Powerhouse Company has just revealed its designs for “The Harmony” in the Amsterdam Zuidas area. Featuring two towers, The Canyon and The Coast, the project aims to blend office spaces, commercial areas, and affordable housing. “The Harmony” establishes a new link between the Zuidas district and the upcoming residential zone of Ravel.
Foster + Partners has just unveiled the designs of two neighboring residential towers in Dubai, United Arab Emirates. Named VELA and VELA VIENO, the two towers offer waterfront living, providing direct access to the promenade and the marina. Situated in Dubai’s Marasi Bay with a direct view of the Burj Khalifa, the developments are “characterized by a horizontal rhythm, emphasized structure, and strategic voids in the massing.”
The Second Studio (formerly The Midnight Charette) is an explicit podcast about design, architecture, and the everyday. Hosted by Architects David Lee and Marina Bourderonnet, it features different creative professionals in unscripted conversations that allow for thoughtful takes and personal discussions.
A variety of subjects are covered with honesty and humor: some episodes are interviews, while others are tips for fellow designers, reviews of buildings and other projects, or casual explorations of everyday life and design. The Second Studio is also available on iTunes, Spotify, and YouTube.
MVRDV has revealed a large-scale residential complex to take shape as part of a new smart city campus built by technology company Tencent in Qianhai Bay, Shenzhen, China. MVRDV’s intervention, named Tencent P5, is comprised of 11 apartment towers arranged around four courtyards. The project also includes amenities such as an adjacent kindergarten, to offer all the necessary facilities for the company’s employees. Construction began in early 2022 and is scheduled for completion in 2024.
Pelli Clarke & Partners has just completed the Mori JP Tower, now standing as Japan’s tallest building. Situated in the recently revitalized Azabudai Hills district, the tower emerges at the center of this development. Establishing a new focal point for Tokyo’s skyline, the building soars 330 meters at the heart of this dynamic new mixed-use district in the city center.
The concept of "eyes on the street" is perhaps the most famous within architectural and urban literature when it comes to urban security. Jane Jacobs uses this expression to refer to people who - consciously or unconsciously - use public spaces or observe them from their homes, generating natural surveillance. A movement that, within our discipline, is encouraged both through quality public spaces and through the powerful relationship between the public and private created through building facades. Advocating for this daily control, Jacobs believes in a way of making architecture and cities that condemns excessive verticalization, reinforced by isolated buildings and single-use ones that deny contact with the street
Throughout history, numerous cities worldwide have been settled and built on hillsides, where one can observe the myriad urban challenges they face due to their topographical conditions. However, beyond issues related to their urban infrastructure or transportation systems, which can become more complex due to the geography, hillside urban occupation typically involves various intersections of social, environmental, and economic issues.
These settlements are often inhabited by vulnerable and low-income communities, driven by a variety of motivations. Frequently, the lack of information about certain hazards, coupled with the scarcity of adequate housing policies, leads to decisions and actions that place these communities in high-risk situations, especially during the rainy season, resulting in a cycle that disproportionately affects the most marginalized residents.
Throughout the city's history, buildings have changed their use and function, which is inevitable, as each era presents unique issues and requirements. Factors such as housing types, population density in specific areas, and the emergence of new businesses and services reshape the cityscape, often outpacing the adaptability of existing structures. Therefore, revitalizing or rehabilitating buildings is logical but also necessary to meet the demands of a changing landscape.
Water, fluid and dynamic in its nature, has long been an inspiration for architects and designers. From ancient civilizations to modern metropolises, the presence of water has shaped architectural schemes and urban landscapes. This elemental force provides aesthetic and sensory inspiration to the buildings that are built around it. Additionally, it poses challenges and different opportunities for problem-solving, particularly as rising sea levels demand a revaluation of coastal developments.
Whether it’s a restaurant overlooking the waters of the Aegean Sea or a hotel nestled along the coastline of Montenegro, architects worldwide embrace the proximity to natural bodies of water. These unbuilt projects, curated from submissions by the ArchDaily community, exemplify diverse architectural schemes that aim to harmonize with water surroundings. From the regenerative principles in the Chabahar Beach Cafe in Iran to a transformative master plan on a floating boat, each project uniquely aims to blend contextual elements with the human experience, resulting in different designs.
