Architecture Exhibitions: The Latest Architecture and News

In partnership with the European Cultural Center (ECC), ArchDaily has launched its inaugural exhibition as part of the seventh iteration of Time Space Existence, an architectural showcase occurring concurrently with the 19th Venice Architecture Biennale. Open from May 10 to November 23, 2025, in various locations throughout Venice, this edition centers on the theme of "Repair, Regenerate, and Reuse," promoting innovative and sustainable approaches in architecture. ArchDaily's contribution is located at Palazzo Mora, complementing other venues like Palazzo Bembo, Marinaressa Gardens, and Palazzo Michiel.

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Kabage Karanja, co-founder and director of Cave_bureau based in Nairobi, Kenya, and Kathyrn Yusoff, professor of Inhuman Geography at the University of London, are the curators of the British Pavilion at the 19th Venice Architecture Biennale. Together, they form the UK-Kenya curatorial team behind GBR – Geology of Britannic Repair, an exhibition that rethinks the Pavilion as both a symbolic and material site. Their approach reflects on Britain's architectural legacy and its entanglement with histories of colonialism, geological extraction, and the urgency of the climate crisis. In recognition of their exploration of the relationship between Great Britain and Kenya, focusing on themes of reparation and renewal, the Pavilion curators and commissioner were awarded a Special Mention for National Participation by the Biennale jury. While on site in Venice, ArchDaily's editors had a chance to discuss with the curators about the ideas that shaped the British Pavilion.

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The Canada Council for the Arts presents Picoplanktonics at the Canada Pavilion as part of the 19th International Architecture Exhibition – La Biennale di Venezia, which will run until November 23, 2025. Developed by the Living Room Collective, the installation engages with ongoing global ecological challenges through a speculative, research-driven approach to design, featuring 3D-printed architectural structures embedded with living cyanobacteria capable of carbon sequestration. Developed through a four-year collaboration led by Andrea Shin Ling and a group of interdisciplinary contributors, the project investigates the potential of co-constructing built environments with living systems.

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A new architecture and design exhibition opened on April 11, 2025, at the Danish Architecture Center in Copenhagen. Titled Recycle!, it explores recycling and reuse as a new way of creating, living, and building within the urgent context of the current climate crisis. The exhibition goes beyond presenting recycling and reuse as necessities; instead, it frames them as positive cultural shifts taking root in the construction industry and society at large. One of the exhibition's goals is to highlight the importance of resource awareness by posing the question: How can we increase the conservation, reuse, and transformation of what we already have?

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The British Pavilion, commissioned by The British Council, features the exhibition title GBR – Geology of Britannic Repair to represent the United Kingdom at the 19^th International Architecture Exhibition – La Biennale di Venezia 2025. The exhibition is a collaboration between a multi-disciplinary team of curators, Kabage Karanja and Stella Mutegi of Nairobi-based architecture studio Cave_bureau, UK-based curator and writer Owen Hopkins, and academic Professor Kathryn Yusoff. The Pavilion curators and commissioner have been awarded a Special Mention for National Participation by the jury in recognition of their exploration of the relationship between Great Britain and Kenya, focusing on themes of reparation and renewal.

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The proposal by Argentinian architects Marco Zampieron and Juan Manuel Pachué for the Argentinian Pavilion at the 19th Venice Architecture Biennale 2025 is clear from the outset: upon entering Siestario, visitors are immersed in a space of dim lighting and evocative sound, and immediately encounter—at the center of the room, stretched across its width, and acting as the undeniable protagonist—a large, inflated pink bag that instinctively invites repose. This is a silobag, an object commonly used in the Argentinian countryside to store grain and a potent symbol of the country’s export-driven economy. In this setting, the silobag becomes more than a spatial intervention; it also introduces a temporal dimension: an invitation to pause and reflect amid the relentless rhythm of the Biennale.

