Museum Design: The Latest Architecture and News

The conversion of disused religious temples through cultural programs constitutes one of the most compelling adaptive reuse strategies in contemporary urban planning. This functional compatibility seems to be rooted in the specific characteristics of churches: their central naves offer large-scale, clear floor plans and monumental cross-sections that easily accommodate the volumetric requirements of museums, theaters, or community hubs. Furthermore, the acoustic properties inherent to their vaulted ceilings, combined with intentional natural lighting filtered through stained glass windows or domes, create the spatial conditions for activities ranging from the performing arts to the exhibition of cultural artifacts. By assuming a public and cultural role, these buildings not only avoid demolition or physical abandonment but also preserve their status as urban and identity landmarks within the city fabric, revitalizing their immediate surroundings without altering their historical significance.

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Following an international design competition launched in January 2026, the Museum of Contemporary Art of Panama (MAC Panamá) announced the selection of Mexican architects Palma + Taller TO to design its new building. The museum is described as "a new cultural infrastructure open to the city, conceived from the identity, climate, and landscape of Panama." The future museum headquarters will be located in the corregimiento of San Francisco, to consolidate the area as a hub of cultural activity. The selection criteria involved the relationship between the museum and the city, prioritizing proposals with integrated elements for community engagement and framing the building as a cultural infrastructure, enriching the contemporary urban environment of Panama City.

The Museum of Furniture Studies was founded in 2017 in Stockholm, showcasing a collection of more than 1,300 furniture pieces by over 44 international designers. The museum's physical location closed in 2022, maintaining its visibility through its Digital Archive for Design Furniture until it was acquired by IKEA in 2024. This week, Danish architecture studio Cobe announced the transformation of a former IKEA warehouse in Älmhult, Sweden, into a new home for the museum. The project involves converting a closed storage facility into an open and accessible space for design while preserving its industrial structure. The building is scheduled to open in early February 2027.

London's National Gallery has announced Kengo Kuma & Associates, in collaboration with BDP and MICA, as the winners of the international competition to design a new wing for the institution. Launched in September 2025, the competition attracted 65 submissions from international practices, from which six teams were shortlisted to develop proposals. The selection marks a key milestone in the institution's long-term development strategy, Project Domani, positioning the new addition as a central component in the reconfiguration of its architectural and curatorial framework. Conceived as the most significant transformation of the museum since its establishment in 1824, the project aims to expand both spatial capacity and curatorial scope, enabling the presentation of a continuous narrative of Western painting within a single setting.

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Throughout 2025 and early 2026, numerous museum projects were announced, advanced, or broke ground across multiple regions, with completion timelines largely extending from 2026 to 2030. Located across Asia, Europe, North America, and Central Asia, these developments reflect ongoing shifts in the role of cultural institutions within contemporary cities. Increasingly, museums are conceived not only as exhibition venues but as public-facing environments that accommodate education, research, and civic engagement. This expanded programmatic scope is often accompanied by architectural strategies that respond to urban conditions, spatial continuity, and the integration of cultural infrastructure into broader city-making processes.

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On January 30, an exhibition entitled "Concours Beaubourg 1971: Une mutation de l'architecture" opened in Paris, showcasing archival material from the competition that resulted in the selection of the current Centre Pompidou, designed by Renzo Piano and Richard Rogers between 1969 and 1974. In view of the building's recent closure for renovation, approximately 100 archival documents, including some never before exhibited from the Centre Pompidou's collections (plans, drawings, photographs, models, etc.), are on display at the Académie d'Architecture at Place des Vosges until February 22, 2026. Co-produced by the Académie d'Architecture and the Centre Pompidou, with support from the École nationale supérieure d'architecture de Saint-Étienne, the exhibition presents alternative, imaginative, and sometimes unbuildable proposals for the building. It offers a review of a fertile period in architectural history, highlighting the lasting effects of the "Beaubourg competition" on the discipline and profession.

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Architectural heritage is not only what a building was, but what it continues to become: a long process of building, rebuilding, and re-occupying over time. Where opportunities allow, this continuity produces a layered condition—one in which visitors can witness, experience, and feel the gradual shifting of a building's fabric, materiality, spatial order, and patterns of use, and occasionally even participate in that transformation.

Yet many projects—particularly those driven primarily by commercial imperatives—do not choose to value, or even to recognize, this slower work of adaptive reuse and heritage continuation. Developments governed by a numbers-only logic often opt for the easier path of demolition and rebuild: maximizing plot ratio, GFA, and rentable area with the efficiency of a clean slate. And still, every now and then, an opportunity surfaces that allows us to see—and to enjoy—the city's process of architectural "heritaging" in real time.

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Pritzker Prize-winning architecture firm Herzog & de Meuron has released new images showing construction progress on the Memphis Art Museum, set to open in December 2026. Currently operating as the Memphis Brooks Museum of Art, the institution is both the oldest and largest art museum in Tennessee, United States, with a collection of more than 10,000 works spanning from ancient to contemporary art. Commissioned in 2019, the project marks the museum's relocation to a new site in Downtown Memphis along the Mississippi River bluff. The first images of the new cultural campus, designed by Herzog & de Meuron with architect of record archimania and landscape design by OLIN, were released in 2021. The 123,500-square-foot museum will expand gallery space by 50 percent and introduce extensive free, publicly accessible areas conceived as an open invitation to the city.

