Films and Architecture: The Latest Architecture and News

Australian artist, director, and BAFTA-nominated producer Liam Young creates imaginary worlds as a way of thinking through the futures we fear, desire, and are already making. As a creator and designer of atmospheres, he proposes speculative landscapes reflecting the possibilities of a world to come, whether ideal or truthfully unsettling. In his worldbuilding practice across the film, television, and video game industries, fiction becomes a tool for navigating the environmental urgencies of the present. He is considered a "futurist" working across design strategies, technological scenarios, and collective imaginations, grounded in his academic research yet reaching a wider audience in exhibitions such as "In Other Worlds" at the Barbican Centre in London and "Age of Nature" at the Danish Architecture Center in Copenhagen. In February 2026, he was interviewed by Marc-Christoph Wagner for Louisiana Channel, where he shares his visions of our future: from architecture consolidating as a boutique industry to the need for a new kind of planetary punk at the scale of the climate crisis.

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During 2024, the Canadian Centre for Architecture (CCA) launched a three-part documentary and exhibition series titled Groundwork, exploring alternative modes of practice in light of the current climate crisis. The process began with a series of studio visits in search of offices addressing substantial questions for contemporary architecture through practice, culminating in the selection of three projects: Xu Tiantian's "minimal intervention" museum on Meizhou Island, Carla Juaçaba's community pavilions in a coffee field in Minas Gerais, and bplus.xyz (b+)'s European Citizens' Initiative for a new legal framework to facilitate the renovation and transformation of existing buildings. The latter, HouseEurope!, was recently recognized as the winner of the seventh edition of the OBEL Award and was showcased at the international exhibition of the Venice Architecture Biennale 2025.

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A radiant Rio de Janeiro, bathed in sunlight and carried by the ocean breeze. The beach is full of life—children run across the sand, families enjoy their time together, and laughter drifts through the air. This vibrant postcard from the 1970s, depicting a Cidade Maravilhosa exuding freedom and vitality, sets the stage for "I'm Still Here," a Brazilian film that film which recently won the Oscar for Best International Feature, marking a first for Brazilian cinematography. Further recognizing its merits, the film also received Oscar nominations for Best Actress and Best Picture. The film's setting provides a rich backdrop for exploring the urban landscape of Rio during a pivotal period in its history. As the story unfolds, this bright and open setting gives way to the architectural and urban impacts of the fear and uncertainty of the military dictatorship that ruled Brazil for over two decades.

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Filmmaker David Lynch, renowned for his surreal and influential works like Blue Velvet and Twin Peaks, passed away at age 78. Lynch's nearly 50-year career was marked by distinctive, stylized films often featuring surreal elements and fragmented narratives. He received numerous accolades, including a Golden Lion for lifetime achievement and an honorary Oscar. His career began with painting and experimental animation before transitioning to filmmaking, culminating in iconic films and the groundbreaking television series Twin Peaks. His impact extended beyond the silver screen; his unique manipulation of space and atmosphere profoundly influenced architectural discourse.

This Oscars Season, photographer Paul Clemence turned his lens to the Academy Museum of Motion Pictures, the most famous institution dedicated to the art and science of movies. Designed and revitalized by Gensler and Renzo Piano Building Workshop, the building is located on the famed 'Miracle Mile' in Los Angeles, opening with expansive views towards Hollywood. This year, the museum opened its rooftop terrace for the Oscars Night at the Museum, a unique event to celebrate the 96th Oscars.

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Concert halls, music, and performance venues stand as iconic symbols of cultural vitality within urban landscapes. Through these structures, which often become landmarks of the city, the residents are invited to take part and experience artistic expression, fostering a sense of community and connection. For architects, this program poses the intricate challenge of balancing form and function, creating spaces that enhance the acoustic experience, allow for the flow of audience and performers, and create visual spectacles in their own right.

Featuring both emerging and internationally recognized offices, this week’s curated selection showcases music and performance venues, from mixed arts and cultural centers to opera and ballet halls. Including proposals for international competitions such as David Chipperfield Architects or SHL and PAX architects’ designs for the Polish Royal Opera in Warsaw or Hariri Pontarini Architects’ design for an integrated center for the arts in Canada, the selection explores the program of music venues across scales and programs.

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Imagine a world thousands of years into the future, one where humanity has conquered planets from galaxies away, only to default to a neofeudalistic social order in a constant power struggle, all built upon an intricate tapestry of cultures and religions and set in a harsh yet vivid landscape that becomes a character in and of itself. This was the challenge faced by director Denis Villeneuve and production designer Patrice Vermette in creating the cinematic adaptation of Frank Herbert's 1965 novel. The two Dune movies, released in 2021 and 2024, were conceived as a whole and therefore share a coherent style and cinematic expression. Beyond aesthetics, the environment and architecture of Dune present a lived-in, believable world, one that anchors the action and characters, silently offering invaluable insights into the values and mythology of each civilization.

