In midtown Manhattan, the street crossings surrounding the entrance to the Lincoln Tunnel were once some of the most challenging in the city. A mess of highway ramps, missing sidewalks, and concrete barriers made the corner of Dyer Avenue and 30th Street an area to avoid.
Now with a new $50 million elevated connector, pedestrians can safely move 30 feet above the intersections using a 600-foot-long L-shaped bridge from the High Line to Moynihan Train Hall.
ODA-Designed Hunter’s Point South, the newest development by TF Cornerstone, and the largest affordable housing project in NYC has launched its housing lottery. The master-planned, mixed-use and mixed-income community, park, school, and playground, situated along the East River in Long Island City, Queens, the first of its kind to hit the market since COVID-19, brings 1,194 rental units and a new park to Long Island City waterfront.
The New York City Privately Owned Public Space (POPS) Logo Design Competition is being held to solicit a design for a new POPS logo that may be featured on signage at over 550 POPS located across the city. A new POPS logo would be seen by millions of residents, workers, and visitors on any given day and encourage the public to take full advantage of these valuable, but sometimes unknown, public spaces.
The fourth annual Flatiron Public Plaza Holiday Design Competition winner has been announced--Flatiron Reflection by Future Expansion. In June 2017 non-profit groups Flatiron/23rd Street Partnership and Van Alen Institute invited ten design and architecture firms to submit proposals. “The initiative has become a valuable platform for launching new practices, a visible celebration of inventive, temporary designs that enliven public space during a chillier season, and an opportunity to understand how these spaces impact our minds and bodies” states David van der Leer, Executive Director of Van Alen Institute.
Of the ten design and architecture firms invited to submit proposals, Future Expansion with their Flatiron Reflection won the competition. Other participating firms include Annie Barrett, The Principals, Kyle May, Hive Public Space, Schaum Shieh, FIRM a.d. and Practice.
The city of New York is connecting all 32-miles of coastline with public amenities, piece by piece. To link the East River’s greenways, the interdisciplinary practice, wHY has submitted an RFP to the New York City Economic Development Corporation for the 1.1-mile long coastal stretch.
The landscape and urban design workshop as part of wHY -- wHY GROUNDS, has tackled the linear site, stretching from 53rd to 61st street, encompassing 1.72-acres of public space. The site is exceptional with its views to Roosevelt Island, the Queensborough Bridge, the Queens/Brooklyn waterfront and down to Lower Manhattan.
Scaffolding curated by Greg Barton, examines the extraordinary applications of scaffolding as a kit-of-parts technology to provide novel forms of inhabitation and access. Through an installation designed by Shohei Shigematsu and OMA New York with graphic design by MTWTF, Scaffolding will disrupt the architectural space of the Center for Architecture, instilling a new appreciation of scaffolding and its transformative potential.
Vision Zero is an initiative that started in Sweden in 1997 when the country began implementing a series of road safety measures to reach their goal of zero deaths from traffic accidents. As a result, the country managed to reduce the number of deaths to 3 people per 100 thousand inhabitants.
Since then the plan has been adopted by different cities and has inspired the creation of various organizations that are looking to make our streets a safer places. One of them being the Vision Zero Network that brings together traffic engineers, health professionals, local leaders, and policy makers.
Digital technologies heighten our awareness of ongoing conflicts around the world. A main strategic focus for Storefront in 2017 is to investigate the ways in which art, architecture, and design participate in the articulation and resolution of local and global struggles affecting individuals and collectives around the world.
Storefront announces a call for a one-year Program and Strategy Fellow who will develop and present a critical new project: Architecture Conflicts. This grant-funded position aims to reach candidates from underrepresented backgrounds and communities that have faced barriers to entry for leadership roles on major global projects. The fellow will work alongside Storefront's team in New York City.
In the wake of Hurricane Sandy, as communities band together to clean up the devastation and utility companies work tirelessly to restore the infrastructure that keeps New York City running, planners and policy makers are debating the next steps to making the city as resilient to natural disaster as we once thought it was. We have at our hands a range of options to debate and design and the political leverage to make some of these solutions a reality. The question now is, which option or combination of options is most suitable for protecting New York City and its boroughs? Follow us after the break for more.
