Restoration: The Latest Architecture and News

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BIG’s Blåvand Bunker Museum has secured the necessary funds to move forward. Set to transform a former German WWII bunker carved into the banks of Blåvand, Denmark, the 2,500 square meter museum will include four independent institutions: a bunker museum, an amber museum, a history museum and a special exhibitions gallery.

"Contrary to the existing closed concrete lump, the new museum will, in its architecture, function as an open heart integrated into the landscape,” Bjarke Ingels described. “The museum is in every way the opposite of the militant history with its more closed, dark and heavy features.”

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The Bubble Building, a "renovation of a common, old and unattractive building" in the centre of Shanghai, is a simple design containing complex environmental qualities. Unlike a conventional retrofit or renovation, 3GATTI's proposal places inflatables made of white antibacterial technical outdoor nylon, in front of the windows on the existing building. Their concept was to "create an icon-building, a kind of landmark very easy to recognize, a kind of sculpture with a strong character able to detach itself from the boring cityscape" with the ultimate aim to attract customers to rent both the office and commercial spaces.

André Balazs, CEO of André Balazs Properties, has been tapped by Port Authority officials to redevelop the historic, Eero Saarinen-designed TWA terminal at John F. Kennedy International Airport in New York. Balazs will transform the terminal into the “Standard, Flight Center” hotel and conference center, equipped with food and beverage space, retail, a spa and fitness center, meeting facilities and a flight museum.

This article originally appeared in uncube magazine as "Saviour or Parasite?"

The post-war city centre of Rotterdam is ruled by commerce. Only five percent of the city's inhabitants live in the centre, which is almost entirely occupied by highstreet fashion chains, fast food restaurants, and offices. After shop closing time, the shutters go down and the streets are deserted. The municipality would like to lure more inhabitants into the centre – but space for new residential buildings is scarce. So in recent years, a 1960s cinema and church had to make way for a huge new housing complex designed by Alsop Architects, and a residential tower by Wiel Arets was speedily attached to Marcel Breuer's department store, De Bijenkorf. It was not until the municipality suggested forcing new housing high-rises into the green courtyards of the Lijnbaanhoven residential complex, designed in 1954 by Hugh Maaskant, that there were protests and the project had to be cancelled. For the time being, that is.

One densification project, however, tried not to destroy or debase the post-war building originally occupying its site. In many respects, the Karel Doorman residential high-rise could even be called the saviour of the old Ter Meulen department store. It might be rather uncommon for a valiant hero to crouch down on the shoulders of the little old lady he intends to rescue – but that's more or less what happened here.

The Wall Street Journal recently detailed the complex history of E-1027, the house which Eileen Gray designed with her lover Jean Badovici in Southern France: from the murals which Le Corbusier painted on the walls (without Gray's permission) to the murder that happened there in 1996 to the restoration that has been going on for over a decade (a supposed "massacre" of the original). You can read the full article here.

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New York-based, Serbian-born performance artist Marina Abramović has successfully secured funding via Kickstarter for phase one of an interdisciplinary performance and education center in Hudson, New York. The project, known as the Marina Abramovic Institute for the Preservation of Performance Art (MAI), aims to be the first crowdfunded cultural institution ever to be built as well as the only international arts center dedicated to presentation and preservation of long-durational work. With the help of Abramović’s “global community of collaborators,” OMA will now move forward with the project’s design development process. More information on the MAI’s design can be found here.

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