MVRDV: The Latest Architecture and News

The public art depot for the Museum Boijmans van Beuningen, designed by MVRDV is nearing completion in Rotterdam. Scheduled for opening in September 2021, recent images showcase the installation of the first of 75 trees on the roof garden.

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MVRDV’ s entry, Shenzhen Terraces, has been selected from 27 projects as the winner in a competition to design a 101,300-square-metre mixed-use Shimao ShenKong International Center. The multi-level urban living room is located in Universiade New Town, Longgang District, Shenzhen, China.

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Airbnb has launched a $1 million design fund to finance 10 “unconventional and unusual” homes. Looking for the “wildest home ideas”, the competition-based program is called the Unique Airbnb Fund and will be judged by actor Billy Porter, MVRDV partner Fokke Moerel, and Airbnb Superhost Kristie Wolfe. Each of the finalists will receive a grant to make their eccentric Airbnb design concepts a reality.

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Albania's architecture is tied to the sea and the country's cultural heritage. Bordered by Montenegro, Kosovo, North Macedonia and Greece, the republic spans both the Adriatic and Ionian Sea as it connects to the Mediterranean. Over time, Albania has seen a confluence of different civilizations and cultures, each shaping the built environment as we experience it today.

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MVRDV in collaboration with Airbus, Bauhaus Luftfahrt, ETH Zurich, and Systra, is developing a plan for the future of Urban Air Mobility (UAM). The investigation tackles the integration of “flying vehicles” into our urban environments and envisions a comprehensive mobility concept.

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MVRDV has revealed a renovation scheme for the Tripolis office complex in Amsterdam, originally designed by Dutch architect Aldo van Eyck. Entitled Tripolis Park, the proposal that will accommodate the offices of Uber, will also enlarge part of the existing space, add an office block and a new park.

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MVRDV has won a competition to create a master plan for a new cultural and creative quarter in the heart of Potsdam, Germany. The project designed for developer Glockenweiß was acclaimed for its particular approach in creating considerably more space than required in the initial brief.

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MVRDV has just released images of the firm’s competition entry for the next Tencent headquarters campus, located in Qianhai Bay, Shenzhen. Highlighting the green potential of Smart City Technology, the project imagines an entire urban district including offices, homes for Tencent employees, commercial units, public amenities, schools, and a conference center.

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MVRDV has won the competition to redesign the Tancheon Valley and Seoul’s waterfront. Called “The Weaves”, the design was made to knit together pedestrian and bicycle paths, the natural landscapes, and public amenities. Commissioned by the government of Seoul, the design introduces a combination of natural and human activity in the midst of the city.

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MVRDV and Jaarbeurs have designed a new master plan and green roof for Utrecht’s exhibition, event, and conference center in the Netherlands. MVRDV founding partner Winy Maas described the project's goal as creating “a garden in the city.” The new Jaarbeurs is designed to be a sustainable building that opens in all directions, and an accessible green roof will descend to ground level via cascading terraces.

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In December 2019, the Chinese city of Shenzhen will host the world’s only Biennale focused exclusively on the topics of urbanism and urbanization. The 2019 Bi-City Biennale of Urbanism\Architecture will explore new phenomena brought about by the digital revolution, and the ability of citizens to become involved in shaping cities. The Biennale curator, Carlo Ratti, exemplifies this intersection between natural and artificial, championing the power of new technologies to transform how we live and design through his work at Carlo Ratti Associati and the MIT Senseable City Lab. In the “Eyes of the City” section of the Biennale, he is joined by MVRDV, and its co-founder Winy Maas, in shaping an experience that invites visitors and observers to question how technologies such as facial recognition can be integrated into urban life.

Opening in December in Shenzhen, China, the Bi-City Biennale of Urbanism and Architecture (UABB), organized by the cities of Shenzhen and Hong Kong, will discuss the theme of “Urban Interactions”. First to use Facial Recognition and Artificial Intelligence, the public exhibition will test new grounds to reflect on the impact of digital technologies on the urban environment.

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Part of the Mission Rock master plan in San Francisco, MVRDV unveiled their contribution, in partnership with Perry Architects, a 23-story mixed-use building, including offices and residential units. The firm joins other big names like Studio Gang, Henning Larsen, and WORKac in designing one of the vertical entities in this waterfront.

The first phase of the planning vision for Mission Rock in San Francisco was initiated. The masterplan developed by the San Francisco Giants and Tishman Speyer put in place four buildings designed by internationally renowned architecture firms MVRDV, Studio Gang, Henning Larsen, and WORKac. The scheme also includes a 5-acre waterfront park by SCAPE.

The six shortlisted concepts for the National Pulse Memorial & Museum will be on display at the Orange County Regional History Center where people can view and comment on the schemes, helping the jury choose the winning proposal, to be announced on October 30.

MVRDV has designed with local neighborhood organizations, a proposal to regenerate the canals of the city of The Hague, in the Netherlands. Filled-in during the 20th century, the canals will be reopened in order to revive the historic center and improve the city on the sustainable, economical and infrastructural levels.

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The world's first publicly accessible art depot by MVRDV has topped out in Rotterdam. Called Depot Boijmans Van Beuningen, the new archive building was celebrated with a ceremony by the Stichting Collectiegebouw consortium, which comprises the museum, the municipality of Rotterdam, and Stichting De Verre Bergen. The depot will host the museum’s archive of 151,000 artworks and will be fully accessible to the public.

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For Paul Lewis, Marc Tsurumaki and David J. Lewis, the section “is often understood as a reductive drawing type, produced at the end of the design process to depict structural and material conditions in service of the construction contract.” A definition that will be familiar to most of those who have studied or worked in architecture at some point. We often think primarily of the plan, for it allows us to embrace the programmatic expectations of a project and provide a summary of the various functions required. In the modern age, digital modelling software programs offer ever more possibilities when it comes to creating complex three dimensional objects, making the section even more of an afterthought.

With their Manual of Section (2016), the three founding partners of LTL architects engage with section as an essential tool of architectural design, and let’s admit it, this reading might change your mind on the topic. For the co-authors, “thinking and designing through section requires the building of a discourse about section, recognizing it as a site of intervention.” Perhaps, indeed, we need to understand the capabilities of section drawings both to use them more efficiently and to enjoy doing so.

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