The National Pavilion of Israel presents “Cloud-to-ground,” an immersive installation exploring the nature of modern communication networks at the 18th International Architecture Exhibition of La Biennale di Venezia. The exhibition, curated by Arch. Oren Eldar, Arch. Edith Kofsky, and Hadas Maor, aims to initiate a multifaceted discussion regarding the physical aspects of virtual networks: the data centers and telephone exchanges commonly referred to as “black boxes.” The chosen theme is relevant for Israel due to its strategic location set at the intersection of continents and cultures. The pavilion in the Giardini will remain open for visitors until November 26, 2023.
Pihlmann Architects is a young Copenhagen-based architectural run by Søren Pihlmann. In this interview with Louisiana Channel, the rising architect elaborates on his unique practice, the values he holds, and what he finds fascinating about architecture. Most notably, Pihlmann explains that his view on the practice has transformed from being an architect into becoming a type of curator, selecting very few things with great sensitivity.
While exploring the 18th International Architecture Exhibition onsite in Venice, ArchDaily had the chance to speak with Jayden Ali and Joseph Henry, two of the co-curators of the British National Pavilion. The exhibition titled “Dancing Before the Moon” was created together with Meneesha Kellay and Sumitra Upham, and features creations from six designers and artists. As the curators explain, the aim of the installations is to expand the general understanding of what architecture is and to integrate it into a wider conversation with fashion, music, art, dance, and performance, rather than separating it as its own class of creativity. On June 20th, a few days after the conversation, the British National Pavilion was awarded a special mention at this year's award ceremony.
At the 18th International Architecture Exhibition of La Biennale di Venezia, The PhilippinesPavilion presents an exhibition that investigates the ecology and social implication of the Tripa de Gallina estuary in Manila. The body of water, once a mechanism for flood mitigation, has now become congested and polluted, affecting the lives of the nearby communities. The Pavilion aims to present the initiative that set out to gather and investigate the guts of the estuary and to work with the residents to find adequate and sustainable architectural solutions. Titled “Tripa de Gallina: Guts of Estuary,” the exhibition in Venice is co-curated by Architect Choie Funk and Sam Domingo and presents the work of the Architecture Collective, represented by Bien Alvarez, Matthew Gan, Ar. Lyle La Madrid, Noel Narciso and Arnold Rañada.
Taking a broader perspective on architecture, the exhibition shifts its focus towards the discipline rather than just the profession. It’s not “about building buildings per se”, explains the curator to ArchDaily. Instead, it seeks to question our conventional understanding of architecture, and with that, architectural exhibitions. The 2023 Biennale is a laboratory in every sense of the word, a global platform of experimentation, and a space to explore new ideas in the absence of spaces that allow us to do so. "It borrows its structure and format from art exhibitions, but it differs from art in critical ways which often go unnoticed", states Lesley Lokko in her initial statement.
The National Pavilion of the Czech Republic presents the exhibition “The Office for a Non-Precarious Future” at the 18th International Architecture Exhibition of La Biennale di Venezia. The exhibition investigates current pressing issues faced by the architectural profession and especially by young practitioners by asking the initial question: ”How can architects design a better world if they themselves work in a toxic working system?.” The pavilion is commissioned by Helena Huber-Doudová and will present the works of exhibitors Eliška Havla Pomyjová, David Neuhäusl, and Jan Netušil. As the Czech ad Slovak Pavilion at the Giardini della Biennale is under reconstruction, the Czech Republic will exceptionally use the Arsenale in the Artiglierie section as its exhibition space. The Czech and Slovak Pavilion in Giardini will serve only as a digital hub to complement the main presentation.
Courtesy of the South African Pavilion at Biennale Architettura 2023
For the 18th International Architecture Exhibition – La Biennale di Venezia, the South African Pavilion explores the architectural representation of social structures through an exhibition titled “The Structure of a People.” Prior to the exhibition, the pavilion curators, Mr. Stephen Steyn, Dr. Emmanuel Nkambule, and Dr. Sechaba Maape, conducted a national architecture competition titled “Political Animals,” aimed at gathering artifacts crafted by lecturers and architecture students to represent the structures of their schools or universities. The resulting models and miniature architectures, produced by ModelArt, will be exhibited within Zone III, Political Animals, as part of the South African Pavilion.