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Titled Paraíso, hoje. [Paradise, today.], the exhibition representing Portugal at the 19th International Architecture Exhibition – La Biennale di Venezia addresses architecture as a cultural construction of landscape. Curated by architects Paula Melâneo, Pedro Bandeira, and Luca Martinucci, landscape architect Catarina Raposo, and video artist Nuno Cera, it offers an immersive installation featuring videos created using new digital technologies and artificial intelligence, along with an Atlas of images. Together, they construct a critical exploration of the proposed theme, the allegory of a "Paradise." This year, the Portuguese exhibition changed location, moving from Palazzo Franchetti to the Fondaco Marcello building, next to Venice's Grand Canal. It will remain open to visitors and host a series of debates until 23 November 2025.

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When we speak of intelligence at the 2025 Venice Biennale, the main exhibition broadly categorizes it into three domains: natural, artificial, and collective. While much attention has been drawn to robotic performances, future-forward material experiments—such as Boonserm Premthada's elephant dung bricks, or Canada's display of mesmerizing picoplankton, one often overlooked yet critical form of collective intelligence lies in the act of archiving.

Several national pavilions showcase this collective intelligence through beautifully curated exhibitions—the Spanish Pavilion's witty play on scale, for instance, features meticulously crafted models that invite close reading and delight. These curated collections offer a snapshot of the present, and in some cases, gestures toward the future. But without critically engaging with the past, without documenting and making sense of our shared spatial and architectural knowledge, the potential of collective intelligence remains incomplete. Archiving is not simply an act of preservation; it is a generative tool for projecting new futures.

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When we talk about the future intelligence of architecture, much of the historical effort has centered on pushing boundaries—challenging norms, exploring alternatives, and projecting bold visions of what architecture could become. The advent of modernism exemplified this approach: radical new materials and construction methods gave rise to a vastly reimagined architectural future. This momentum continues today, with research institutions and leading practices constantly exploring innovative techniques, materials, and systems of making.

Yet one method of imagining architectural futures often remains overlooked: the act of critically revisiting the past. Learning from, uncovering, and documenting lesser-known spatial and communal practices is just as essential. These quieter forms of knowledge—how spaces have been used, adapted, and inhabited—can reveal enduring insights that shape more grounded, culturally resonant futures. Rather than chasing novelty for novelty's sake, perhaps an equally meaningful path lies in building a cohesive architectural archive that bridges the past and future.

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The 2025 Venice Architecture Biennale, titled Intelligens. Natural. Artificial. Collective. and curated by Carlo Ratti, has just opened for previews. Following the public opening on Saturday, May 10, the exhibition will run through November 23, 2025. While on site in Venice, ArchDaily had the chance to meet with the curator Carlo Ratti to discuss the first impressions and the main themes of this edition of the Biennale. Featuring 65 national pavilions, 11 collateral events, and over 300 contributions from more than 700 participants, the 2025 Venice Architecture Biennale is set to be the largest in the Biennale's history.

The 19th edition of one of the world's most renowned architectural events opens to the public this week. The 2025 Venice Architecture Biennale, titled Intelligens. Natural. Artificial. Collective. and curated by Carlo Ratti, will run from Saturday, May 10, to Sunday, November 23, 2025. This year's edition stands out for both its scale and its expanded range of venues, partly due to the ongoing renovation of traditional sites such as the Central Pavilion in the Giardini. The event is set to transform Venice into what the curator describes as "a living laboratory."

The inauguration ceremony, to be held on May 10, will also feature the announcement of the official awards by the International Jury, chaired by Hans Ulrich Obrist and composed of Paola Antonelli and Mpho Matsipa. On this occasion, the Golden Lion for Lifetime Achievement will be presented to philosopher Donna Haraway, while the Special Golden Lion in Memoriam will honor the late architect Italo Rota. Alongside the international exhibition, national participations and a broad range of special events will explore the Biennale's invitation, making this one of the most extensive architecture exhibitions in the Biennale's history.

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As one of the most important and visited contemporary architecture exhibitions worldwide, the Venice Architecture Biennale extends beyond the grounds of the Giardini and the Arsenale, aiming to engage the entire city in discussions on relevant issues, challenges, and opportunities within the architectural profession. This year's Biennale, curated by Carlo Ratti, explores the theme "Intelligens. Natural. Artificial. Collective," inviting visitors to consider how architecture, technology, and nature intersect to shape the future.