Located along Manhattan’s East River waterfront, the Freedom Plaza sets out to create a new civic and cultural hub, introducing a new open and green space in the crowded area, with plans to add an in-park Museum of Freedom and Democracy. Additionally, the scheme designed by BIG-Bjarke Ingels Group includes affordable housing units, two hotels, retail, and restaurants. Developed by Soloviev Group and Mohegan, the Freedom Plaza development reimagines one of the largest undeveloped plots in Manhattan, measuring 6.7 acres located south of the United Nations headquarters in the Midtown East neighborhood.
Living in cities built on geographical slopes is a unique and challenging experience. While these areas can offer panoramic views and impressive landscapes, the steep topography presents a series of challenges in terms of urban planning, structural safety, and socio-environmental risks. These cities require special care and solutions in the design of streets, buildings, and infrastructure, as well as an understanding that, for reasons of environmental safety and population well-being, not all areas should be occupied.
Is it possible to assert the existence of a timeless material in architecture from an aesthetic standpoint? Undoubtedly, wood and concrete emerge as strong contenders, not only due to their representation of the solidity, volume, and mass of buildings but also because they provide a broad range of aesthetic possibilities in projects. Concrete, in particular, exhibits greater malleability in comparison to wood. While wood already offers flexible solutions, such as through CLT systems, concrete is derived from a blend of liquid, powder, and an aggregate—a paste that can be poured into a mold, spread over a surface and shaped into various forms.
The unique language employed by each architect serves as the foundation for analyzing their work. Over time, this distinctive style becomes more evident, allowing for the identification of past influences and references. Simultaneously, it showcases a continuous evolution of this language, manifesting as a formal progression that aligns with the contemporary context. The projects by Studio Guilherme Torres serve as exemplary instances of this developmental journey, spanning from its inception to the present day.
Within a city, various factors are taken into account when it comes to housing, such as location, proximity to services, mobility, access to natural light, view, and noise levels. These considerations are particularly crucial in densely populated areas, with a stronger relevance to apartments in high-rise buildings. In contrast, when designing a house, specific factors are inherently addressed. It is assumed that a single-family residence is situated away from busy city centers, leading to longer commutes for services. The availability of natural light is influenced by the location of the building on the land, and noise is minimized because residential areas are usually away from bustling urban environments.
A considerable part of architectural innovation involves the use of materials. Technical development and new formal languages utilize them to "announce" the "next" architectural era. Of course, materials are essential for construction and significant for the consolidation of languages. Glass, steel, concrete, or brick convey messages about buildings. However, like any language, the meaning of words can vary according to the prevailing social organization; there is a dispute over the meaning of certain expressions, or there is pressure for the abolition—or at least the dissociation—of certain senses associated with some words. It would not be any different in architecture.
OODA has released images of Hora Vertikale, a new project planned for the Albanian capital city incorporating residential units arranged vertically surrounded by a new park and featuring a diverse range of amenities. The design stacks seven types of cubes, each measuring seven stories in height and defined by a distinct visual identity inspired by both urban and rural elements. The project, developed in collaboration with local architects Artech, has received planning permission, and construction is expected to begin in early spring.
In 1993 a young professional couple from Amsterdam set out to build a private house unlike any other. They wanted to create something that “would be recognized as a reference in terms of renewal of the architectural language.” They reached out to several architects, including Rem Koolhaas, but finally decided to entrust the commission to Dutch architect Ben van Berkel after he studied the site and came up with a vision for the project, relating it to the couple’s lifestyle.
Located in Het Gooi, its design took over 5 years, going through several iterations, but always coming back to its core inspiration: the Möbius loop. The shape, defined as a single-sided surface with no boundaries, was the key to a new architectural language that aimed to weave together all the individual activities of each family member, allowing the functional program to be integrated within the dynamic structure. By 1998, when the house was completed, it became widely published and internationally recognized. It also became a sort of manifesto for its architect, as it uses an organizational principle to inform the final image.
The flow of architectural values throughout the centuries demonstrates the prevalence of some parameters over others in each historical period. In terms of composition, one of the most fundamental considerations revolves around issues of symmetry and balance. Indeed, a design does not necessarily have to be symmetrical to convey the notion of compositional balance. Its elements do not have to be repeated side by side for the whole to convey a sense of completeness, stability, and... paradoxically, symmetry. Many contemporary projects achieve a balanced compositional whole without repeating their elements side by side.
