The 2025 Pritzker Prize has been awarded this year to Chinese Architect Liu Jiakun. Born in Chengdu in 1956, he grew up in the densifying city, before attending and graduating from the Chongqing Architecture and Engineering College (Chongqing University) in 1982 with a Bachelor of Engineering degree in Architecture, and becoming one of the first college graduates to be tasked with rebuilding the country during the Chinese transition period. However, it wasn't until many years later that the architect understood that "the built environment could be used as a medium for personal expression". It was then that his endeavors and career took off, with Liu Jiakun starting his practice in 1999, and participating in more collaborative works across China and Europe. Based on his experiences, his works are anchored in his understanding of reality and a respect towards China's multi-traditional history and internal diversity; all while achieving a seamless balance between architecture and nature, tradition and modernity.
These concepts do not obstruct his consciousness of human needs and the importance of community spaces. Through his projects, Liu Jiakun proves that spaces can affect human behavior and become positively evocative. A public space such as those he's created can be conducive to a benevolent atmosphere that provides rest and collaboration. "such as my pursuit of narrative and poetry in design." The comprehensiveness of Liu Jiakun's works makes it easy not to be constrained by stylistic or aesthetic limitations or requirements. He just follows what the site, natural landscape, pre-existing urban frame, and citizen needs might require. The physical result is a mix of all of these with the predominant vernacular traditions.
The concept of "sponge cities" has gained prominence since it was introduced by Chinese landscape architect Kongjian Yu, founder of Turenscape, and was officially adopted as a national policy in China in 2013 to combat urban flooding. This approach prioritizes nature-based infrastructure such as wetlands, rain gardens, and permeable pavements, creating landscapes with porous soil where native plants can thrive with minimal maintenance. When it rains, these systems absorb and slow down water flow, reducing flood risks. In contrast, traditional concrete- and pipe-based drainage solutions, though widely used, are costly, rigid, and require frequent maintenance, sometimes even making cities more vulnerable to flooding due to blockages and overflows.
Museums and cultural centers hold a unique position in society as spaces for learning, community, and connection. They serve as platforms for preserving history and engaging the public with new ideas and perspectives. Architecture plays a key role in shaping these experiences, providing the physical and emotional framework that enhances how people interact with art, culture, and each other. From monumental structures to more intimate designs, these cultural buildings have the potential to reflect local identities, champion sustainability, and inspire visitors while creating lasting cultural landmarks.
From Los Angeles to Turku and Vinh Long, this collection of conceptual museum and cultural center designs submitted by the ArchDaily community highlights the diversity and creativity of unbuilt projects. Each month, ArchDaily's editors select a collection of conceptual projects centered around a specific theme or program, submitted by architects from across the globe. In this collection, proposals range from a children's museum expansion in the United States to a sustainable agricultural museum in Vietnam, all showcasing how architecture can respond to distinct local contexts while fostering universal themes of education, play, and discovery. Whether celebrating archaeological heritage in Cyprus or reimagining public spaces in Finland, these projects explore how museums can serve as cultural hubs that engage and uplift their communities.
Buildner has announced the results of its Museum of Emotions Competition Edition 5. The Museum of Emotions is an annual international design competition that tasks participants with exploring the extent to which architecture can be used as a tool to evoke emotion.
The Metropolitan Museum of Art in New York has unveiled the design for a new wing dedicated to its 20th- and 21st-century art collection. Architect Frida Escobedo, the first woman to design a Met wing, is leading the project. The Oscar L. Tang and H.M. Agnes Hsu-Tang Wing will increase gallery space by almost 50 percent, adding over 70,000 square feet. This expansion will address accessibility issues, improve infrastructure, and enhance the sustainability of the building. The opening of the new wing is anticipated in 2030.
Situated along the River Mur in the Lend district, the Kunsthaus challenges traditional architectural norms with its organic, free-flowing design. Rejecting orthogonal geometry, the museum seamlessly merges art, architecture, and public interaction, redefining the concept of a cultural institution. Its impact extends beyond aesthetics, sparking urban revitalization in a once-overlooked neighborhood, and bringing cultural vibrancy and economic activity.