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TRANSFER Architecture Video Award 2023 has just announced the winners of this year's edition of the innovative architecture short film competition. Due to the high quality and the diversity of the entries, the jury has decided to award 4 winners ex aequo and 2 honorable mentions.

The TRANSFER Architecture Video Award 2023 ceremony took place on February 22 in Lausanne, as part of the film festival Écrans Urbains. You can discover the winning, finalist, and shortlisted videos in TRANSFER.

On Wednesday, October 4, the fifteenth edition of the Architecture Film Festival Rotterdam (AFFR) will start. The program involves an extensive list with almost 100 films about architecture and the city, with prominent figures like Rem Koolhaas, Inez Weski, and Martin Koolhoven joining as guests. The festival includes film premiers, classic screenings, masterclasses, excursions, and short programs. Combining the film and built environment worlds, the event will be taking place from 4 to 8 October 2023.

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Stefan Dechant is a production designer with over 25 years of experience in the industry working alongside reputable filmmakers like James Cameron (Avatar), Tim Burton (Alice in Wonderland), and Sam Mendes (Jarhead). Recently, Stefan served as the production designer for the upcoming Apple TV+ film 'The Tragedy of Macbeth' directed by Joel Coen. Why did this interest us immediately? Because he had the task of creating 35 Black & White, Abstract Sets.

In the following interview with Stefan, he tells us all about the inspiration behind the aesthetic, his working process between sketches and digital, and finally the stage of building all of this. Read more below.

Jacinta Leong is a Production Designer who enjoys the creative and collaborative process of designing environments for narratives. Her work on several movies looks ahead into the future - especially in relation to technology in society. She was recently the Production Designer on the film 2067; Art Director on Alien: Covenant, Mad Max: Fury Road, and Pacific Rim: Uprising; Assistant Art Director on Star Wars Episode II-III; and Set Designer in The Matrix, among others.

We've talked with Leong to get to know her thoughts on the connection between films and architecture. The following interview explores her beginnings and inspirations, as well as her work process in the era of digital tools.

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Canada’s contribution to the 17th Venice Architecture Biennale explores Canadian cities’ established “career” in cinema as stand-ins for the world’s metropoles, raising questions of authenticity, architectural identity and the collective understanding of the built environment. Curated by David Theodore of McGill University and realized by Montréal architecture and design practice T B A / Thomas Balaban Architect, the exhibition Impostor Cities highlights the diversity and versatility of Canada’s cityscapes as portrayed on film.

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In Louisiana Channel's latest interview, Indian architect Anupama Kundoo shares her thoughts on the importance of balancing between traveling and being in solitude with oneself. "I think travel is important, but if you're not rooted yourself, you will go to a hundred places and not see anything", explained the architect, "traveling helps you step back from what you take for granted".

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Talking to the Louisiana Channel, German architect Anna Heringer outlines the way she works and her multi-disciplinary approach to architectural practice. Growing up in a small town at the Austrian-Bavarian border close to Salzburg - Heringer spent a year living and working in Bangladesh at the age of 19, a place that is now home to a majority of her office's projects. Heringer describes herself as a mix of things in addition to being an architect, describing herself as an activist and a development worker - using her creativity to explore ideas in a variety of forms and media.

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In a recent interview with Louisiana Channel, Copenhagen-based architects Søren Johansen and Sebastian Skovsted share insights into their design process - stating the importance of creating architecture that seamlessly blends into the landscape yet stands out on its own right. Discussing the minimalist nature of their projects, the architects are careful not to put themselves in a box, saying, "When you ask about minimalism in our work, or any other ism, we are not interested in simplicity for simplicity’s sake.”

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Production designer Felicity Abbott is behind the great staging of The Luminaries, a mini-series that takes place in New Zealand during the 1860s West Coast Gold Rush. In the below interview, she tells us her thoughts on the connection between films and architecture, addressing her work process and the main challenges on this set.

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As a platform for the Louisiana Museum of Modern Art, Louisiana Channel has been stimulating conversations around architecture, art, and the creative world at large. The architecture series provides fascinating insights into the thought process of distinguished architects and their work. Discover seven of the most inspiring interviews created over the past year, discussing a wide array of subjects from exemplary projects, to cities, to architects' design philosophy.

Luca Tranchino is a production designer well known for his participation as an art director in Martin Scorsese’s Gangs of New York, the Aviator, Hugo Cabret, and Disney’s Prince of Persia, among many other productions. His work is designed to take us to magical and historical worlds. We recently interviewed Tranchino to look behind the scenes and uncover connections between film and architecture.