Museum of Furniture Studies project visualizations, 2026. Image Courtesy of COBE
The Museum of Furniture Studies was founded in 2017 in Stockholm, showcasing a collection of more than 1,300 furniture pieces by over 44 international designers. The museum's physical location closed in 2022, maintaining its visibility through its Digital Archive for Design Furniture until it was acquired by IKEA in 2024. This week, Danish architecture studio Cobe announced the transformation of a former IKEA warehouse in Älmhult, Sweden, into a new home for the museum. The project involves converting a closed storage facility into an open and accessible space for design while preserving its industrial structure. The building is scheduled to open in early February 2027.
Netherlands-based, nature-inspired architecture practice ORGA has completed the design of a carbon-negative neighborhood in Marknesse, a village in the Dutch province of Flevoland. The project comprises 12 affordable rental homes built with a high percentage of biobased materials. Its main objective is to develop scalable housing solutions that minimize CO₂ emissions and reduce reliance on fossil resources. The design reinterprets the traditional Dutch brick house, known as the "Delft Red" typology, characterized by red brick facades and orange-red roof tiles, while introducing wooden chimneys that double as habitats for bats. Commissioned by housing association Mercatus, the prototype was built in the first half of 2025 and is intended for first-time buyers and low-income households.
Xu Tiantian is the founding principal of DnA_Design and Architecture, an interdisciplinary practice that addresses both the physical and social dimensions of the contemporary living environment, across scales. Born in 1975 in Fujian, China, she received a Master of Architecture in Urban Design from the Harvard Graduate School of Design and a bachelor's degree in architecture from Tsinghua University in Beijing. Her recent work focuses on rural revitalization through a strategy she describes as "architectural acupuncture," understood as small-scale, site-specific interventions designed to activate local culture, agriculture, and tourism. These interventions, primarily concentrated in China's rural regions, have been recognized by UN-Habitat as a global model for urban–rural integration. In this interview with Louisiana Channel, she reflects on the role of the architect, questions architecture itself and the concept of beauty, explains her working methodology, and emphasizes the spatial dimension of nature.
Saint-Denis is a commune in the northern suburbs of Paris, France, known for the Gothic Basilica of Saint-Denis and the Stade de France. At one corner of Place Jean-Jaurès in its historic center, adjacent to the Basilica, stands the Îlot 8 housing complex, a Brutalist landmark designed by architect Renée Gailhoustet. Built between 1975 and 1986 to provide workers' housing in the city center, countering the trend of relegating social housing to peripheral areas, the project is now at the center of a controversial redevelopment plan. Often referred to as "residentialization" and restructuring, the proposal involves the demolition of significant parts of its original design. This reconversion is part of the French Nouveau Programme National de Renouvellement Urbain (NPNRU) and is justified by concerns over structural deficiencies, safety, and maintenance.
Rotterdam-based firm MVRDV has announced a new milestone in the development of its Tour & Taxis Towers, a mixed-use project in Brussels, Belgium. The design was commissioned by real estate investor and developer Nextensa in 2021, within the framework of a site-specific land use masterplan also designed by MVRDV. The two-tower project combines offices, housing, and public amenities across 58,000 m², forming a landmark in the neighbourhood and reaching 126 metres at its highest point. Recently granted construction permission, the project is designed to reduce embodied carbon through the use of a hybrid structure and lightweight façade elements, aiming to minimize the use of concrete in both the structure and foundations. From the early stages, the firm has employed its CarbonSpace software to guide these decisions.
The Pantheon in Rome is globally known as a major tourist and architectural icon, a built testimony to both Greek culture and Roman technique, and a symbol of the Roman Empire. The monument was recently intervened upon by the Italian architecture studio STARTT (Studio of Architecture and Territorial Transformations). The project, titled Pantheon – Micro Architectures for Archaeology, was promoted by the Italian Ministry of Culture as part of a program of interventions initiated in 2019 to open public access to the archaeological areas of the Pantheon. STARTT's project represents the first phase of the program, focusing on opening a new entrance from the Pozzo del Diavolo, an area located behind the monument's Rotunda, allowing visitors to access parts of the building's archaeological fabric that were previously reserved for technical functions.
