The global reference for architecture

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What architecture leaves in the ground outlasts what it puts in the air. A demolished building disappears from the skyline in a matter of days, but its foundations remain embedded in the soil for generations. The contamination caused by an industrial complex does not clear when the complex is torn down. The legal boundaries inscribed across colonial territory do not dissolve when the colonial administration ends. The ground holds what architecture quickly forgets.

This is what makes soil so uncomfortable as a subject. The discipline tends to orient itself upward, toward the form, the façade, the spatial experience of inhabitation. The ground is where architecture begins and, in a certain sense, where it ends: the point at which building becomes geology, legal title becomes territorial claim, and construction becomes extraction. Treating soil as a medium rather than a datum means acknowledging that the acts of building carry consequences that run deeper than the visible object above grade.

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Buildner has announced the results of its Museum of Emotions Competition Edition 7. The Museum of Emotions is an annual international design competition that tasks participants to explore the extent to which architecture can be used as a tool to evoke emotion.

The brief calls for the design of a conceptual museum with two exhibition halls: one designed to induce negative emotions; the other designed to induce positive emotions. Participants are free to choose any site of their liking, real or imaginary, as well as choose the scale of the project. The meaning of 'positive' and 'negative' is up for interpretation: What two emotions might a designer consider contrasting? How might an architect conceive spaces which elicit fear, anger, anxiety, love or happiness? 

Moving from the drafting table to the computer screen, the digitization of drawings and documentation marked the first phase of digital transformation in architecture firms. The second introduced BIM, connecting project information through cloud platforms and collaborative workflows. Nowadays, a new phase is emerging, defined by artificial intelligence, automation, and more specialized software ecosystems. The paradox is that while previous phases were dominated by a small number of tools, today's landscape offers an abundance of highly specialized, AI-enabled, and often overlapping solutions competing for attention. While purchasing new software is often the easiest part of digital transformation, the greater challenge lies in changing established workflows and behaviors, which is why many new tools struggle to achieve lasting adoption.

The Icelandic Pavilion at the 20th International Architecture Exhibition – La Biennale di Venezia will present SOAK: Rituals of Collective Belonging, an exhibition examining Iceland's bathing culture through the lens of architecture, public space, and social interaction. Commissioned by Halla Helgadóttir, Iceland Design and Architecture, the project is curated by Marcos Zotes, partner at Basalt Architects, and developed through a multidisciplinary collaboration between Basalt Architects, design studio Gagarin, and artist Rán Flygenring. SOAK marks the second Icelandic participation in the Architecture Biennale selected through an open call process, following Lavaforming by s.ap architects, which represented Iceland at the 2025 edition.

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On June 3, 2026, Herzog & de Meuron was selected to revitalize the Palace of Congresses building in Tirana, Albania. The project was designed along with collaborators Julian Beqiri, Marsela Demaj, Michel Desvigne Paysagistes (MDP), ARUP, LDK, Gentian Shkurti, SUEB Industries sh.p.k., The Space Factory Ltd, MBBM, and KLAR sh.p.k. The Palace of Congresses (or Pallati i Kongreseve) was built during the People's Socialist Republic of Albania and opened in 1986 to host the Congresses of the Party of Labour of Albania and other official activities. The International Competition for the Redevelopment of the Palace of Congresses, carried out by the Albanian government, called for a comprehensive transformation of the building while preserving its historical identity. The project should address serious infrastructural issues and bring the Palace to contemporary standards in terms of technology, functionality, and quality of spaces.

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How can architectural design become an active tool for conservation? By considering nature as an inexhaustible source of inspiration, a harmonious connection with it frames the countless interrelationships that exist among humans, living organisms, and natural cycles. Designing with the landscape means learning to coexist with its temporal dynamics without controlling its processes. Traditions, ecology, and the past and present of a place all contribute to creating spaces that interpret their communities. Landscape architecture can draw inspiration from birds, plants, and other natural elements to shape the complex, dynamic network of ecosystems and human activities that make up the environment.

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Videos

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Videos

What makes a home resilient? Extreme weather events are becoming increasingly frequent around the world. From power outages, hurricanes, and earthquakes to wildfires, floods, and droughts, the world is experiencing a process of transformation and adaptation that requires collaboration among diverse disciplines. The role of architecture in the built environment reflects an opportunity to rethink how homes perform under changing environmental conditions—not only by anticipating the unexpected. Designing for resilience means thinking holistically, considering material choices, energy systems, landscaping, and construction details that anticipate disruption and help homes recover quickly. It involves creating architecture that evolves with the environment, is worth preserving, and endures for years and generations.

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