For the 18th International Architecture Exhibition – La Biennale di Venezia, the Pavilion of Ukraine presents an exhibition titled “Before the Future,” focusing on the paradox of “building a future from a collapsing present.” The intervention reimagines two spaces, one in Arsenale and one in Giardini, to evoke protective structures that have become emblematic of feelings of safety while under threat for Ukrainian society. The curatorial team, composed of Iryna Miroshnykova and Oleksii Petrov, of the Kyiv-based architectural office ФОРМА, and Borys Filonenko, independent curator, art critic, and lecturer, set out to work with specialists from numerous fields to further explore the theme “Laboratory of the Future.”
The Kingdom of Bahrain announced its participation at the 18th International Architecture Exhibition of La Biennale di Venezia with a pavilion exhibition titled “Sweating Assets.” Curated by architects Latifa Alkhayat and Maryam Aljomairi, the exhibition highlights the relationship between the extreme heat and humidity that characterizes Bahrain and the inherent need for comfort. The curators aim to show how the necessary cooling infrastructure can be maximized through adaptive means and resource management while reducing its negative impact on the environment.
The National Pavilion of Ireland will present an exhibition titled “In Search of Hy-Brasil” at the 18th International Architecture Exhibition of La Biennale di Venezia. The pavilion set out to explore diverse cultures, communities, and experiences of Ireland’s remote islands in the search for new ways of inhabiting the world. A team of five architects has been selected as the curators of the exhibition: Peter Carroll, Peter Cody, Elizabeth Hatz, Mary Laheen, and Joseph Mackey. The pavilion will be open to the public from May 20th to November 26th, 2023; afterward, the installation will tour Ireland in 2024, bringing voices from peripheral locations into mainstream conversations around our global future.
For the 18th International Architecture Exhibition – La Biennale di Venezia, The Albanian Pavilion set out to respond to the theme “The Laboratory of the Future” with the exhibition “Untimely Meditations or: How We Learn to Live in Synthesized Realities.” The project seeks to introduce and understand new typologies of civic spaces by repurposing the rendering engine as a mechanism for exploration. The curatorial team is composed of architects Martin Gjoleka, and Era Merkuri, exhibiting together with architect Ani Marku and 3D digital artist Geraldo Prendushi.
For the 18th International Architecture Exhibition – La Biennale di Venezia, the Lithuanian Pavilion will present an exhibition titled “Children’s Forest Pavilion”, curated by Jurga Daubaraitė, Egija Inzule, and Jonas Žukauskas. The intervention aims to become a playscape, acknowledging the unique perspectives through which children observe and interact with their environment. The project strives to explain the ecosystem of the forest, bringing together works and findings developed in parallel to outdoor activities held with children in the woodlands of Lithuania and Finland. Environmental educators, activists, architects and foresters will discuss the idea of forests as negotiated spaces where all actors play an important role. The Pavilion will be open from May 20th until November 26th, 2023.
MVRDV has joined the Van Gogh Homeland Foundation to develop the first Van Gogh Homeland Biennale to bring awareness to the challenges faced by the Brabant region. At the initiative of Midpoint Brabant, the experience strives to combine knowledge of architecture, landscape design, and sustainability to reignite enthusiasm for the Brabant landscape, Vincent van Gogh;s native Dutch province. According to the organisers, the region is facing a number of threats, including the increasing number of floods and the limited availability of space, but, through an orchestrated effort, the landscape that inspired van Gogh 150 years ago can become more sustainable and greener in the future.
Sevince Bayrak and Oral Göktaş, founders of the Istanbul-based studio SO? Architecture and Ideas, were selected as curators for the Pavilion of Türkiye in the 18th International Architecture Exhibition, La Biennale di Venezia 2023, with an exhibition project titled Ghost Stories: Carrier Bag Theory of Architecture. The installation questions the accepted perceptions of unused buildings in order to discover more hopeful proposals for the future. The exhibition will be open from May 20th until November 26th, 2023, under the coordination of the Istanbul Foundation for Culture and Arts (İKSV). The project team consists of Aysima Akın, Kevser Reyyan Doğan, Merve Akdoğan and the research team includes Taylan Tosun, Doğu Tonkur, Hatice Bahar Çoklar Berke Şevketoğlu, Duygu Sayğı.
