Chilean Atacama Desert. Image by European Southern Observatory with known IDsCC-BY-4.0European Southern Observatory Images ESO files uploaded by OptimusPrimeBot licensed under the Creative Commons Attribution 4.0 International license
Architecture can no longer be conceived as an isolated object, detached from the technical networks that sustain contemporary life — a condition that calls for new readings and approaches. It is within this context that, in March, ArchDaily’s monthly theme focused on The Technosphere, a topic both broad and inherently complex. Drawing on the concept of the technosphere, coined by geoscientist Peter Haff to describe the totality of human-made artifacts, a landscape emerges in which contemporary life is deeply intertwined with machines, data, and energy networks.
The Philippines' Pavilion at the 19th International Architecture Exhibition – La Biennale di Venezia presents Soil-beings (Lamánlupa), an exhibition curated by artistic director Renan Laru-an. Through interdisciplinary collaborations, the Pavilion brings together architects, technical experts, indigenous leaders, artists, policymakers, and local communities to explore the cultural, ecological, and technological dimensions of soil. Its objective is to challenge conventional architectural paradigms by shifting the focus from structure to soil, not as a passive material, but as a living force with agency, history, and power.
The Canadian Centre for Architecture (CCA) launched a documentary and exhibition, "With an Acre", the third and final chapter of the series Groundwork, which explores how contemporary architects cultivate alternative modes of practice to address the ecological crisis. The documentary follows the work of architect Carla Juaçaba in Minas Gerais, Brazil, where she is developing pavilions in a coffee field where collectives resist extractive industrial agriculture. The narrative examines the role of architects in extractivist contexts facing land regeneration challenges and unstable climatic conditions, as well as the tools smallholder farmers can use to cope with the environmental and social consequences of colonial settlement, urbanization, and industrialization.
The 19th edition of the Venice Architecture Biennale officially opened to the public on May 10, becoming a significant international platform for exploring the current state of global architecture and sparking conversations about the challenges the discipline faces today—both shared and specific to each territory. This year’s theme, "Intelligens. Natural. Artificial. Collective," proposed by general curator and Italian architect Carlo Ratti, invites reflection on architecture’s interconnection with other fields—such as art, artificial intelligence, and technology—while also emphasizing the importance of territories, landscapes, and, above all, the people who collectively shape our built environment.
Forests are among the most complex yet vital ecosystems on Earth. They regulate climate, support biodiversity, and sustain human communities. With the growing realities of climate change and environmental degradation, architects, planners, and engineers now face a new imperative: designing within forests in ways that sustain the ecosystems on which they depend.
The Luxembourg pavilion at the 19th Venice Architecture Biennale will offer visitors an experience focused entirely on sound. Sonic Investigations, curated by architects Valentin Bansac, Mike Fritsch, and Alice Loumeau, is an immersive invitation to shift focus from the visual to the sonic. The sound installation, located in the Arsenale's Sale d'Armi, is based on a practical and theoretical investigation that re-examines the country's territory through field recordings capturing a range of sounds from biological, geological, and anthropogenic sources woven into the landscape. The installation creates an embodied experience of space, emphasizing the value of sensorial approaches in spatial practices and exploring the question: How can we reveal the entangled character of specific contemporary situations in Luxembourg?
Recently selected to participate in the upcoming 2025 edition of the Latin American Architecture Biennial in Pamplona, Práctica Arquitectura has established itself as a young and promising firm in the region, specifically in Mexico. Their architectural work focuses on materializing projects that achieve a high level of sensitivity, both for those who inhabit them and for their immediate surroundings, whatever they may be. In close connection with landscapes and terrains, their projects come to life through a design that carefully considers materials, structures, and details, while ensuring a sensory and emotional experience in the spaces they create.
Spain boasts a vast diversity of natural and urban landscapes, where public space plays a leading role. Its relevance has grown in recent years, solidifying it as a key axis for interaction. Beyond its architectural and landscape qualities, public space offers visitors and citizens high-quality environments that contribute to improving living conditions, whether, in an urban park, a pedestrian axis within the city, or a space simply meant for being in a natural setting and connecting with the territory.
The Feynan Ecolodge project. Image Courtesy of Dongola DAS 01 | Notes on Formation and Ammar Khammash
Ammar Khammash is a Jordanian architect, designer, and artist best known for his approach that focuses on the preservation of cultural and natural heritage while crafting an architecture that engages with its surroundings. With deep admiration for nature and its ecosystems, Khammash trusts that "the site is the architect”, a statement for which he is renowned that underscores the profound influence of context on his architectural design. With over three decades of experience spanning various disciplines and across several Middle Eastern countries such as Jordan, Oman, Palestine, Egypt, Syria, and the UAE, Ammar Khammash has consistently attempted to preserve and enhance the symbiosis between human constructions and the natural environment. His contributions include the Royal Academy for Nature Conservation, the Wild Jordan Center, and the restoration of the Church of Apostles.
In 2022, he was featured in the first edition of the Dongola Architecture Series, a biannual publication that offers unique perspectives into Arab culture by highlighting prominent contemporary architects. The issue, titled “Notes on Formation: Ammar Khammash,” written by Raafat Majzoub, explores "architecture as a transdisciplinary tool of expression, and as a method of imagining and reimagining the future," encapsulating the ethos of the publication. ArchDaily had the opportunity to talk to Ammar Khammash and Sarah Chalabi, founder of Dongola Limited Editions, to delve into the architect’s perspectives on site, materiality, and culture, along with his philosophy, notions on academia, and insights into the future of the profession.
Convivir en la Amazonía en el Siglo XXI: Guía de Planificación y Diseño Urbano para las ciudades en la selva baja peruana. Image Cortesía de Belen Desmaison
Addressing the universe of the world's largest tropical forest, the book 'Living in the Amazon in the 21st Century: A Guide to Urban Planning and Design for Cities in the Peruvian lowland rainforest', has been selected as a finalist in the category of publications at the 12th Ibero-American Biennial of Architecture and Urbanism. The issue, published in 2019 as part of the PUCP Architecture Publications, in the framework of the CASA (Self-Sustainable Amazonian Cities) project of the Climate Resilient Cities initiative of IDRC, FFLA and CDKN, focuses its research on the department of Loreto, presenting itself as "a guide for architecture and urban design, for settlements in the Amazon forest, including the social processes to be considered".
Food cultivation is one of the great historical milestones of our society's development. The knowledge of agriculture was fundamental for the evolution of a nomadic society into a sedentary civilization. Centuries later, agricultural production has become one of the main contributors to the organization of the land. This phenomenon can be seen in the aerial images we have selected below.
Italian architect Vittorio Gregotti, author of The Territory of Architecture (1966), believed that architecture had its origin when mankind placed the first stone on the ground. Recognizing a place is the first step towards an architectural project, whether intentionally or not. Understanding the project's location and its context is the basis for many design choices and is, therefore, a key aspect in the field of architecture.
Historical preservation and integration with nature, two crucial themes in the development of the Peruvian structure whose territory is a synthesis of historical landscapes. The winning project of the “Ideas de Arquitectura” contest in Machu Picchu National Archaeological Park (Cusco) not only achieves both themes but also weaves and customizes them. The project mimics the architectural tradition of the place while bringing its own contemporary language. It creates bridges of new relations while respecting the preexisting ones, in continuation with the nature of the place, harmony between nature and history. And of course, it invites visitors to be part of this experience.
Learn more details about this project and its approach to what has been the development of landscape of its masterplan that was made for the Archaeological Park.