The University of Toronto has revealed the design for the Temerty Building, a new facility for health research and education at the heart of the university campus. The project was designed by MVRDV and Diamond Schmitt Architects in collaboration with Two Row Architect. It builds on a previous collaboration between the first two offices at the University of Toronto Scarborough campus, scheduled for completion in late 2026. The project was first introduced in Temerty Medicine's 2018-2023 Academic Strategic Plan and envisions a 36,000-square-metre extension to the university's Medical Sciences Building, including laboratories for higher education, classrooms, and shared spaces. Work on site is expected to begin in the second half of 2026, starting with preparatory work in July.
Ooooh, that's EpiQ! By Ricardo Orts Ulises. Image Courtesy of ArchDaily's editors on-site in Milano
Observed annually on April 22, International Mother Earth Day frames this week's architectural discourse through an urgent call to rethink the relationship between the built environment and natural systems, foregrounding themes such as urban rewilding, the restoration of aquatic ecosystems, and the integration of ancestral knowledge into contemporary design practices. On another note, the opening of Salone del Mobile.Milano 2026 and Milan Design Week 2026 seek to reinforce the global relevance of design as a platform for exchange and experimentation, activating the city of Milan through a network of exhibitions and installations that engage both industry and public audiences. Among the announcements of award-winning architectural projects this week, the United Nations' House of No Waste (HØW) Competition highlights emerging architectural responses to climate and resource challenges. The awarded projects demonstrate scalable strategies for reducing material waste and embodied carbon while promoting adaptable, socially responsive, and resource-conscious public infrastructure.
Waru Waru agricultural field. Image via World Monuments Fund
The United Nations' International Mother Earth Day, observed annually on April 22, aims to "promote harmony with nature and the Earth." In light of the urgency posed by climate change, it seeks to raise awareness of the challenges of preserving all forms of life supported by the planet. It is a call to the global community to safeguard biodiversity while striving to balance economic, social, and ecological systems. Crimes against biodiversity include large-scale practices such as deforestation, land-use change, intensified agriculture, livestock production, and illegal wildlife trade, all considered by the UN to be accelerating factors in the destruction of the planet.
Centre Pompidou Hanwha, 2026. Image Courtesy of Wilmotte & Associés Sa
The French museum and cultural institution Centre Pompidou is opening a new Korean branch in collaboration with the local Hanwha Foundation of Culture. Well known in the architectural field for its French headquarters, designed by Renzo Piano and Richard Rogers and recently closed for renovations, the Centre Pompidou is expanding its international presence with a new venue, adding to its sites in Spain, Belgium, China, and the United Arab Emirates. The Korean building is a 12,000 m² renovation project at the base of the 63 Tower skyscraper, led by Wilmotte & Associés. Located on Yeouido Island, along the banks of the Han River, and at the heart of Seoul's financial district, the Hanwha Seoul Pompidou Center is conceived as both an exhibition venue and a meeting point where education and art converge, offering adaptable spaces to host a broad range of activities.
On Sunday, April 19, 2026, the Los Angeles County Museum of Art (LACMA) opened its new David Geffen Galleries to the public. Designed by architect Peter Zumthor, the building offers an elevated exhibition space for the museum's permanent collection. All artworks are presented in a single-level open space, in a non-hierarchical layout of cultures, traditions, and eras, spanning 6,000 years of art history across approximately 155,000 objects. The space is flexible, accommodating diverse curatorial projects as well as visitors' individual paths. The project marks a new step in the institution's two-decade transformation into a global art museum and the most comprehensive in the western United States.
