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International Women’s Day 2025: The Diverse Approaches of Emerging Woman-Led Architecture Practices

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This International Women's Day, we celebrate the contributions of women in architecture, a field traditionally dominated by men. While dominant narratives may overlook their significant impact, as the history of architecture is replete with examples of women subtly but powerfully shaping the profession. When limited to a draftsman position, Ester McCoy took a step back not to disengage but to better observe. She became the first architectural critic and historian to notice the unique flavor of Modernism developing along the West Coast during the 1950s, bringing names such as Richard Neutra, or Luis Barragan to the forefront of architectural discussions. Similarly, the name Aline Louchheim may not be a widely recognized one among architects, but, because of her, the name Eero Saarinen surely is. The profession of architectural publicist also emerged through this collaboration. These stories remind us that recognizing women's achievements in architecture is not about celebrating gender, but about acknowledging a historical bias that has hindered the entire field's progress.

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When Architectural History Meets Personal History

This article was originally published on Common Edge.

Writer Eva Hagberg and I have known each other for a long time. Way back, in a year I can’t remember, I assigned her one of her first magazine assignments. Literally, dozens of other assignments followed. So it was with some anticipation, and a bit of surprise, that I received her new book When Eero Met His Match: Aline Louchheim Saarinen and the Making of an Architect (Princeton University Press), an intriguing hybrid text, one-part Aline and Eero biography, one part memoir of Hagberg’s experiences as a design writer and publicist. (I am briefly mentioned in the book.) The book’s main argument is that Aline Saarinen largely invented the role of the architectural publicist. Recently I traveled out to the Brooklyn Navy Yard to talk to a very pregnant Eva about the impetus for her new book, its dual structure, and the journalistic ethics of Aline Saarinen.