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The final piece of the central tower of Barcelona's Sagrada Familia has been laid in place, bringing the church to its maximum height of 172.5 m. La Sagrada Familia, one of architectural history's most notorious unfinished buildings, became Antoni Gaudí's defining project in 1883, when he transformed a neo-Gothic design into one of the best-known structures of Catalan Modernisme. One hundred and forty-four years after construction began, the upper section of the 17-meter-high, four-sided steel and glass cross was winched into position at 11 a.m. on Friday, February 20, completing the tower dedicated to Jesus Christ. This milestone confirms the project's final stage of construction, which, back in March 2024, was announced as one of the most anticipated completions of 2026, commemorating the centenary of Antoni Gaudí's death.

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Hospitality-driven programs, specifically coffee shops and social hubs, are partly defined by their role as "third places": social anchors that bridge the gap between private and public life. Unlike residential or commercial office programs that require rigid partitioning for privacy and utility, they rely on expansive, open-plan environments. This allows for an architectural strategy of minimal intervention, allowing the structural envelope to remain intact. By avoiding the subdivision of space, architects maintain uninterrupted sightlines to original masonry, timber frames, or decorative ceilings, ensuring the building's historical narrative remains the protagonist. Simultaneously, the commercial activity provides the necessary maintenance and public engagement to ensure the site's continued existence.

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As the primary interface between interior spaces and the external environment, facades play a central role in both the performance and architectural expression of buildings. Increasingly, they are no longer seen as static envelopes, but as active mediators between climate, energy, use, and aesthetic. In dense urban contexts, however, they are also gaining relevance for another reason: while roof surfaces are often limited, fragmented, or already occupied by technical equipment, vertical envelopes remain largely underutilized in terms of energy production.

The Snøhetta–designed Shanghai Grand Opera House is nearing completion on the banks of the Huangpu River, with opening anticipated in the second half of 2026. Newly released images document the project as interior works advance and key public spaces take shape. The opera house was first awarded to Snøhetta following an international competition in 2017 and has since been developed by a consortium including East China Architectural Design & Research Institute (ECADI), Theatre Projects, and Nagata Acoustics. Commissioned in 2019, the team has led the project from concept design through construction, integrating architectural, landscape, interior, and acoustic strategies within a unified framework.

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Kengo Kuma and Associates was recently awarded first prize in the competition to design a new library in Rzeszów, the capital of the Subcarpathian Voivodeship in southeastern Poland. The city, home to nearly 200,000 residents, lies on the Wisłok River and is known as a center for the aviation industry. Strategically positioned along the main Kraków-Lviv railway and road corridor, it also serves as an important transit point near the Ukrainian border. Located on Józef Piłsudski Avenue, the new library is conceived as a connector between the Marshal's Office of the Podkarpackie Voivodeship and the nearby Secondary School Complex, reinforcing the area's civic character. The program combines traditional library functions with cultural, educational, and artistic spaces. In addition to reading and collection areas, an expanded event zone includes a music hall, multifunctional hall, conference rooms, and administrative areas. A spiraling library volume forms the tallest element of the complex, while event spaces and roof terraces extend the program outward, linking the building's activities with the surrounding city.

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Architecture is often evaluated through finished forms, yet some practices operate in a different register, one where design unfolds through relationships, time, and use rather than through a single outcome. For CatalyticAction, participation is not a parallel social activity, but the means through which spaces are conceived, constructed, and sustained over time.

Based between Beirut and London, the practice has worked across the Middle East and Europe, developing public spaces, schools, playgrounds, and everyday urban infrastructures through long-term collaboration with local communities. Grounded in participatory research and collective decision-making, this approach was recognized through ArchDaily's 2025 Next Practices Awards, highlighting a mode of practice where architecture is understood as a shared, evolving process rather than a fixed object. In this context, architectural value is measured through continuity, use, and collective ownership, rather than through form alone.

