Liu Jiakun: The Latest Architecture and News

"I want to start by thanking architecture itself." With these words, Chilean architect Smiljan Radić, the 55th laureate of the Pritzker Architecture Prize, opened his acceptance speech in Mexico City. Reflecting on what he calls "distractions," he thanked the many encounters that have accompanied him throughout his life and practice: from art, cities, materials, structures, and compositions to landscapes, poetry, nature, forms, stories, and memories. He spoke about what, within them, provoked him and the marks they left on his architectural imagination.

From the black light in Chandigarh and the interior of San Salvatore in Rialto, to the heaps of stone on the Croatian island of Brač; from the fallen columns of the Temple of Poseidon and the abandoned shires scattered across Chile, to People Meet in Architecture, Kazuyo Sejima's 2010 Venice Architecture Biennale, the traveling Chilean circus, and the silence of the water within the cisterns of Hagia Sophia, his speech unfolded as a tribute to moments, encounters, and distractions. A collage of memories and impressions that, together, shaped the architect he became.

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Videos

The Pritzker Architecture Prize has released a special video honoring Liu Jiakun, the 54th Laureate of the award. Filmed at the Louvre Abu Dhabi, the ceremony celebrates Liu's architectural vision, characterized by a deep engagement with civic life, cultural continuity, and the human condition. The film captures moments from the event and offers insight into Liu's broader practice, emphasizing architecture's capacity to reconcile tradition and modernity while addressing social and environmental challenges. The release of the ceremony video marks the culmination of the 47th edition of the Pritzker Architecture Prize. The 2026 Laureate will be announced in March, continuing the award's legacy of recognizing architects whose work advances the discipline and its role in shaping human experience.

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The Pritzker Architecture Prize, in collaboration with the Department of Culture and Tourism – Abu Dhabi, hosted On Land: A Model for Community, the 2025 Pritzker Architecture Prize Laureate Lecture and Panel Discussion. The event took place at the Cultural Foundation in Abu Dhabi on Saturday, May 3rd.

A good conversation can make time feel like it's passing more quickly. But is this effect solely due to the verbal exchange, or could our perception of time be shaped by the spatial conditions surrounding us? There are environments that, due to their scale, distribution, and atmosphere, are conducive to meeting, listening, or pausing, thereby influencing the human experience. Perhaps it's not the words we share, but the space in which we speak that truly shapes our understanding of time. Some sociological theories about our society and the built environment go beyond considering it as a mere physical container and suggest that architecture, in its very duality, can act as both an inhibitor and a catalyst for our temporal experiences, impacting our wellbeing.

For nearly the past two decades, cities around the world embraced "starchitecture"—futuristic, eye-catching buildings designed by globally renowned architects. In China, this trend was particularly pronounced as rapid urbanization fueled the construction of iconic megastructures like Zaha Hadid's Galaxy SOHO, OMA's CCTV Headquarters, and Herzog & de Meuron's Bird's Nest Stadium in Beijing. At the time of their construction, these were all celebrated as symbols of progress and global ambition. However, architecture worldwide has begun shifting toward a more context-driven, human-centered approach, with China emerging as one of the key contributors to this transformation. This year, Liu Jia Kun's 2025 Pritzker Prize further underscores that shift.

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The world watches China's development with a mix of admiration, curiosity, and apprehension. From massive infrastructure projects—such as hydroelectric plants and a modern high-speed rail network—to the emergence of entire cities built from scratch, the country showcases an ambitious growth strategy and an impressive capacity for execution. However, this rapid progress also brings significant challenges and stark contrasts. On one hand, modernity asserts itself in futuristic skyscrapers and cutting-edge technology; on the other, there remains a pressing need to preserve the country's rich cultural and historical heritage, reflected in ancient temples, imperial palaces, and historic cities.