As part of this year's event, 11 collateral exhibitions organized by various national and international institutions offer a range of perspectives on topics such as sustainability, cultural landscapes, and adaptive architecture. These exhibitions, spread throughout Venice, contribute to the broader conversation on the evolving role of architecture in addressing global challenges and promoting a more sustainable and interconnected future.

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Next week, the world of architecture will focus its attention on Italy for the opening of the 19th edition of the Venice Architecture Biennale. This year’s edition, titled “Intelligens. Natural. Artificial. Collective,” promises to bring together over 750 participants in a multifaceted exploration of architecture’s role in adapting to climate change, shifting populations, and artificial forms of intelligence. According to the figures released, curator Carlo Ratti’s call is projected to be the largest Architecture Biennale ever held in Venice. Below, we answer 10 of the most frequently asked questions about the 2025 Venice Architecture Biennale.

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Uzbekistan has revealed the latest photographs of the pavilion for Expo 2025 in Osaka, Japan, after the recent opening. Designed by Atelier Brückner and realized by NUSSLI, the pavilion aims to showcase the country's vision for the future under the Expo's broader theme, "Designing the Future Society for Our Lives." Composed of modular, reusable wooden elements, the pavilion's architecture will later be reconstructed in Uzbekistan, serving as a studio, workshop, or school.

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DROPCITY is an ambitious and open platform for architecture and design, located in Milan's formerly abandoned Magazzini Raccordati tunnels behind Central Station. Initiated by Andrea Caputo in 2018 and open permanently since 2024, the project reimagines 40,000 square meters into public galleries, production workshops, prototyping labs, and research spaces. The founder of the platform is Andrea Caputo, an Italian architect and researcher. During Milan Design Week 2025, ArchDaily's managing editor, Maria-Cristina Florian, had the chance to sit down with Andrea Caputo to explore his vision and plans for DROPCITY, the platform's connection to the city of Milan and its active architecture scene.

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The 2025 iteration of the Time Space Existence exhibition is set to attract audiences from May 10 to November 23. Organized by the European Cultural Centre (ECC) in Venice's renowned venues—Palazzo Bembo, Palazzo Mora, and Marinaressa Gardens—this seventh edition brings together a diverse cohort of 207 architects, designers, artists, and researchers from over 52 countries. All contributions are curated under the theme of "Repair, Regenerate, and Reuse" as an exploration of architecture's capacity to engage with critical environmental, social, and cultural challenges. Highlights of the Special Projects section include ArchDaily's inaugural exhibition, presenting six architecture offices previously recognized as Best New Practices as emerging voices in the field of architectural innovations.

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Kristin Feireiss, the German architecture curator, writer, and editor, passed away on April 20, 2025. With a career spanning over four decades, Feireiss played a significant role in promoting international public discourse on architecture, urban development, and social change.

Born in 1942, Feireiss studied art history and philosophy at Johann Wolfgang Goethe University in Frankfurt. In 1980, she co-founded the "Aedes Architecture Forum" in Berlin with Helga Retzer, establishing Europe's first private architecture gallery. After Retzer's passing in 1984, Feireiss continued to develop Aedes into an internationally recognized platform. Since 1994, in collaboration with Hans-Jürgen Commerell, she curated over 350 exhibitions and catalogues, expanding the forum's reach and impact. In 2009, the duo also founded "ANCB The Aedes Metropolitan Laboratory," which received the German Innovation Prize in 2010.

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Trahan Architects has just completed the USA Pavilion for Expo 2025 Osaka-Kansai in Japan. As the public opening date, April 13, approaches, the USA Pavilion is finalizing preparations to host visitors. During the six-month expo, the proposal aims to showcase American architecture, innovation, culture, and industry. The display will be focused on celebrating contemporary American achievements in various fields, featuring exhibitions focused on sustainability, space exploration, education, and entrepreneurship.

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