Winners of the 2012 Land Art Generator Initiative Competition for Freshkills Park in Staten Island, NYC are out. With 4 placed winners and a long list of shortlisted projects, the range of ideas shows how designers are exploring many different options for sustainable energy infrastructure.
The Winners:
Check out the projects after the break!
To celebrate the start of a seven-month land use review process, Cornell has released preliminary renderings of the first academic building planned for Cornell Tech – the new world-class technology and entrepreneurship campus in New York City that was masterplanned by Skidmore, Owings and Merrill (SOM).
The modern campus strives to rethink academic workspace, prioritize environmental performance, and exploit the unique urban condition of Roosevelt Island. In May, Pritzker Prize laureate Thom Mayne, founder of Morphosis, was appointed as architect of the first landmark building, which will set the stage for the carbon positive campus.
Continue after the break to learn more.
In an effort to make New York City’s built environment “more livable and hospitable” the Department of Design and Construction (DDC), Health and Mental Hygiene, Transportation (DOT), and City Planning have developed the Active Design Guidelines: Promoting Physical Activity and Health in Design to be referenced in conjunction with the DOT’s Street Design Manual and other guidelines produced by NYC. The guidelines are written for urban planners, designers and architects and are driven by the need to address health concerns such as obesity and diabetes through intelligent design. Our built environments give us cues as to how to inhabit them and have tremendous effects, sometimes subconscious, on our lifestyles. Do you walk, drive, or bike to work? Do you take the stairs or the elevator? We make these types of decisions, which are largely based on comfort, on a daily basis. But the guidelines established in this manual are intended to give designers the tools to encourage healthy lifestyle choices to address the social concerns of NYC. So, what can planners, architects and designers do to create an active and healthy city? Find out after the break.
The New York Economic Development Corporation and Mayor Bloomberg of NYC announced the completion of the final plan for Willets Point - a peninsula on the Flushing River in Northern Queens, New York. The development of Willets Point is part of the urban renewal project associated with Citi Field – the Mets’ new stadium. Nicknamed the Iron Triangle, the project will include housing for mixed incomes, retail and entertainment amenities, a hotel, a convention center, office space, parks and open space, and a new public school, all of which falls under the umbrella of LEED-certified buildings and infrastructure. As with every redevelopment plan, there are positives and negatives to restructuring the community.
Read on for more after the break.
Walk into the cafeteria at the Googleplex and you are nudged into the “right” choice. Sweets? Color-coded red and placed on the bottom shelf to make them just a bit harder to reach. “Instead of that chocolate bar, sir, wouldn’t you much rather consume this oh-so-conveniently-located apple? It’s good for you! Look, we labelled it green!”
Like the Google cafeteria guides you to take responsibility of your health, Google wants to transform the construction industry to take responsibility of the “health” of its buildings. They have been leveraging for transparency in the content of building materials, so that, like consumers who read what’s in a Snickers bar before eating it, they’ll know the “ingredients” of materials to choose the greenest, what they call “healthiest,” options.[2]
These examples illustrate the trend of “medicalization” in our increasingly health-obsessed society: when ordinary problems (such as construction, productivity, etc.) are defined and understood in medical terms. In their book Imperfect Health, Borasi and Zardini argue that through this process, architecture and design has been mistakenly burdened with the normalizing, moralistic function of “curing” the human body. [3]
While I find the idea that design should “force” healthiness somewhat paternalistic and ultimately limited, I don’t think this “medicalized” language is all bad – especially if we can use it in new and revitalizing ways. Allow me to prescribe two examples: the most popular and the (potentially) most ambitious urban renewal projects in New York City today, the High Line and the Delancey Underground (or the Low Line).
More on “curative” spaces after the break. (Trust me, it’s good for you.)
The AIA Chicago chapter has awarded the Chicago office of Skidmore, Owings & Merrill LLP (SOM) the 2011 Firm of the Year Award for 75 years of global design excellence. The chapter recognized the outstanding achievements and excellence in the firm’s body of work and their contribution to the advancement of the architectural profession in areas of design, research, planning, technology and architectural practice. This is the highest AIA award a firm can receive.