The Museo Egizio in Turin, Italy, celebrated its bicentennial this year with the inauguration of its redesigned Gallery of the Kings. This renovation, designed by OMA architects David Gianotten and Andreas Karavanas in collaboration with Andrea Tabocchini Architecture, marks a significant enhancement to the museum's exhibition spaces. The project, commissioned following a 2023 competition win, forms a key component of a larger Museo Egizio revitalization scheduled for completion in 2025. This larger project also includes a new covered courtyard and interconnected public spaces.
Cultural centers are vibrant places where art, community, and innovation intersect—each uniquely crafted to embody and celebrate its local character. This month's projects, submitted by the ArchDaily community, showcase a diverse array of cultural spaces, from the transformation of a historic townhouse in Montreal to a dynamic creative hub in Riyadh and an eco-conscious visitor center in Tennessee's mountains. Each design offers a new perspective on what a cultural center can be, whether a hub for creativity, a sanctuary for nature, or a bridge to the past.
The redevelopment of the International Slavery Museum and Maritime Museum in Liverpool, UK, has been officially approved. Led by Feilden Clegg Bradley Studios, the project titled "Two Museums, One Vision" aims to transform the two venues on Liverpool's waterfront into engaging and welcoming spaces that properly address contemporary issues and reveal untold histories. aims to comprehensively narrate Britain's maritime history alongside its involvement in the transatlantic slave trade. Both venues are set to close early in 2025 for the redevelopment works to begin, according to the National Museums Liverpool. The completion date is scheduled for 2028.
In recent weeks, a series of significant architectural developments have been announced, showcasing the varied work of renowned firms from around the globe. These projects, revealed between late September and October 2024, emphasize the transformative potential of architectural design in rehabilitating historical structures, revitalizing urban areas, and proposing new facilities to meet the evolving needs of communities. Notable names such as Zaha Hadid Architects, Kohn Pedersen Fox (KPF), and Studio Egret West are among those leading ambitious projects, from the waterfront residences on Qetaifan Island in Qatar to the reimagining of London's Earls Court. This collection of recent announcements provides a glimpse into the ongoing evolution of urban landscapes and community-centric architecture.
WXCA Architectural Design Studio has unveiled its design for a new museum aiming to honor the 1918-1919 patriotic uprising and victory of the people of Greater Poland. Situated near the historic St. Adalbert's Hill, home to an 800-year-old church, the museum is set to become a significant cultural and historical site. In addition to its preservation of history, the museum aims to offer the people of Poznań a contemporary public space to highlight this collective heritage. WXCA architects won the 2019 competition for the museum design and urban concept. The project began construction in early 2024 and is expected to open to the public in 2026.
Snøhetta has revealed its design for a new building dedicated to a well-loved institution, the OmahaChildren's Museum. Located just a few blocks from the Kiewit Luminarium and overlooking the river, this new facility is designed following best practices in early child development, providing exhibits and programming aimed at fostering joy, curiosity, and connection for young children and their caregivers.
With the heightening of ecological and social crises all around the world, architects have had to re-evaluate their role, impact, and design approach. As the "new needs" of people arise, new architectural processes must be explored to answer them. However, this still comes with much resistance from the standing practices and push for financial gain that often makes it difficult to implement more comprehensive solutions. These notions led the CCA (Canadian Center for Architecture) to launch their new 3-part film and exhibit series called " Groundwork", curated by the associate director, Francesco Garutti. Through this project, the CCA selected and followed three renowned contemporary architects/practices as they developed their concepts and field research, which allowed them to engage respectfully with their site and residing communities. It's an up close and personal look into what motivates the selected architects to examine alternative ways of designing and the challenges they go through as the three parallel stories unfold.
The first exhibit opening and movie screening was held in May 2024, followed by an in-conversation event with the program curator and architect, where the question of "What is architecture today" was discussed. The exhibit and its many showcased elements, channels visitors along to the first site exploration with DnA's Xu Tiantian as she ventures "Into the Island" of Meizhou, China, in the summer of 2022.
The relationship between art and humanity dates back to the origins of civilization. Museums have become spaces where vast collections of art and artifacts narrate the history of time, humankind, cities, and countless stories about cultures and societies. Over the years, the museum's role has evolved, taking on different forms and scales, including the modern-day art gallery. The importance of art and culture in contemporary cities and neighborhoods is undeniable. However, galleries serve multiple roles in integrating art and culture into daily life. Why are these spaces valuable to communities? How do they support emerging artists? How can galleries revitalize neighborhoods?
