
In Campo, Solo Exhibition by Hick Duarte / Clube
Locust Grove Pavilion / de Leon & Primmer Architecture Workshop

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Architects: de Leon & Primmer Architecture Workshop
- Area: 7636 ft²
- Year: 2022
Applying Exposed Cork in Interior Architecture

How can we transport ourselves to natural environments when we find ourselves in entirely urban contexts? The materiality of spaces is one of the factors that determines the atmosphere we inhabit. In this regard, the incorporation of natural materials in interior architecture can help introduce textures, colors, and qualities inherent to nature into our daily spaces. In this article, we explore the specific use of cork as a resource in interior design and the different ways it can transform the experience of a space. Cork is the bark of the cork oak, a tree species that, when harvested without harming the tree, can be transformed into a material suitable for multiple applications in architecture and design.
Holiday House in Rågeleje / Jesper Kusk Arkitekter

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Architects: Jesper Kusk Arkitekter
- Area: 158 m²
- Year: 2026
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Manufacturers: Krone Vinduer A/S, Madsen Vinduer, Marokk, Multiform, Vola
Industrialized Steel Construction: Lessons From a Naval Foundry in Thailand

Industrial buildings are often expected to prioritize efficiency, production, and technical performance above all else. As a result, architectural quality is frequently treated as secondary to functional requirements. Advances in material systems, however, allow industrial facilities to balance both, creating buildings that respond to climate, improve working conditions, and establish a distinctive architectural identity.
Pelli Clarke & Partners Completes Lola Mora Cultural Center in San Salvador de Jujuy, Argentina

Pelli Clarke & Partners has completed the Lola Mora Cultural Center in San Salvador de Jujuy, Argentina, a new cultural institution dedicated to the life and work of Argentine sculptor Lola Mora (1866-1936). Located in the country's northwestern region, the project is the firm's first cultural building in South America and the final project led by its founder, the late César Pelli. Designed as a net-zero facility, the center brings together six of Mora's monumental marble sculptures for the first time in more than a century, providing a permanent home for works that were previously displayed outdoors in Jujuy.
Children’s House Brunnengasse / Bernardo Bader Architekten

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Architects: Bernardo Bader Architekten
- Area: 1650 m²
- Year: 2025
Heatherwick Studio Unveils New Images of Louisville's Belvedere Riverfront Plaza Redesign

Louisville's Belvedere in Kentucky is a 53-year-old gathering place for concerts, festivals, and community events. The elevated concrete plaza was built on top of the city's largest parking structure and stands over a major highway overpass. Since 1973, it has functioned as a riverfront civic space for events and large gatherings, but its use as a casual public space is in evident decline. In its current state, the space lacks shade, greenery, and amenities, while the concrete deck has worn over the years. In February 2025, Heatherwick Studio unveiled the first images of its vision to transform the Belvedere, a project commissioned by the city's mayor and the Louisville Metro Government. This week, the firm released new images of the redesign as an open, green, and flexible space connected to downtown Louisville.
All-Inclusive Escapes: 7 Unbuilt Hotel Projects from the ArchDaily Community

Getting away is a long-held fantasy and desire. In literature, film, and music, people have created imaginary journeys, possible worlds, and settings for enjoyment. It is that fantasy that fuels a specific architectural typology: the hotel. Against a backdrop of scrutiny of tourism, the climate costs of travel, and the competition and externalities associated with short-term rentals, that fantasy takes on even more striking forms. A hotel is no longer just a place to stay, but a space for enjoyment that can encompass a wide range of activities, such as entertainment, relaxation, sharing a meal, and even working. This diverse range of concepts takes on organic and impressive forms in the seven unbuilt projects compiled in this article, which range from urban hotels to beach resorts.
The Tale of Bricks House / Earthscape Studio
Kyoto Minami Kaikan Movie Theater / Tato Architects
Super JINJIANG / COLORFULL YUJING DESIGN

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Architects: COLORFULL YUJING DESIGN
- Area: 275 m²
- Year: 2026
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Manufacturers: Nanchow
SUUEL Living / CAAM Arquitectos

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Architects: CAAM Arquitectos
- Area: 720 m²
- Year: 2026
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Manufacturers: Arudeko, Axoque, Azotea, Casa Duuya, Encrudo, +5
SJC House / Felipe Hess Arquitetos

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Architects: Felipe Hess Arquitetos
- Area: 520 m²
- Year: 2024
New Headquarters Office Building for IAPSER / Sebastian Stechina + Carlos Di Napoli + Andres Francesconi

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Architects: Andres Francesconi, Carlos Di Napoli, Sebastian Stechina
- Area: 9013 m²
- Year: 2025
Quetzal House / Sertão Arquitetos

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Architects: Sertão Arquitetos
- Area: 105 m²
- Year: 2025
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Manufacturers: Nina Martinelli, Portobello Shop
Emeco House / david saik studio

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Architects: david saik studio
- Area: 3500 ft²
- Year: 2022
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Manufacturers: Emeco
The Handmade Surface: Imperfection, Texture, and Craft in Contemporary Chinese Interiors

Craft in contemporary interiors is increasingly valuable in the way materials are joined and brought into relation with one another. As the appetite for fast, inexpensive, and profitable retrofitting grows, there is also a parallel desire for interiors that feel thoughtfully resolved: spaces where details are integrated, material assemblies are considered, textures transition with intention, and hardware is treated as part of the architectural language rather than an afterthought. In many contemporary Chinese interiors, craft operates quietly through the treatment of surfaces and structures: timber that retains its irregularity, terrazzo that records aggregate and handwork, or finishes that reveal the care of their making.
This is especially important in an era when digital images increasingly reward smoothness. Rendered interiors often appear seamless, frictionless, and complete before construction has even begun. Craft complicates this image. It introduces tolerance, texture, material resistance, and the sense that a surface has passed through human hands before becoming architecture. Imperfection is not necessarily a failure of precision. To the eye that knows how to read it, it can become evidence of process.





