Women in Architecture: The Latest Architecture and News

As the world slowly adjusts to the "new normal," so too does the architecture industry. Data related to market size and workloads shows that the profession continued to grow even after the pandemic struck. Other statistics show how architects are starting to be hit by the present crisis – such as the fall in full-time work and rising unemployment. While these statistics could take one down a road of despair (or enthusiasm), there is more to the numbers: Mobility, digital and managerial competencies are framing the profession in the 2020's. Not only as data for the sector to approach the market and retain talent but also as strategies in the face of crises and technologies to come.

Designing-Women’s Lives calls for a place-making revolution based on women’s culturally nurtured “feeling” sensibility. Women too often have had to repress that sensibility in order to become designers. Now, rather than struggle to fit in, women can break new ground by using Design Psychology as the foundation for creating emotionally satisfying places. To encourage such a heart/mind shift, the author discusses how she took architecture Gold Medalist Denise Scott Brown and interior design legend Margo Grant Walsh through a series of Design Psychology exercises.

Teen girls are neither children nor adults, meaning they have specific needs and behaviours different from both these groups. Unfortunately, like many marginalized groups, these needs and behaviours have not been met or encouraged through our built environment as it has for others. For example, playgrounds are built for children to let off steam and sports courts that foster competition are targeted at men and teen boys. 

Accordingly, not building public spaces with the needs of teen girls in mind allows other groups of people, predominantly men who already take up 80% of public spaces, to continue to dominate them. Making teen girls feel ten times less secure in public spaces. Not only does this absence affect their social, physical, and mental development, but it also complicates how they see where they belong in public spaces.

The American Institute of Architects (AIA) has named Carol Ross Barney, FAIA, as the recipient of the 2023 AIA Gold Medal, the institution’s highest annual honor. The award recognizes and applauds Carol Ross Barney’s focus on design excellence, social responsibility, and generosity. Through her transformative projects, she has endeavored to make the world a better place and, according to the jury, made “an indelible mark on the profession.”

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Equal Saree is an architecture studio based in Barcelona, led by three young architects: Helena Cardona Tamayo, Julia Goula Mejón, and Dafne Saldaña Blasco. All three studied at the Escuela Técnica Superior de Arquitectura de Barcelona (ETSAB), Universidad Politécnica de Cataluña, where they met while taking the subject "Architecture and Politics", taught by Zaida Muxí and Josep María Montaner. The studio is composed of 15 other women architects, in addition to the founding partners.

Rozana Montiel has been awarded the 2022 International Prize for Women Architects, organized by ARVHA (Association for Research on Cities and housing) with the support of the Ile de France Region, the French Higher Council of Architects Associations (CNOA), the Pavillon de l'Arsenal and the City of Paris.

The Great Wars of the early 20th century brought several social transformations, including the introduction of women into the labor market. Decades later, work dynamics are different, but the market continues to reinforce the division of labor by gender and to explore the triple shift. However, there are gaps for possible transformations.

To commemorate the centenary of Elissa Aalto (1922-2022), the Alvar Aalto Foundation brought into tour an exhibition showcasing the life's work of this talented and influential Finnish architect and designer. From September to November 23, 2022, the exhibition sheds light on her public and private role in the everyday life of Alvar Aalto's architect's office alongside her famous architect husband. The tour will take place in the Cities of Rovaniemi, Alajärvi, and Tammisaari, home to many buildings designed by the legendary Finnish architect couple.

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From ending up by accident in architectural studies, to eventually falling in love with the complexity of the field and the multitude of its layers, Johanna Meyer-Grohbrügge was amazed by the dual nature of architecture; its intellectual aspect, and physical outcome. Founder of Meyer-Grohbrügge in Berlin, the architect, and her studio seek to spatialize content, create relationships, and find solutions for living together.

With Toshiko Mori and Gabriela Carrillo, Johanna Meyer-Grohbrügge is part of a new documentary titled "Women in Architecture", premiering on November 3rd. The film by Sky-Frame, in collaboration with ArchDaily, and directed by Boris Noir is a catalyst for debate on one of the most pressing topics in architecture.

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Site work has always been and remains a pivotal stage in forming our built environment. Most architects, designers or engineers have at one point or another been on the grounds and understand the importance of presence within the project development phases. Working on construction sites can be a valuable learning experience and allows different inputs from diverse experts to be considered in forming a better urban, living, and working environment for all. Starting from this idea, and as we delve into Women in Architecture as part of our ArchDaily topics, we published an invitation, encouraging our readers to share their opinion on gender-based discrimination on the construction site.

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In architecture, context is what concerns human existence in a given place. Climate, culture, geography, and pre-existences, to name just a few. For Toshiko Mori, a Japanese architect based in the United States, context is everything that arouses curiosity about the people we design for. In almost four decades as the head of her office in New York, Mori has had the opportunity to exercise her interest in design practice and academia, managing to build her buildings in contexts as diverse as China, U.S., and Senegal.

