Sumayya Vally, architect, curator, and founder of Counterspace architecture office, joins the jury for the 2024 Obel Award. This international architectural prize, organized by the Henrik Frode Obel Foundation, honors projects that significantly impact people and the planet. The 2024 theme, "Architecture WITH," invites a re-examination of the architectural profession, emphasizing collaborative and co-creative processes that integrate diverse bodies of knowledge into the core of design. Vally's perspective on redefining architectural roles aligns with the theme's focus on non-hierarchical, co-creative approaches.
In Timișoara, Romania, Beta Architecture Biennial opens to the public today, September 13, under the curatorial direction of Oana Stănescu. Now in its 5th edition, thus celebrating 10 years since its inauguration, the 2024 biennial proposes a wide-ranging program of debates, exhibitions, guided tours, and artistic performances. The two main components of the biennale are the Main Exhibition, cover me softly, led by Stănescu, and the Beta Awards, aiming to highlight architects and professionals from Romania, Hungary, and Serbia who actively contribute to the improvement of the built environment. The biennale is open between September 13, and October 27, 2024.
In January this year, Romanian architect, designer, and educator Oana Stănescu has been named the curator of Beta 2024 - Timișoara Architecture Biennial, now in its fifth edition. Based in New York and Berlin, Oana Stănescu is internationally recognized for her diverse portfolio of interventions around the world, challenging the confines of the profession and addressing significant societal issues. Recently, Stănescu, along with the team behind Beta, announced the theme of the main exhibition, taking place in Timițoara, Romania, between September 13th and October 27th.
Carlo Ratti, the curator of the 19th International Architecture Exhibition - La Biennale di Venezia, along with The President of La Biennale di Venezia, Pietrangelo Buttafuocco, have just revealed highly anticipated details for the upcoming edition. Titled "Intelligens," the exhibition will be running from May 24th to November 23rd, 2025 in Giardini, the Arsenale, and various landmark locations throughout Venice.
Studio Monnik, 'Alles Komt Goed', 2023. ‘Poreuze Stad’, Illustratie van Jan Cleijne. Een toekomstscenario voor Amsterdam in 2089. Image Courtesy of Het Nieuwe Instituut
Still, the country faces expected and unexpected challenges, from an acute housing shortage to raising concerns regarding climate change and shifting ideas of ecology. In the words of curator Suzanne Mulder, the country is “once again on the drawing board,” as architects, urban planners, and designers are reopening conversations about the future by looking at past lessons. To come to their help, Rotterdam’s Nieuwe Instituut is organizing the exhibition ‘Designing the Netherlands: 100 Years of Past & Present Futures.’
The Bruges Triennial 2024 has announced its theme, “Space of Possibility,” along with a list of participating artists and architects and the locations of the 12 installations. Running from Saturday 13 April to Sunday 1 September 2024, the event will take over the streets and historic center of Bruges. Belgium, showcasing contemporary art and architectural interventions. The curators of this edition, Shendy Gardin and Sevie Tsampalla, have selected a list of 12 artists and architects who will challenge the existing locations within the city’s quarters in response to the theme which asks them to seek to reveal the hidden potential of the city.
Ghanaian-Scottish architect, academic, and curator Lesley Lokko has been announced as the recipient of the 2024 Royal Gold Medal by the Royal Institute of British Architects (RIBA), becoming the first African woman to receive the award. Lokko is not a practicing architect, but as a teacher, writer, and curator she has fought to widen access to the profession and to bring forward voices that have been disregarded for far too long. As the curator of the 2023 Venice Architecture Biennale, she has shifted the focus to Africa and its diaspora, exploring the complex themes of decolonization and decarbonization. For all her contributions to the profession, Lesley Lokko will be formally presented with the medal in May 2024 by Muyiwa Oki, RIBA’s first black president.
Exterior view of Doshi’s Sangath Architect’s Studio, Ahmedabad, Image by Iwan Baan. . Image Courtesy of Vitra Design Museum
As we step into the new year, we take a moment to reflect on the lasting impact of celebrated architects, designers, and curators who passed away in 2023. This past year witnessed the departure of influential figures who, through their talent and dedication, left an indelible mark on the built environment. Some embarked on their careers with bold gestures that reshaped architectural paradigms, while others worked quietly, placing a profound focus on the human experience or the invisible figures of out profession.
The ArchDaily projects library is managed by our curators who constantly seek to populate our stream with the most interesting global works, showcasing evolving focuses and criteria. While we usually share our reader’s top 100 favorites, this year, we also decided to initiate our editor’s picks on the ArchDaily Instagram account, where our curators highlight some projects that include interesting themes and unique traits.
The 18th International Architecture Exhibition of La Biennale di Venezia closed on November 26th. A total of 285,000 people visited the exhibition, making it the second most highly attended Architecture Biennale in its history. Named "The Laboratory of the Future," this edition led by curator Lesley Lokko, has been the first to focus on Africa and its diaspora, exploring the “fluid and enmeshed culture of people of African descent that now straddles the globe,” in the words of the curator, with themes of decolonization and decarbonization.
This edition has attracted a wide array of visitors, 38% of whom are represented by students and young people. Visitors organized in groups represented 23% of the overall public, with a large majority of groups coming from schools and universities. The numbers denote an event centered on the transmission of knowledge and circulation of ideas.