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Contemporary workplaces promise collaboration, yet they increasingly struggle to provide spaces for privacy. In an era dominated by open-plan layouts, small acoustic spaces like phone booths and focus pods have become essential for maintaining productivity and privacy. However, the paradox of "booking conflicts" alongside "underutilized spaces" has turned these areas into operational challenges. The question, then, is how workplaces can balance efficiency, productivity, and individualized user experiences within increasingly complex environments.

In some languages, the very word for building refers to its immovability. The discipline of engineering related to buildings is referred to as statics. Thus, architecture is closely related to the fixed and the immobile. And yet, for millions of nomadic people around the world, shelters must be of a light and distinctly movable structure, while home is the vast landscape in which they reside. Such lifestyles, which carry centuries of traditions, are constantly under threat from the pull factors of sedentary life in towns and cities. In Tunisia, one project acknowledges the risk of heritage loss and attempts to improve conditions for nomadic herders.

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With the Milano–Cortina 2026 Winter Olympics underway, it is worth looking back at how the Olympic Village has evolved from a purely functional solution into a strategic urban project. From improvised housing compounds to key pieces of urban regeneration, Olympic Villages have repeatedly functioned as large-scale experiments in how parts of the city can be built within a short period of time.

Designed under intense time pressure and for a highly specific population, these environments reveal shifting ideas about housing, collective life, and the urban legacy of mega-events. Across different editions, the Olympic Village reflects broader ways in which events, housing, and cities intersect under conditions of urgency.

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To fully know a city's architectural heritage, one must look beyond its designated sites and iconic buildings. For many, understanding a city's urban fabric and what makes it tick also means discovering the smaller-scale, locally appreciated, conserved buildings and popular gathering spaces. This is especially true when considering bustling Vietnamese cities, with their peculiar architectural characteristics, which can only be appreciated when learning about their many inspirations and historic layers, combining traditional Vietnamese motifs, modernism, local materiality, and climatic design solutions, but mostly by learning about the site constraints that are addressed through the implementation of the narrow tube houses and low-rise buildings.

These key styles and architectural movements are often maintained and even highlighted, as architects give a second life to many rundown or abandoned buildings, transforming them into popular coffee joints. They are reviving smaller heritage sites by pushing for their restoration and regular use by the community, encouraging visitors to acknowledge the historic relevance of the space, as they covet it. 

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Videos

Some types of work only become visible when they are no longer done. They are discrete, repetitive, rarely celebrated, yet they quietly sustain the functioning of any operation. In architecture, this dimension rarely appears in the images that circulate. When we think about the discipline, we evoke seductive renderings, carefully lit perspectives, precise plans, drawings that promise possible or even utopian futures. Yet the layer that supports these formal gestures is not found in the image, but in specification, detailing, and documentation.

Since artificial intelligence moved to the center of architectural debate, the conversation has largely been driven by its ability to generate forms and atmospheres in seconds. Stylistic simulations, conceptual variations, and visual experimentation have come to symbolize technological advancement in the field. There is something understandable in this fascination: architecture has always engaged with representation as a way of imagining what does not yet exist.

Today, 20 February, the United Nations marks World Day of Social Justice under the theme "Renewed Commitment to Social Development and Social Justice." This year's observance takes place in the aftermath of the Second World Summit for Social Development in Doha and the adoption of the Doha Political Declaration, renewing the commitments first articulated in the 1995 Copenhagen Declaration: poverty eradication, full and productive employment, decent work for all, and social inclusion as interdependent pillars of development. At a moment defined by widening inequalities and accelerating environmental and technological transitions, the 2026 commemoration calls for translating political affirmation into measurable, cross-sectoral implementation.

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On January 30, an exhibition entitled "Concours Beaubourg 1971: Une mutation de l'architecture" opened in Paris, showcasing archival material from the competition that resulted in the selection of the current Centre Pompidou, designed by Renzo Piano and Richard Rogers between 1969 and 1974. In view of the building's recent closure for renovation, approximately 100 archival documents, including some never before exhibited from the Centre Pompidou's collections (plans, drawings, photographs, models, etc.), are on display at the Académie d'Architecture at Place des Vosges until February 22, 2026. Co-produced by the Académie d'Architecture and the Centre Pompidou, with support from the École nationale supérieure d'architecture de Saint-Étienne, the exhibition presents alternative, imaginative, and sometimes unbuildable proposals for the building. It offers a review of a fertile period in architectural history, highlighting the lasting effects of the "Beaubourg competition" on the discipline and profession.

