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Across different climates and building cultures, many contemporary projects are working with local ways of building in new ways. Earth walls, bamboo structures, shaded thresholds, and collective construction processes are being reconsidered not as references, but as tools for the conditions architecture is facing now and will continue to face.

In these projects, vernacular knowledge appears through practical decisions: how to cool a building without machines, how to build with what is nearby, how to make a structure easier to repair, and how to keep construction knowledge within the community that will use it. The conditions making this knowledge necessary are not coming. They are already here.

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Videos

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It's wet season, but this morning's downpour does little to deter the rhythm along La Carrera Séptima. Cyclists and pedestrians weave past ambulatory vendors with carts of avocados, ginger sweets, and phone cases. Toy cars, lightbulbs, and hand-beaded jewelry glisten with raindrops, arranged neatly on tarps that demarcate vendors' territories. Police officers approach a recycler gathering bottles; a tourist bargains for a jacket; two women find each other in the middle of the road, embracing as their coats grow heavy with rain.

La Séptima, or Bogotá's Seventh Avenue, is the most emblematic road in Bogotá, traversed by more than two million people every day. Along this single road — part marketplace, part protest route, part transportation hub — Bogotá's history unfolds. For nearly a year, I traced its rhythms as a pedestrian, commuter, inhabitant, and researcher. In all these moments and their historical incarnations, one image endured: the road is a living body. It is imagined as Bogotá's backbone, its vital artery, its heart. It bleeds, bears scars, and demands care.

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Most of Europe's future housing already exists, yet renovation continues to happen too slowly to address climate, housing, health and resource challenges at the scale required. Re:Living explores how renovation can move from isolated projects to a scalable approach for transforming existing buildings. At the heart of the initiative is a new research project, The Housing We Need for the Future We Want, which examines how better use of the existing building stock can unlock new opportunities for architects, cities and communities.

The third edition of the Sharjah Architecture Triennial (SAT03) will take place from November 14, 2026, to April 14, 2027, under the title Architecture Otherwise: Building Civic Infrastructure for Collective Futures. Curated by anthropologist and curator Vyjayanthi Rao, with Tau Tavengwa serving as Associate Curator, the exhibition will bring together 32 participants working across architecture, anthropology, urbanism, art, design, education, and community-based practices. Opening to the public on November 14, the Triennial will unfold through installations, films, archives, workshops, performances, and public programs distributed across Sharjah, positioning the city itself as a site for dialogue and engagement.

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The project developed by CRA-Carlo Ratti Associati, Park Associati, Politecnica Building for Humans, Openfabric, DOTDOTDOT, Studio Mattioli, and Eckersley O'Callaghan has been selected to design the new Main Hospital and Children's Hospital in Brescia, Italy. The international competition mandate was to redevelop an existing hospital, preserving and extending a radial plan conceived by engineer Angelo Bordoni in the early twentieth century. The existing healthcare complex, Spedali Civili di Brescia, follows a hexagonal masterplan and radial layout that informs the new design for the premises. The geometry is reinterpreted to update the campus for future models of care, drawing a new CareRing around it that connects people, nature, and healthcare through the principles of One Health, the idea that human health, environmental health, and social wellbeing are inseparable.

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Mexico City is a sprawling metropolis of layered temporalities, where architecture operates as a continuous negotiation between deep-seated history and intense urban mutation. Built over the aquatic traces of Tenochtitlan, the city's fabric is an ongoing dialogue between eras: the monumental scale of the Pre-Hispanic Templo Mayor and the Viceroyalty architecture of the Catedral Metropolitana coexist with the modern and contemporary impulses that define its skyline. This dense juxtaposition creates a unique urban canvas where sacred geography, colonial imposition, and 20th-century ambition intersect.

The mid-century marked a definitive era of experimentation, forging a Mexican Modernism that masterfully synthesized international structural rationalism with local identity and materiality. This synthesis is epitomized by the sweeping, plastic integration of art and architecture at the Ciudad Universitaria, the structural poetry of Félix Candela's hyper-parabolic shells, and the raw, monumental brutalism of Teodoro González de León and Abraham Zabludovsky. Parallel to this, the intimate, introspective mastery of Luis Barragán and Juan O'Gorman redefined domestic space, experimenting with light, vernacular color, and tectonic honesty to create spaces of profound spatial stillness.

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