergy is exemplified by the contributions of architects like Aldo Rossi, Gio Ponti, Stefano Boeri, Mario Cucinella, Zaha Hadid, Grafton Architects, Herzog & de Meuron, and Foster and Partners.

The following guide highlights key historical landmarks alongside exemplary contemporary architecture curated by ArchDaily. This guide serves as an indispensable resource for those planning to explore Milan during the 2026 Design Week, presenting a blend of essential sites designed by renowned local and international architects.

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Ambulance for Monuments is a first-aid initiative dedicated to safeguarding Romania's endangered built heritage, operating in a race against time to prevent collapse and irreversible loss. The project responds to the growing vulnerability of historic structures, from Saxon fortified churches and manor houses to wooden churches and rural landmarks, many of which no longer benefit from the community networks that once sustained them. In a country deeply affected by emigration since 1990, where nearly half the population still lives in rural areas, entire villages have lost the people, skills, and everyday care that once kept these monuments standing.

Built around a mobile intervention unit, an "Ambulance" equipped with tools, scaffolding, and on-site equipment, the initiative delivers urgent stabilization works that buy time for endangered buildings. Rather than replacing full restoration, these strategic interventions preserve historic fabric, ensure structural safety, and keep long-term conservation and adaptive reuse possible. 

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The historic city of Deir ez-Zor in eastern Syria has had more than its fair share of calamity after the outbreak of the war in 2011. After seeing destruction caused by fierce battles between armed groups and the central government, as well as occupation by ISIL, the earthquake in February 2023 brought further damage. Behind the headlines, however, is an ancient city tracing its founding to the dawn of civilization on the banks of the Euphrates River, with living architecture from the Ottoman and French Mandate periods. A winner of the ArchDaily 2025 Next Practices Awards, the Deir ez-Zor Heritage Library aims to revitalize the city and support sensitive reconstruction by documenting and promoting its built heritage.

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More than three decades after previously hosting the event, Barcelona is set to welcome the UIA World Congress of Architects 2026 Barcelona (UIA2026BCN), bringing the global architectural community back to the city between 28 June and 2 July 2026. Organized under the theme "Becoming. Architectures for a Planet in Transition," the Congress is expected to gather approximately 10,000 participants from over 130 countries, including practitioners, researchers, and students. Rather than being confined to a single venue, the event will unfold across multiple locations along the Mediterranean seafront, among them the Three Chimneys complex, positioning the city itself as an active platform for exchange, discussion, and public programming.

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