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​​A Gothic cathedral can take centuries to complete. A world exposition pavilion may stand for six months. A ritual structure in Kolkata rises and vanishes within five days. Yet each draws pilgrimage, shapes collective memory, and reorganizes urban life. If heritage has long been defined by what endures, architecture repeatedly shows that cultural authority can also belong to what gathers people.

For much of the twentieth century, conservation frameworks privileged permanence. The Venice Charter, adopted by the International Council on Monuments and Sites, focused on safeguarding monuments and their material authenticity. Cultural value was tied to physical fabric such as stone, brick, and timber. To protect heritage was to preserve what stood. The logic felt stable, even self-evident.

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A revitalized canning factory in a coastal Portuguese city, a memorial park in Ethiopia, a small-town Brazilian home, a wooden pavilion evoking Bahrain's heritage, and 11 other visionary projects comprise the winners of the 2026 ArchDaily Building of the Year Awards. Chosen over three weeks of public voting, the winners are representative of the current architectural landscape, reflecting a diversity of approaches, materialities and aesthetics, while also showcasing common threads across cultures.

In its 17th edition, this year's Building of the Year Awards received more than 120,000 votes from over 100 countries, marking a record-breaking year for the world's largest community-driven architecture award. The winners represent 14 different countries, cultures and perspectives, coming from Brazil, Canada, Chile, Colombia, Denmark, Ethiopia, Germany, India, Indonesia, Japan, Portugal, South Korea, United States and Vietnam.

When Hong Kong's architectural story is told, it is often reduced to a handful of icons. Many people most readily name I.M. Pei—Pritzker Prize laureate and architect of the Bank of China Tower in Central (1990), as well as global works such as the Le Grand Louvre in Paris and the Miho Museum in Shiga. Looking elsewhere, one also encounters a long lineage of British and international architects whose imprints have shaped the city's institutional skyline: from Ron Phillips' civic works—most notably the former Murray Building (1969), now The Murray Hotel, and Hong Kong City Hall (1962)—to Norman Foster's infrastructural and corporate monuments, including the Hongkong and Shanghai Banking Corporation (HSBC) Tower (1986) and Hong Kong International Airport (1998), and, more recently, Zaha Hadid Architects' The Henderson (2024).

Yet within the same period as Pei and Foster, local architects were also producing buildings of enduring significance—works that carried the legacies of Bauhaus, but translated them into a language distinctly calibrated to Hong Kong's climate, density, and civic life. These projects may not always read as commercially prominent icons, yet they often register a sharper sense of social responsibility and public agenda. Among the most important figures in this lineage is the late architect Tao Ho, whose work and public role formed a quieter—but no less foundational—strand in Hong Kong's modern architectural heritage.

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Buildner has announced the results of the Dubai Urban Elements Challenge, a landmark international design competition organized in strategic collaboration with Dubai's Roads and Transport Authority (RTA). With a total prize fund of 2,000,000 AED (approximately €500,000), the initiative represents one of the most significant publicly funded global design competitions focused on urban transformation.

The competition was conceived as a forward-looking procurement and innovation platform for one of the world's fastest-evolving metropolitan environments. Participants were invited to propose modular, climate-responsive urban elements—seating systems, shading devices, lighting infrastructure, wayfinding components, rest areas, and micro-retail structures—designed to enhance pedestrian life and strengthen Dubai's public realm identity.

