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Videos

When the New Museum's original SANAA-designed building, a stack of shifted opaque boxes wrapped in a metal mesh skin, opened in 2007, it already seemed destined for some form of expansion to relieve the vertical pressure created by its constrained circulation and limited footprint. In March, the museum unveiled its long-anticipated addition, designed by OMA's Shohei Shigematsu and Rem Koolhaas. The angular and slightly set-back companion building doubles the museum's exhibition capacity while reshaping the institution's relationship to the city and to the original SANAA structure by Kazuyo Sejima and Ryue Nishizawa.

At the building's press opening, Koolhaas described the project "not simply as an extension but as a complement or counterpart." Shigematsu later elaborated: "We thought about designing a pair composed of two distinct and yet highly connected buildings. One is more vertical and introverted. The other is more horizontal and extraverted."

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Foster + Partners, in collaboration with Dar Al-Handasah, has revealed the master plan for Al Najd Agricultural City in Dhofar, southern Oman. Covering approximately 54 million square feet, the development is conceived as a self-sustaining agricultural and urban settlement designed to respond to the region's environmental conditions and agricultural landscape. Commissioned by the Ministry of Housing and Urban Planning and the Ministry of Agriculture, Fisheries, and Water Resources, the project forms part of the objectives outlined in Oman Vision 2040, which seeks to strengthen food security, diversify the national economy, and support sustainable development initiatives.

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From projects and institutions that reinforce the relationship between art and architecture to initiatives seeking new approaches to persistent urban and ecological challenges, this week's developments reflect a broader effort to reconsider established frameworks and expand the role of design in contemporary society. Whether through adaptive reuse, policy innovation, artistic experimentation, or critical research, architects and cultural organizations are exploring how existing systems can be transformed to address emerging realities. These questions resonate across new architectural projects that translate environmental conditions and civic aspirations into built form. In Chicago, the completion of the Obama Presidential Center positions architecture as a vehicle for public memory, while in Albania, OODA's Lighthouse reinterprets local landscapes and traditions through a tower overlooking the Adriatic coast. Meanwhile, Heatherwick Studio's proposed AlUla Manara visitor centre responds to the conditions of Saudi Arabia's desert landscape, combining scientific research and tourism within a destination dedicated to observing the night sky.

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Barcelona is a city where architecture has long served as a laboratory of urban experimentation, each era leaving its mark on the city's fabric. From the dense streets of the Gothic Quarter to the ornate interiors of the Palau de la Música Catalana, the city expanded outward through Ildefons Cerdà's Eixample, a stage where Gaudí and his contemporaries challenged the rules of form, scale, and ornamentation. These experiments defined a local identity and culminated in the Sagrada Família, a vision that continues into the 21st century through the integration of advanced technology.

The city's twentieth-century transformation forged an architectural language with global influence. The principles of International Modernism are embodied in Mies van der Rohe's Barcelona Pavilion, while later developments—from Bofill's explorations in collective housing to the urban interventions of the 1992 Olympics—reshaped the skyline and the city's relationship to its waterfront. Subsequent contemporary projects continue to negotiate form, landscape, and urban scale, contributing to a layered and evolving city.

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At Salone del Mobile 2026, MARA presented its latest collection within a fair-stand concept designed by Italian architect and designer Ferruccio Laviani. Conceived as a micro-abstraction of an arena, the installation placed visitors at the center of an ascending spatial composition, where the brand's newest products were displayed across stepped tiers.

The setting was inspired by the idea of the Greek theatre as a place of encounter, exchange, and collective observation. The stand proposed a kind of architectural landscape in which visitors could sit, move through the space, observe the objects from different angles, and engage with the brand in a more direct and experiential way.

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ReGreeneration is a Horizon Europe-awarded project working across nine cities to advance urban regeneration through nature-based solutions, participatory governance, and integrated approaches to climate resilience and social equity. The nine cities in the project portfolio span a range of urban typologies, scales, and planning traditions, forming a living laboratory for rethinking sustainable urban transformation in practice. Each city brings distinct challenges and ambitions to the collaboration, and this series of articles explores what each city is doing and what the broader design community can learn from it.

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