With Johanna Meyer-Grohbrügge and Gabriela Carrillo, Toshiko Mori is part of the new documentary Women in Architecture, premiering November 3. The film — made by Sky-Frame in exclusive collaboration with ArchDaily, and directed by Boris Noir — is a catalyst for debate on one of the most pressing topics in architecture.

The 2022 Biennale of FRAC in the Centre-Val De Loire Region, France, is exhibiting the work of 55 women for its third edition entitled Infinite Freedom, A World for a Feminist Democracy. The fair showcases pieces from the Center Pompidou and the Cité de l'architecture et du Patrimoine collection and brings special guests such as architect Anna Heringer and Journalist and Director Rokhaya Diallo. From September 2022 to January 1st, 2023, female artists, architects, and politicians will gather to discuss and create a new definition of inclusive and plural democracy in the city, architecture, design, and art.

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Mexican architect Gabriela Carrillo has built an exemplary career and is passionate about the city, territory, and diversity. Her widely awarded works, first in partnership with Mauricio Rocha and now running her own studio, have become the reference image when discussing contemporary architecture in Mexico. Her projects translate the world's needs, developing constant work to recognize the values of the territory in order to provide spaces that dignify its inhabitants. Situated between praxis, theory, and research, her interests are focused on the everyday, leading a flexible and dynamic practice that allows her to maintain a balance between working and living.

Alongside Toshiko Mori and Johanna Meyer-Grohbrügge, Gabriela Carrillo is part of the new documentary "Women in Architecture" to be released on the 3rd of November 2022. The film promoted by Sky-Frame, in exclusive collaboration with ArchDaily and under the direction of Boris Noir, is an impulse for inspiration, debate, and reflection around one of the most pressing issues in architecture.

To make our world a better place, everyone should have an idea of how architecture works and what it can have an impact on. 

Thinking on how to share empowering stories about women who are making an impact on the built environment through architecture, we partnered with filmmaker Boris Noir who developed the concept for the documentary “Women in Architecture”. The project has been initiated by Sky-Frame to shed more light on the role of women in architecture, by increasing their visibility and empowering them to realize their full potential.

We reached out to Toshiko Mori, Gabriela Carrillo, and Johanna Meyer-Grohbrügge, three architects in three different countries, in different stages of their careers, but with a lot in common: recognized practitioners, with a passion for education, working with communities, and a sensibility towards the needs of society and the built environment.

The protagonists shared with us a variety of fundamental topics, such as their perspectives on being a woman in an industry led by men, how to balance work and private life, and the general challenges women experience in the profession. Their enthusiasm provides a space for reflection and inspiration.

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Architecture is human. So when I entered Cornell’s College of Architecture, Art, and Planning in 1973 and the entire faculty were as white and male as I was, it made no sense to me but reflected the end times of the full-on male dominance in my chosen profession. In that world, a few professors would often comment on how female students looked at juries, and some sexually victimized some students (none of whom were male).

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The “Women in Architecture “exhibition by the Danish Architecture Center aims to open the conversation about women in architecture and showcase their often overlooked, yet substantial contributions to the field. The historical part of the exhibition celebrates untold stories and forgotten accomplishments of women in Denmark from the 1920s to the 1970s. The exhibition also gives the floor to contemporary architects, asking them to share their experiences as architects in Denmark today. To further explore this position, Tatiana Bilbao Estudio, Siv Helene Stangeland from Helen & Hard , and Ensamble Studio explore the theme of the event inspired by Virginia Woolf’s 1929 essay, “A Room of One’s Own”, in which she asserts that women must be financially independent if they are to be able to create works of significance. They must have a room of their own, in both a physical and metaphorical sense.

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With the construction sector getting back into full swing and major upcoming projects being announced, a larger workforce is getting ready to take on these colossal works. Accordingly, on-site presence and inspections are critical and essential to creating good architecture and constitute significant learning instances for architects or engineers looking to build expertise. But despite all these new endeavors that promise new technologies, a more sustainable future, and better ways of living, one old issue prevails the presence of gender discrimination on the construction site. 

This article was originally published on Common Edge.

Writer Eva Hagberg and I have known each other for a long time. Way back, in a year I can’t remember, I assigned her one of her first magazine assignments. Literally, dozens of other assignments followed. So it was with some anticipation, and a bit of surprise, that I received her new book When Eero Met His Match: Aline Louchheim Saarinen and the Making of an Architect (Princeton University Press), an intriguing hybrid text, one-part Aline and Eero biography, one part memoir of Hagberg’s experiences as a design writer and publicist. (I am briefly mentioned in the book.) The book’s main argument is that Aline Saarinen largely invented the role of the architectural publicist. Recently I traveled out to the Brooklyn Navy Yard to talk to a very pregnant Eva about the impetus for her new book, its dual structure, and the journalistic ethics of Aline Saarinen.