This week's news brings together developments in professional recognition, cultural programming, and large-scale urban strategy, reflecting the multiple scales at which architecture shapes contemporary discourse. As the field anticipates the next Pritzker Architecture Prize announcement, conversations around authorship, civic responsibility, and long-term impact unfold alongside the American Institute of Architects' 2026 Honorary Fellowship appointments, situating individual achievement within broader institutional frameworks. At the same time, updates from Riyadh to London foreground the role of architecture in both enabling new cultural platforms and safeguarding post-war heritage. Complementing these narratives, the reassignment of the 2029 Asian Winter Games and progress on expansive public landscapes highlight how cities are aligning infrastructure delivery, environmental resilience, and territorial planning with long-term economic and social agendas.

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Concéntrico is an urban innovation laboratory that invites reflection on the city through architecture and design. Since 2015, it has carried out more than 180 interventions in Logroño, Spain. The new 2025/2026 season of the festival expands on this experimental spirit with three international calls for proposals that bring the ideas in the book Concéntrico: Laboratorio de Innovación Urbana (Park Books, 2025) into action. Through these calls, the organization seeks to explore further three lines of research, the ephemeral, the ecological, and the symbolic, to imagine different ways of inhabiting the city. The winning projects from this edition's calls for entries will be developed, built as urban installations, and presented in the exhibition during the festival, taking place in Logroño from June 18–23, 2026.

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Post offices stand among the most enduring monuments of civic life in the United States. Across towns and city centers, they carry the shifting architectural ambitions of the nineteenth and twentieth centuries, from Greek Revival formality to Beaux-Arts monumentality and Art Deco ornament. Architects and federal planners would give these buildings a clear public role and a powerful physical presence. Stone façades, monumental halls, and crafted interiors projected stability, trust, and permanence. The post office placed the federal government directly into the everyday landscape of American life.

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Videos

The single-family house remains one of the most complex territories in contemporary architecture. At once intimate and technical, everyday and symbolic, it concentrates debates around comfort, sustainability, landscape, and ways of living, while also serving as an instrument for projecting the identity of its inhabitants. It is within this field that ARK Architects operates. Based in Marbella and Sotogrande, the studio's work, under the creative direction of co-founder Manuel Ruiz Moriche, develops from a direct relationship between architecture, natural light, and environmental context.

Videos

Construction continues on King Salman Park in Riyadh, a 16.9-square-kilometre public landscape taking shape on the grounds of the city's former airport. Led by Omrania as lead design consultant, in collaboration with Henning Larsen for master planning and urban design, the project reimagines the centrally located site as a large-scale green and cultural district. Conceived as a new civic core for the capital, the park combines ecological restoration, public programming, and mixed-use development. Initial phases are expected to open in late 2026, with substantial completion targeted for 2027, following a phased construction schedule currently underway.

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Exhibitions can be an opportunity to extend architectural discourse beyond professional circles, opening conversations with broader publics and serving as an interface between architecture and society. Within this concept, major international events such as the Osaka International Expo 2025 and the Venice Architecture Biennale have adopted the idea of the circular economy as one of their organizational objectives. The idea of circularity in events can be reflected in, for example, their energy consumption, the impact of the displacement they generate, their waste, or the useful life of their infrastructure. The site destined for the last World Expo, held in Osaka from 13 April to 13 October 2025, was surrounded by a massive timber structure designed by Sou Fujimoto Architects, one of the world's largest wooden constructions. The Japan Association for the 2025 World Exposition committed to reusing building materials "as much as possible," with concrete plans for their reuse to be finalized by March. In the meantime, some relocation alternatives are already emerging for the pieces of the World Expo structure.

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On December 23, 1972, Managua, the capital of Nicaragua, was struck by a 6.3-magnitude earthquake. In a matter of minutes, its urban core, which for decades had functioned as a compact political and economic center, abruptly collapsed. In the reconstruction process that followed, the authorities sought not simply to rebuild but to reorganize. Their objective was to decentralize the city and prevent future paralysis by dispersing functions across multiple zones. Among the most significant architectural outcomes of this shift was the new Metropolitan Cathedral. Its modernist language symbolized both institutional continuity and urban transformation. In doing so, it embodied Managua's transition from a Spanish-style, centralized urban grid to a contemporary, decentralized metropolis.

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