Temporary Exhibits: The Latest Architecture and News

Architecture is increasingly asked to do less, not more. In environments shaped by constant movement, noise, and expectation, spaces that allow people to stay, pause, and be present have become both rarer and more necessary. Many public and semi-public places are designed to keep people moving, consuming, or reacting, leaving little room for lingering, observation, or simply being without a reason.

In response, a growing body of work is shifting attention away from activation and toward presence. Rather than asking users to interact or participate, these spaces create conditions that support staying. Comfort, continuity, and openness allow people to remain without pressure or obligation, making presence a spatial quality rather than an activity.

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What can a pavilion’s architecture reveal about its country? At major World Expos, national pavilions are designed to answer this question, transforming into spaces laden with symbolism. Though temporary, these structures are rich in meaning, functioning as architectural expressions of political identity. Their forms and materials encapsulate national ambitions. Expo Osaka 2025, the latest chapter in this ongoing narrative, showcases how nations increasingly use built space to construct global images of themselves—sustainable, technological, culturally distinct, and geopolitically relevant.

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“ReviveR,” a new exhibition by MVRDV opened at the Shenzhen Women & Children’s Centre, focused on the different narratives surrounding its hosting building, from the role of play and social interaction, to the importance of fun environments for people of all ages, along with the need to reduce carbon emissions by applying principles of circularity. The exhibition is on display in the building’s 5th-floor auditorium from December 6, 2023, until February 28, 2024.

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The 10^th edition of Passages Insolites is taking place from June 22 until October 9, 2023, bringing together artists from around the world. The public art circuit is presented by the City of Quebec and created by EXMURO arts public to showcase a retrospective artistic path through the city, recalling the event’s previous editions. The public art event takes place every summer in Quebec City in in the Place Royale, Petit Champlain and Old Port districts. This year, the event presents works of art from 40 artists, headlined by Felice Varini, who presents a monumental three-dimensional work at Place-Royale.

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Videos

The European Cultural Centre (ECC), a non-profit organization dedicated to fostering cultural exchanges on an international scale, showcased its sixth edition of the Time Space Existence architecture exhibition alongside this year's Venice Architecture Biennale. The 2023 installment was centered on the theme of sustainability in its various forms, encompassing subjects related to migration, digital building technologies and material research, future urban developments, and housing, bringing together architects, designers, artists, academics, and photographers from 52 different countries.

Through diverse mediums and perspectives, participants have explored the philosophical concepts of Time, Space, and Existence. With a total of 217 projects on display, the exhibition is held at Palazzo Bembo, Palazzo Mora, and the Marinaressa Gardens in Venice, throughout the six-month duration of the 2023 Venice Architecture Biennale, running from May 20th to November 26th, 2023. Focusing also on emerging young architects, designers, and researchers, the 2023 edition of the exhibition is a proactive endeavor to reimagine alternative lifestyles and reconceptualize architecture within the contemporary landscape.

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The Unfolding Pavilion is a recurring exhibition and editorial project by Daniel Tudor Munteanu and Davide Tommaso Ferrando that aims to highlight previously inaccessible but architecturally significant spaces. Now in its fourth edition, the exhibition is dedicated to the Giardini della Biennale, the Venetian garden that became the main location for one of the most important architecture exhibitions worldwide, the Venice Biennale. Through a series of site-specific interventions and photographs by Laurian Ghinițoiu, the Unfolding Pavilion #OPENGIARDINI set out to explore the paradoxical state of this public space that is not publicly accessible.

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Successfully challenging the audience to think in a different and more empathetic way, Lesley Lokko’s biennale is an authentic portrayal of a highly intricate subject. Inaugurated on May 20, the 18th International Architecture Exhibition – La Biennale di Venezia, titled The Laboratory of the Future, has already sparked worldwide discussions.

Taking a broader perspective on architecture, the exhibition shifts its focus towards the discipline rather than just the profession. It’s not “about building buildings per se”, explains the curator to ArchDaily. Instead, it seeks to question our conventional understanding of architecture, and with that, architectural exhibitions. The 2023 Biennale is a laboratory in every sense of the word, a global platform of experimentation, and a space to explore new ideas in the absence of spaces that allow us to do so. "It borrows its structure and format from art exhibitions, but it differs from art in critical ways which often go unnoticed", states Lesley Lokko in her initial statement.

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Biennales, exhibitions, and architecture focused festivals provide a platform for opening debates, conducting research, and driving innovation, but they can also contribute to the incremental changes that shape the image and the character of a city. Through temporary installations and experiments, this type of events have the opportunity to open lines on inquiry into the quality of urban spaces, inviting visitors and residents to slow down, break away from their daily routine and interrogate their local environments. The effects might not be immediate, but by cumulating these impressions and moments of contemplation, architecture and design festivals can have a long-lasting impact on the cities that welcome them.

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CRA-Carlo Ratti Associati, together with architect Italo Rota and urbanist Richard Burdett, unveiled the master plan for Rome’s bid to host the World Expo in 2030. The project proposes a joint effort from every participating country to contribute to a solar farm that could power the exhibition site and help decarbonize the surrounding neighborhoods. The Expo is proposed to take place in Tor Vergata, a vast area in Rome and home to the eponymous university and a densely inhabited residential district. All the pavilions are designed to be fully reusable, as the area is proposed to be transformed into an innovation district after the event in the hope of revitalizing the somewhat neglected neighborhood. The master plan was developed with several partners, including ARUP for sustainability, infrastructure, and costing, LAND for landscape design, and Systematica for mobility strategy.

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Nevada's annual Burning Man has retured to the Black Rock Desert, after a three-year physical attendance hiatus due to the pandemic. From August 28 until September 5th, this year's festival explored the theme of "Walking Dreams", celebrating the dreamers who channel the power of dreams and imagination, both in literal and figurative ways. Similar to every year, the pavilions that were installed in the desert explored the theme in creative and unexpected ways.

This year, many of the installations approached themes of ecology and sustainability. Some of the installations were built with reused materials, including an interactive light sculpture made from plastic recovered from the ocean. Every year, the Burning Man festival issues a number of grants, funded from revenues from ticket sales, for the purpose of partially funding specific art projects.

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Other Architects and Retallack Thompson designed a site-specific installation in the sculpture garden at the National Gallery of Victoria in Melbourne for their inaugural NGV Triennial; an exhibition of international, contemporary art and design. Their concept? An "anti-pavilion."

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From March 30 to June 10, 2018, the Fondation Cartier pour l'art contemporain will host Junya Ishigami's exhibition, Freeing Architecture. This is the first major solo exhibition that the Fondation Cartier in Paris has devoted to an architect, and fitting that it would lend itself to an important and singular figure of Japan's young architecture scene.

Ishigami - winner of the Golden Lion award at the Venice Biennale in 2010 - has instilled this conceptual body of work with his trademark flair: calm, free fluidity, with bright tones and playful curves. The projects in the exhibition range from large scale models to films and drawings, and when placed in the context of the exhibition, they bring to life Jean Nouvel's iconic building as well.

Laurian Ghinitoiu gives us a glimpse inside the exhibition ahead of the opening day tomorrow. His photos reveal the lightness and ethereal quality of Ishigami's hand. 

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