Steven Holl Architects has been selected to lead the renewal of Ida Noyes Hall at the University of Chicago in Illinois. The project will upgrade the 111-year-old building's infrastructure, improve accessibility, and introduce new spaces for programs, events, and informal gathering while preserving its historic character. Designed by Shepley, Rutan & Coolidge and completed in 1916, Ida Noyes Hall was originally conceived as a women's clubhouse and has since evolved into a broader campus gathering space. JLK Architects will serve as the historic preservation architect, with Workshop Architects leading student-life programming and operations planning.
Architecture this week reflects the intersections of legacy, authorship, and social responsibility, as practices navigate questions of identity, recognition, and public engagement. Legal rulings, major competition shortlists, and large-scale urban proposals illustrate how architecture continues to operate across cultural, institutional, and environmental arenas. From sustainability-driven landmarks and transformative waterfront developments to iconic commercial towers, projects demonstrate approaches to ecological strategies and public programming. At the same time, global observances such as World Hearing Day highlight how spatial design shapes inclusion and accessibility, reminding the profession that the built environment can influence participation, learning, and well-being for diverse communities.
As the architecture community looks ahead to the announcement of the 2026 laureate of the Pritzker Architecture Prize, anticipation once again gathers around what is widely regarded as the profession's highest honor. Founded in 1979 by Jay Pritzker and administered by the Hyatt Foundation, the prize recognizes a living architect whose body of work demonstrates a consistent and significant contribution to humanity and the built environment.
"Dance, dance… otherwise we are lost." This oft-cited phrase by Pina Bausch encapsulates not only the urgency of movement, but its capacity to reveal space itself. In her choreographies, space is never a neutral backdrop, it becomes a partner, an obstacle, a memory. Floors tilt, chairs accumulate, walls oppress or liberate. These are architectural conditions, staged and contested through the body. What Bausch exposes — and what architecture often forgets — is that space is not simply built, it is performed. Her work invites architects to think not only in terms of materials and forms, but of gestures, relations, and rhythms. It suggests that architecture, like dance, is ultimately about how we inhabit, structure, and emotionally charge the spaces we move through.
Historically, architecture and dance have operated in parallel, shaping human experience through the body's orientation in space and time. From the choreographed rituals of classical temples to the axial logics of Baroque palaces, built space has always implied movement. The Bauhaus took this further, as Oskar Schlemmer's Triadic Ballet visualized space as a geometric extension of the body. This was not scenery, but spatial thinking made kinetic. In the 20th century, choreographers like William Forsythe and Anne Teresa De Keersmaeker integrated architectural constraints into their scores, while architects such as Steven Holl, Diller Scofidio + Renfro, and Toyo Ito designed buildings that unfold as spatial sequences, inviting movement, drift, and delay.
"Steven Holl – Drawing as Thought," an extensive exhibition of the American architect's original watercolors, is now on view at the Tchoban Foundation Museum for Architectural Drawing in Berlin. It reveals insights behind some of Holl's key projects and design methodology. The selected drawings range from early unbuilt winning competition entries to some of the latest visions now under construction in Europe and the United States. Occupying the museum's two levels, the show opened on February 6 with a conversation between Holl and the museum's founder and architect Sergei Tchoban, as well as addresses by Kristin Feireiss, the exhibition's curator and founding director of the next-door Aedes Architecture Forum, and Diana Carta, an architect and scholar from Rome. The show, which can be visited until May 4th, is accompanied by a catalog that states, "The work of internationally renowned US architect Steven Holl is distinguished not only by his extraordinary buildings, with a focus on cultural and public structures such as museums, art centers, concert halls, libraries and universities worldwide, but also by his artistic oeuvre, which today comprises more than 50,000 sketches, black-and-white drawings, and watercolors. […] While exhibition visitors will only encounter a small portion of his extensive body of work, each drawing should be explored and studied individually, in keeping with Holl's intent."
The Museum for Architectural Drawing in Berlin, Germany, will host a new exhibition titled "Steven Holl – Drawing as Thought," curated by Kristin Feireiss. The exhibition explores the creative process of internationally renowned architect Steven Holl with a focus on his use of drawing as a fundamental tool in architectural design. Furthermore, the exhibition highlights Holl's extensive artistic practice, which includes over 50,000 sketches, black-and-white drawings, and watercolors, offering insight into his approach to architecture through visual exploration.
Beijing, as the cultural and political center of China, embodies a rich architectural language that bridges history and modernity, tradition and innovation, showcasing the city's profound depth and diversity. From monumental landmarks like CITIC Tower and Daxing International Airport to the hidden courtyard renovations nestled within the city's historic hutongs; from the dramatic revitalization of the Shougang industrial site to the refined transformations of Baiziwan and Baitasi, Beijing's architectural achievements continue to captivate and inspire. Every space tells a unique story of the city, blending heritage with contemporary vibrancy.
