Times Square: The Latest Architecture and News

Representing 32% of the global population, Generation Z (those born between 1995 – 2010) accounts for a healthy chunk of the workforce (27% by 2025 and rising every year). These are the fresh young minds employers are fighting to attract. With prospective employers’ impact on society (93%) and a healthy work/life balance (77%) the two biggest motivators in deciding where Gen Z’ers want to work, a large part of any new office building’s design brief is green space.

While hybrid working and flexible hours represent the most obvious ways to improve work/life balance for many, because of the missed social interactions and the lack of space or functionality at unproductive home workspaces, the majority of 16-24-year-olds are the only age group who prefer to work from the office.

+ 18

Our daily lives involve constant communication with the city. As we move through different spaces, we ask ourselves questions like "Where am I now?", "Where am I headed?", "What am I looking for?", "What is this building for?", and "How do I experience this space?" While spatial encounters may feel intuitive, environmental graphic design (EGD) provides the answers by serving as an important interface between us and the built environment. It involves the design of graphic elements that merge with architectural, landscape, urban, and interior designs to make spaces more informative, easier to navigate, and memorable. EDG comprises three major elements: text, shape, and color. Text and shapes typically encapsulate the graphic information, but color projects it, amplifies it, and helps communicate it within the packed scenes of the city. In spatial experiences, we perceive colors first, since our senses mostly register visual sensations. Therefore, the strategic use of color is critical for environmental graphics to provide a layered experience of identity imagery, sense of place, and emotional connection.

+ 5

Videos

+ 32

Rojkind Arquitectos has revealed a "mourning claim" memorial proposal for coronavirus victims. The design project led by Michel Rojkind, Arturo Ortíz Struck, and Diego Díaz Lezama has initially envisioned the memorial both in New York City's Times Square and Mexico City's Zocalo.

"We are claiming the act of mourning. We can at least take care of that, of building symbols where we can place the testimony of our life and the lives of others," stated the authors.

Dedicated to love and diversity, the public art installation Heart Squared has just opened to the public. In its 12^th edition, the Times Square Valentine Heart Design Competition curated by Cooper Hewitt, Smithsonian Design Museum had selected the winning proposal of MODU, an architecture and design firm based in Brooklyn, and Eric Forman Studio.

+ 3

With yesterday’s grand opening ceremony in the books, Times Square’s 8-year-long transformation has been pronounced officially complete.

Led by Snøhetta, the project saw the United States’ most visited destination change from a congested, horn-honking vehicular area into a world-class public plaza with the addition of over 100,000 square feet of pedestrian-exclusive space.

+ 24

The Office for Creative Research's winning design for the 2017 Times Square Valentine Heart Design Competition, We Were Strangers Once Too, has officially opened in New York City's Times Square. A celebration of New York City’s rich immigrant culture, the sculpture takes the form of 33 metal poles inscribed with the origins of foreign-born NYC residents. As visitors travel around the sculpture, the red and pink blocks come together to create an iconic Valentine’s Day heart.

The Office for Creative Research has been announced as the winners of the 2017 Times Square Valentine Heart Design Competition. Their winning design, titled We Were Strangers Once Too, is a public data sculpture in the shape of a heart that “highlight[s] the role that immigrants have played in the founding, development, and continued vibrancy of New York City.”

Janette Sadik-Khan demonstrates how paint, lawn chairs and a bit of imagination can quickly transform city streets, creating immediate public and commercial vitality. Sadik-Khan, listed as one of Business Insider's "50 Women Who Are Changing the World," is responsible for re-purposing 26 acres of dense New York City car lanes into pedestrian-friendly space. "More people on foot is better for business," she says. Despite commanding a two billion dollar budget, her economical approach as commissioner of NYC's Department of Transportation are testaments to her design sensitivity, relying on rapid-testing and regular iteration to expand the city's public domain.