The California Science Center is a dynamic destination where visitors of all ages can explore the wonders of science through hands-on exhibits, live demonstrations, innovative programs, and large-format films. The Center and IMAX Theater are located in the historic Los Angeles Exposition Park, where an expansion has been under construction since June 2022. The new Samuel Oschin Air and Space Center, designed by ZGF Architects, is a 200,000-square-foot addition that will nearly double the Science Center's educational exhibit space. The building was completed on April 13, 2026. Its centerpiece is the retired NASA spacecraft Space Shuttle Endeavour, used for missions from 1992 until its 25th and final mission in 2011.
In February 2022, construction began on the Goethe-Institut in Dakar, designed by Kéré Architecture. Present in Senegal since 1978, the Goethe-Institut is reaching a milestone in strengthening cultural ties between Germany, Senegal, and West Africa with this new building. As the first purpose-built Goethe-Institut on the African continent, it embodies a long-term commitment to supporting the creative industries and fostering intellectual exchange. From April 16 to 18, 2026, the Goethe-Institut will host a series of events to mark the inauguration of its new headquarters.
V&A East Museum, designed by architects O'Donnell + Tuomey, will open to the public on 18 April 2026. Assigned to the firm in 2015, the new building is located in the Queen Elizabeth Olympic Park, near its recently opened sister facility, the V&A East Storehouse, designed by Diller Scofidio + Renfro. Located in East London, the UK's newest cultural quarter supported by the Mayor of London, the two-building complex aims to "spotlight the many ways global artists, designers, and makers use creativity to shape the world." Dedicated to creative opportunity and its power to bring change, the museum's five public levels contain two permanent galleries, a 900 sqm temporary exhibition gallery, a top-floor project and event space, learning facilities, and a café.
The 25th edition of the Coachella Valley Music and Arts Festival returns to the Empire Polo Club in Indio, California, from April 10 to 12 and April 17 to 19, 2026, bringing together more than 130 acts alongside an ambitious program of large-scale art installations. Presented by Public Art Company (PAC) and curated by founder Raffi Lehrer in collaboration with Goldenvoice Art Director Paul Clemente, this year's selection explores monumentality through luminance, transparency, and lightness of form. Set within Coachella's desert oasis, the installations invite visitors to engage physically and sensorially, responding to shifting daylight and the evolving atmosphere from sunrise to nightfall.
Rinshunkaku is a notable example of early Edo-period residential architecture. Originally built in the Wakayama Prefecture by the Kishu Tokugawa family, the villa was relocated to Sankeien, a traditional Japanese garden in the city of Yokohama, during the Taisho era (1912-1926). The garden was created in the early 20th century by businessman and art patron Sankei Hara and features a number of historic buildings relocated from Kyoto, Kamakura, and other areas of Japan. Rinshunkaku, one of the garden's gems, is a prime example of traditional Japanese architecture and wood construction. Its historical value motivated a large-scale restoration project in 2019, documented in the film Artisans of the Reiwa Era (Reiwa no Shokunin-tachi), filmed and edited by Katsumasa Tanaka and Hiroshi Fujiki. The documentary offers a close, detailed view of Japanese craftsmanship and wood expertise, highlighting rare traditional techniques and paying tribute to the artisans who preserve them.
Across Europe and North America, pedestrianisation is increasingly being deployed as a context-specific urban strategy shaped by distinct economic, social, and spatial pressures. As cities continue to reassess the role of streets in the wake of economic shifts, climate pressures, and changing mobility patterns, pedestrianisation is emerging as a tool in current urban transformation efforts. Across London, New York, Houston, and Stockholm, ongoing pedestrian-first projects are testing different pathways toward more resilient and walkable cities, ranging from statutory planning and capital construction to research-driven visioning. London's Oxford Street is advancing through consultation and governance reform to address retail decline; New York's Paseo Park is moving from a temporary pandemic intervention into permanent infrastructure; Houston is accelerating the pedestrianisation of its downtown core in preparation for a global sporting event; and Stockholm's Superline is using design research to rethink the future of an inner-city motorway. These initiatives reveal how pedestrianisation is being actively negotiated, designed, and built today, adapting to local motivations while converging on a shared objective of streets that perform as resilient public spaces rather than traffic conduits.