In this city, memories are preserved, and vitality thrives. Let us step into Beijing, rediscovering the "new Beijing" within the "old Beijing" through the lens of its architecture, and experience the depth of time and the pulse of the city in its dynamic spaces.
Student housing has undergone a remarkable transformation over the last century. Once seen as a utilitarian necessity, providing shelter and basic amenities for students, this architectural typology has evolved to address increasingly complex societal, cultural, and urban demands. Starting with Le Corbusier's modernist approach at the Cité Universitaire in Paris, student housing has reflected broader trends in architecture, urbanism, and social change.
Today, these buildings must cater to a highly diverse and transient population, navigating the pressures of affordability, density, and the evolving living standards of young adults. With rapid urbanization and increasing student mobility, universities now face the challenge of designing housing that is not only functional but also adaptable to different cultural and social contexts. This has led to more flexible, innovative solutions that promote both privacy and community living.
Ostrava Concert Hall . Image Courtesy of Steven Holl Architects
The Ostrava Concert Hall, designed by Steven Holl Architects, has just broken ground in the Czech Republic. Commemorating the start of construction, the concert hall “promises to be an inspiring venue for both locals and internationals who cherish Ostrava’s rich music heritage.” Designed for the Janacek Philharmonic Orchestra, it creates a dramatic contrast between old and new, aiming to create a cultural landmark.
Following an international competition, Steven Holl Architects has been selected as the winner of the commission for the Expo Albania convention center and hotel in Tirana, Albania. The winning team, comprised of Steven Holl Architects, artist Agnieszka Kurant, Atelier 4, Atelier Markgraph, Stoss, and Arup, proposes an iterative process, collecting signatures from local Tirana communities and fusing them into a single wandering line, a continuation of artist Agnieszka Kurant’s project “End of Signature”.
The University of Pennsylvania has unveiled Steven Holl Architects’ design for its new Student Performing Arts Center. The 37,300-square-foot building is set to offer dedicated and flexible spaces for over 70 student performing arts groups on campus, including dance, theater arts, a cappella groups, and musical ensembles. The proposal was informed by a study completed in 2019 by Penn’s University Life, which concluded that additional performance and rehearsal space was needed to meet current and future demand. The project is set to begin construction in 2024, with anticipated occupancy starting in winter 2027.
As part of our yearly tradition, we have asked our readers who should win the 2023 Pritzker Prize, the most important award in the field of architecture.
For those who don't know, the Pritzker Prize is funded by Jay Pritzker through the Hyatt Foundation in the United States and has been awarded to living architects, regardless of their nationality, whose built work "has produced consistent and significant contributions to humanity through the art of architecture."
The global pause of the COVID pandemic has provided an opportunity to assess present-day globalism and the architecture that has emerged alongside it. Stemming back to the broad expansion of free trade in the 90s at the end of the Cold War, globalism’s cultural promise was simple and aspirational: integrating markets globally would increase the interaction between and learning of different cultures. By normalizing such experiences in our daily lives, we would become global citizens liberated from our previous prejudices–all well-intentioned objectives.
Situated on the coast of the Mediterranean Sea, Beirut is one of the oldest cities in the world that has been shaped throughout its 5,000 year history by Phoenicians, Romans, Greeks, and the Ottomans. The Lebanese capital has been for decades a cosmopolitan city and a focal cultural and geographical link between Europe and the Middle East.
Often labeled as a resilient city, Beirut has been subject to numerous devastating events throughout its history, from a brutal 15-year civil war to one of the biggest non-nuclear blasts in history. Nowadays, the city boasts a skyline full of contrasts, where contemporary buildings rise alongside Ottoman, Roman, and Byzantine ruins. Its architecture, along with its renowned cuisine, distinguished night life, archaeological sites, and hospitable people have reclaimed it as a sought-after touristic destination.
Steven Holl can often be found reading poetry and painting watercolors in a tiny cabin overlooking lotus flowers on the edge of a lake in Rhinebeck, New York. The cabin sits on a 28-acre reserve that Holl purchased in 2014 that now hosts Holl’s full-time office, and ‘T’ Space, a nonprofit arts organization offering creative exhibitions, environmental installations, and architectural residencies. Wrapping around several large trees and linking through a passageway to another existing 1959 cabin, the Steven Myron Holl Foundation’s Architectural Archive and Research Library, built in 2019, is the latest building to be carefully situated in the lush landscape.
The Chapel of St. Ignatius in Seattle, designed by Steven Holl Architects, has been honored by the American Institute of Architects (AIA) with its Twenty-five Year Award. AIA’s award is conferred on a building that has set a precedent, stood the test of time for 25 to 35 years and continues to set standards of excellence for its architectural design and significance. The Chapel of St. Ignatius finished in 1997, reflects the ideal of the Jesuit practice, a religious order of the Catholic Church, in which no single method of worship is prescribed. Instead, the sect recognizes that “different methods helped different people.” That idea is reflected in the Chapel of St. Ignatius, Seattle University’s main chapel, where differences in light unify to support the worship and ritual needs of the university community.
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