Rapid urban growth has also introduced issues such as overcrowding, environmental pollution, increasing social inequality, and the loss of agricultural land. Large-scale urbanization has led to the disappearance of traditional villages, environmental degradation, and the homogenization of architecture and lifestyles in many Chinese cities. It is within this context that Liu Jiakun, awarded the 2025 Pritzker Prize, stands out for his subtle yet profoundly transformative architectural approach. His work responds to these and other challenges of Chinese society while valuing traditional materials and techniques, as well as the creation of communal spaces.

Chinese architect and educator Liu Jiakun has been announced as the laureate of the 2025 Pritzker Architecture Prize, the highest honor in the architecture field. This prestigious award recognizes Jiakun, founder of Jiakun Architects (established 1999), for his ability to blend traditional Chinese elements with contemporary design and for his commitment to social equity in the built environment. Born in Chengdu, China, where he continues to live and work, he becomes the second Chinese architect to receive the accolade, following Wang Shu (2012). Jiakun joins a distinguished list of previous laureates including Riken Yamamoto in 2024, David Chipperfield in 2023, and Francis Kéré in 2022. The award ceremony will be held this spring at the Jean Nouvel-designed Louvre Abu Dhabi, with a global video release of the presentation this fall, followed by the 2025 Laureates' Lecture and Symposium in May.

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The 2025 Pritzker Prize has been awarded this year to Chinese Architect Liu Jiakun. Born in Chengdu in 1956, he grew up in the densifying city, before attending and graduating from the Chongqing Architecture and Engineering College (Chongqing University) in 1982 with a Bachelor of Engineering degree in Architecture, and becoming one of the first college graduates to be tasked with rebuilding the country during the Chinese transition period. However, it wasn't until many years later that the architect understood that "the built environment could be used as a medium for personal expression". It was then that his endeavors and career took off, with Liu Jiakun starting his practice in 1999, and participating in more collaborative works across China and Europe. Based on his experiences, his works are anchored in his understanding of reality and a respect towards China's multi-traditional history and internal diversity; all while achieving a seamless balance between architecture and nature, tradition and modernity.

These concepts do not obstruct his consciousness of human needs and the importance of community spaces. Through his projects, Liu Jiakun proves that spaces can affect human behavior and become positively evocative. A public space such as those he's created can be conducive to a benevolent atmosphere that provides rest and collaboration. "such as my pursuit of narrative and poetry in design." The comprehensiveness of Liu Jiakun's works makes it easy not to be constrained by stylistic or aesthetic limitations or requirements. He just follows what the site, natural landscape, pre-existing urban frame, and citizen needs might require. The physical result is a mix of all of these with the predominant vernacular traditions.

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Liu Jiakun, the 2025 Pritzker Prize winner, has spent decades redefining Chinese architecture by combining utopia with function and social engagement with personal memory. His buildings are reflections of the everyday lives of ordinary people, crafted with an understanding of place, culture, and materiality. Rejecting the pursuit of a fixed architectural style, Jiakun believes in a strategy rather than a signature aesthetic, tailoring each project to its specific context and needs. His work integrates history with contemporary urban needs, collectivism with individual experience, and density with openness, offering timely solutions to the challenges of rapid urbanization.

Jiakun's approach is deeply rooted in Chinese philosophy, common sense, and local craftsmanship, ensuring that architecture grows naturally from its surroundings rather than being imposed upon them. His buildings reflect an authenticity that speaks to both past and present, avoiding grand gestures in favor of spaces that foster interaction, spirituality, and human connection.

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I first went to China in 2002, a year after the International Olympic Committee awarded the 2008 Summer Games to Beijing. That initial trip was about exploring nature, cuisine, ancient temples, archeological sites, and, in general, experiencing lifestyles in China, mainly outside of its major cities. I was motivated by the pure curiosity of a Western tourist driven to an Eastern country in search of the old world, the exotic, hoping to catch a glimpse of a rich traditional culture on the cusp of its inevitable radical transformation. At the time, there was no modern, or rather contemporary, architecture in China to speak of. There were only the promising first hints of the development of a potentially new architectural language being undertaken by just a handful of independent architects almost entirely under the radar.

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