
- Area: 65120 m²
- Year: 2021
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Manufacturers: Jansen
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Professionals: RFR GO+, AEDIS Ingénierie, Acoustique & Conseil, RFR, AE75


Shenzhen, as the modern metropolis in southeastern China that links Hong Kong to China’s mainland, has undergone rapid real estate development and intensive construction bidding in recent years.
“Shenzhen Ten Cultural Facilities of New Era” serves as a significant international design competition that has attracted much attention and investment from many high-level active architects worldwide.

The Board of Directors of the 2021 Venice Biennale has appointed Kazuyo Sejima as president of the international jury, in charge of awarding mainly the Golden Lion for Best National Participation, the Golden Lion for the Best participant, and the Silver Lion for a promising young participant. In addition, they have also selected four other jury members from Peru, Lebanon, Ghana-Scotland, and Italy. The Awards Ceremony will take place in Venice on Monday, August 30th, 2021.

After surpassing many hurdles, SANAA's renovation of La Samaritaine Department Store is set to open its doors to the public. The redesign of the Parisian retail institution reinstates its historical value while bringing a contemporary contribution to its architecture.

Miralles Tagliabue EMBT, directed by Benedetta Tagliabue, has won the international competition to design the Shenzhen Conservatory of Music, one of the city's 10 new era cultural buildings. Characterized by the dialogue generated with its surroundings, the complex integrates music and art in nature with a proposal of organic and sustainable architecture.

The proposal designed by SANAA, “The Cloud on the Ocean” was just selected as the winning entry of the International Architecture Design Competition for the Shenzhen Maritime Museum. Led by Kazuyo Sejima and Ryue Nishizawa, SANAA imagined an intervention emerging between mountains and sea, combining the local cultures, site features, and maritime elements.

This year, architecture’s highest honor, the Pritzker Prize, has been granted to Grafton Architects, a Dublin-based architectural firm mainly ran by female partners Yvonne Farrell and Shelley McNamara. For the first time ever in its 42-year history, due to the constraints set by Covid-19 global pandemic, the organizers of the Pritzker Prize decided to use Livestream the award ceremony. Having reached the end of 2020, ArchDaily has summed up what current and previous Pritzker Prize winners have accomplished during this turbulent year.

Tokyo-based SANAA has designed a new addition to the Art Gallery of New South Wales (AGNSW) in Sydney. As the firm's first building in Australia, the project will transform the flagship art museum and connect through an outdoor public art garden overlooking Sydney Harbor. The new building is designed to contrast the Gallery’s 19th-century neo-classical building as a light, transparent and open addition.

Questioning “how rooted architecture practice is and how much the built and cultural environment feeds and shapes our imagination”, Beka & Lemoine’s latest film follows one of the most celebrated Japanese architects of our times, Ryue Nishizawa in his vintage Alfa Romeo (Giulia) as he wanders in the streets of Tokyo. After winning the prestigious DocAviv 2020, the black and white documentary Tokyo Ride will soon première in many major architecture film festivals both in Europe and in North America.

In 1926, Le Corbusier developed the five points that would become the foundations for modern architecture. Once materialized in 1929 in the iconic Villa Savoye project, Le Corbusier's principles - pilotis, free design of the ground plan, free design of the facade, horizontal window, and roof garden - have been extensively explored in modern architecture and continue to influence the most diverse contemporary architectural projects to this day.
The five points became a kind of guideline for the New Architecture, as Corbusier used to call it. Even after decades, new technologies, materials, and demands of society have continued to update those architectural solutions, announced almost a century ago as the basis for a new architecture.
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SANAA’s recently completed social housing complex in Paris was captured by the Architecture and Photography studio of Vincent Hecht. Part of Paris habitat, France’s largest public utility social housing company, the project comprises four buildings accommodating more than 100 social housing units in total.

The New Museum in New York City has unveiled the design for a second building, designed by OMA / Shohei Shigematsu in collaboration with Cooper Robertson. The appointment represents OMA’s first public building in New York City. The structure will complement the integrity of the adjoining SANAA-designed flagship building, while also asserting its own identity.

SANAA's new campus for the Bezalel Academy of Arts and Design in Jerusalem is now set for a 2022 opening. Initially proposed in 2013, the new project for Israel’s national school of art broke ground back in 2015. The campus is being built in the Russian Compound in Jerusalem’s City Center. The design will bring together 2,500 students and 500 faculty members as the school moves from the current Mount Scopus Campus. The new campus aims to revitalize the city center and connect to the urban fabric of Jerusalem.

Italian artist Federico Babina has published the latest in his impressive portfolio of architectural illustrations. “Archivoid” seeks to “sculpt invisible masses of space” through the reading of negatives – using the architectural language of famous designers past and present, from Frank Lloyd Wright to Bjarke Ingels.
Babina’s images create an inverse point of view, a reversal of perception for an alternative reading of space, and reality itself. Making negative space his protagonist, Babina traces the “Architectural footprints” of famous architects, coupling mysterious geometries with a vibrant color scheme.

Rem Koolhaas and Shohei Shigematsu, both partners at OMA, have been tapped to design the recently-announced expansion of the New Museum in New York. OMA will design a new building adjacent to SANAA's tiered-box museum. The project is expected to break ground in 2019 and will give the New Museum an additional 50,000 square feet (4,650 square meters) for "galleries, improved public circulation and flexible space for the institution’s continued exploration of new platforms and programs." This will be Koolhaas' first public building in New York. According to the New York Times, the New Museum—the only museum in New York City exclusively devoted to contemporary art—has already raised 50 percent of the cost.

The cloud-shaped bicycle terminal on the island of Naoshima is SANAA's latest work. The pavilion is known for its impressive collection of outdoor art and contemporary architecture, with works by prominent exponents such as Yayoi Kusama and Tadao Ando.

New images have been revealed of SANAA’s design for the expansion of the Art Gallery of New South Wales in Sydney, Australia, as the project has received a $244 million AUD ($186 million USD) commitment from the NSW Government, more than two-thirds of the project’s total estimated budget. A supplemental campaign will be launched later this year for the remaining $100 million, $70 million of which has already been pledged.
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Located in Tokyo's Sumida Ward, in which Sumida Hokusai (Katsushika Hokusai) was born and spent the majority of his life, this museum—completed in November 2016 to designs by Kazuyo Sejima—is a temple to the Japanese artist's work, including the likes of The Great Wave off Kanagawa and Red Fuji. Sejima, who was awarded the Pritzker Prize in 2010, is commonly known as one-half of SANAA (alongside Ryue Nishizawa). This project, while seeking to celebrate Hokusai's work, has also been designed as a cultural beacon. In this photoset, photographer Laurian Ghinitoiu has turned his lens to the new cultural landmark.