While exploring the 18th International Architecture Exhibition, the ArchDaily team had a chance to engage in conversation with several curators of the national pavilions, along with Lesley Lokko, the curator of the entire exhibition. The discussions delved into the unique character of this year’s edition focused on an understanding of Africa as a “Laboratory of the Future.” Through this lens, the biennale became “a healing experience,” in the words of Lesley Lokko, reinterpreting and deconstructing the meaning behind ideas such as decolonization, decarbonization, resource management, or finding the hidden potential in vernacular forms of practice.
Following Lokko’s curatorial direction, the exhibitions presented at the national pavilions explored the specific conditions of their territories, striving to uncover and highlight the unique challenges and opportunities faced by their local cultural landscapes. During the interviews, the curators opened up in regard to their personal inspirations and the drive behind the choice of program, the messages embedded in the displays, and their hopes for the future of the profession.
The Sharjah Architecture Triennial 2023 opened on November 11, 2023, with a wide program focused on the overarching theme of The Beauty of Impermanence: An Architecture of Adaptability. While on-site in Sharjah, the ArchDaily team had the chance to sit down with curator Tosin Oshinowo and discuss her curatorial view, the development of the main themes of the program, and the larger principles and intentions behind the event. Informed by her experience growing up in Lagos, Oshinowo has focused the Triennale on the celebration of places that thrive under conditions of scarcity and the alternative models that the Global South can provide in working towards a more equitable and livable future.
Iwona Blazwick has been appointed as the Curator of the 18th Istanbul Biennial, organized by the Istanbul Foundation for Culture and Art (iKSV). The Biennial will occur in 2024, from 14 September until 17 November. The Istanbul Biennial is the most comprehensive international exhibition organized in Türkiye and the region, playing an essential role in promoting contemporary artists and artist collectives.
Iwona Blazwich OBE is a curator, writer, and art historian. She held the position of Director at the Whitechapel Gallery in London from 2001 to 2022 and previously worked with many renowned institutions in her practice. Currently, she is the curator for the Royal Commission’s Arts AlUla initiative in Saudi Arabia. Furthermore, Blazwhich’s career as an independent curator ranges from exhibitions and public art projects across Europe, the United States, Japan, and China.
During this year’s edition of the Venice Architecture Biennale, ArchDaily had the chance to discuss with Giacomo Ardesio and Claudia Mainardi of Fosbury Architecture, the curators of the Italian Pavilion together with Alessandro Bonizzoni, Nicola Campri and Veronica Caprino. The curatorial project, titled “Spaziale: Everyone Belongs to Everyone Else,” aims to provide a distinctive and original portrait of Italian architecture within the international context. The curators discussed the origins of their office, their sources of inspiration and the thinking behind the design decisions that led to the creation of the curatorial project for the Italian Pavilion.
At the 18th International Architecture Exhibition – La Biennale di Venezia, Karin Sander, and Philip Ursprung curated the Swiss Pavilion “Neighbors”. In her interview with Louisiana Channel, Karin Sander talks about expanding the understanding of the pavilion, reimagining the connected role of architecture and art, and explaining her artistic process. “Neighbors” was focused on spatial proximity between the Swiss Pavilion and its Venezuelan neighbor. Sander highlights also the conversation between the two structures, that became possible after the removal of a separating wall.
During their visit to the 18th International Architecture Exhibition in Venice, ArchDaily had the opportunity to engage in a conversation with Sevince Bayrak and Oral Göktaş, founders of the Istanbul-based studio SO? Architecture and Ideas, curators for the Pavilion of Türkiye. Their exhibition, titled Ghost Stories: Carrier Bag Theory of Architecture, explores the status and hidden potential of abandoned buildings across Türkiye to discover more hopeful proposals for the future. The conversations opened with an exploration of the status of these forgotten structures and their hidden potential, leading into the intentions behind the exhibition in Venice and the curator’s message for the wider audience.
Architect, critic, and curator Jean-Louis Cohen passed away at the age of 74 yesterday, August 7. Recognized for his extensive research in the field of modern architecture and urban planning, he held the Sheldon H. Solow Chair of Architectural History at New York University since 1994.
Cohen served as a curator for various prestigious exhibitions, including some held at the Museum of Modern Art, the Canadian Centre for Architecture, the Centre Georges Pompidou, the Cité de l'Architecture et du Patrimoine, and the MAXXI. More recently, alongside Brazilian researcher Vanessa Grossman, he curated the exhibition "Geografias Construídas: Paulo Mendes da Rocha," which opened in May at the Casa da Arquitectura in Portugal.
At the 18th International Architecture Exhibition of La Biennale di Venezia, the Pavilion of Slovenia set out to explore the theme of ecology and the paradoxical ways in which architecture relates to it. Instead of understanding it strictly through energy-efficient adaptations like heat pumps or recovery ventilation, the exhibition titled +/- 1 °C: In Search of a Well-Tempered Architecture aims to address the theme holistically. The Pavilion curators Jure Grohar, Eva Gusel, Maša Mertelj, Anja Vidic, Matic Vrabič, together with fifty European architects and creatives, researched and analyzed vernacular buildings from Europe to gain insight into the living example of intuitive adaptations.