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A new museum dedicated to the science of carbon fiber opened in Fiorenzuola d'Arda, Italy, on December 17, 2025. The project dates back to 2021 and was designed by CRA–Carlo Ratti Associati in collaboration with the late Italian architect Italo Rota. Commissioned by MAE, a manufacturer of equipment for carbon fiber production, the project transforms one of the world's largest archives on carbon fiber into a dynamic museum, uniting research with archival preservation and turning the archive into a space for interactive exploration. The project is described by its designers as a "living museum," a place to read, inquire, and connect ideas.

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The opening of the new Fondation Cartier pour l'Art Contemporain in Paris last October sparked renewed questions around the role, form, and future of museums. As cultural institutions continue to proliferate worldwide in this digital era, the museum itself appears increasingly in need of redefinition. Rather than offering a single model or solution, Architecture for Culture: Rethinking Museums, written by architectural historian and curator Béatrice Grenier, argues for a more contextual and plural understanding of what a museum can be: an institution shaped by its environment, its public, and the specific cultural questions it seeks to address.

ArchDaily had the opportunity to discuss these ideas with the author against the backdrop of the Fondation Cartier's newly inaugurated home on Rue de Rivoli. Housed within a restored Haussmannian building that once accommodated the Grands Magasins du Louvre, the space has been radically reimagined by Jean Nouvel as a dynamic, transformable architecture.

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The Taichung Art Museum officially opened on December 13, 2025, with an inaugural exhibition titled A Call of All Beings: See You Tomorrow, Same Time, Same Place. The building, designed by SANAA, is part of the Taichung Green Museumbrary project, developed in collaboration with local firm Ricky Liu & Associates. Conceived as a major cultural initiative, the project combines a contemporary art museum, library resources, and public parkland. Through interactive education and outreach programmes, it aims to establish a new institutional model for Taichung, one that supports artistic exchange while positioning the city as an international cultural hub. On view through April 12, 2026, the opening exhibition explores the relationships between people and nature, the city and memory, interspecies connections, and the future, beginning with an examination of the complex's own context in central Taiwan.

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The future Las Vegas Museum of Art (LVMA) will be the city's first stand-alone museum, designed by Pritzker Prize-winning architect Francis Kéré. In fall 2024, the City of Las Vegas granted LVMA two acres of land in Symphony Park, neighboring the city's downtown arts district, as part of a public-private partnership. The project is intended to serve the city's more than 2.4 million year-round residents, including nearly 300,000 students living within a 10-mile radius of the park, as well as tens of millions of visitors from around the globe. The 60,000-square-foot building was designed by Kéré Architecture, which teamed up with Skidmore, Owings & Merrill (SOM) to provide Las Vegas with "a gathering place for community and a beacon for the cultural world," and is scheduled to open in 2029.

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Back in April 2022, Abu Dhabi unveiled the first images of a new Natural History Museum designed by the Dutch practice Mecanoo. Three years later, on November 22, 2025, the museum opened its doors to the public, presenting 13.8 billion years of science and discovery with a special focus on the Arabian region. Covering more than 35,000 sqm, the design is intended to resonate with natural rock formations. Geometry acts as the unifying theme, with pentagonal shapes referencing cellular structures. Water and vegetation, symbols of life in the desert, also play an important role in the design. Located in Abu Dhabi's Saadiyat Cultural District, the building houses rare meteorites, dinosaur fossils, and reconstructions of the region's prehistoric landscapes, combining natural history, storytelling, and immersive environments. Through interactive exhibitions, special events, and community-science programmes, the museum seeks to encourage audiences of all ages to engage with the natural world.

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On November 28, 2025, Qatar Foundation will launch Lawh Wa Qalam: M. F. Husain Museum, a new addition to Qatar's cultural landscape dedicated to the life and work of artist Maqbool Fida Husain. The museum will be the world's first institution to trace Husain's artistic journey from the 1950s to his death in 2011, offering an immersive experience in a building drafted by the artist himself. The permanent exhibition will include paintings, films, tapestry, photography, poetry, and installations, presented through multimedia storytelling. Covering more than 3,000 square meters, the museum aims to foster creativity and dialogue, serving as a new space for learning and exploration within Qatar Foundation's Education City in Doha. The initiative adds to a campus that houses educational and research institutions designed by architects such as Arata Isozaki, Rem Koolhaas, and Antoine Predock, as well as firms like Legorreta + Legorreta and Mangera Yvars Architects.

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The Lucas Museum of Narrative Art has announced that it will open to the public on September 22, 2026, adding a new cultural institution to Los Angeles's Exposition Park. Founded by George Lucas and Mellody Hobson, the museum is dedicated to illustrated and narrative storytelling, understood as visual works that communicate stories across media and periods. The building is designed by Ma Yansong of MAD Architects, with landscape architecture by Mia Lehrer of Studio-MLA and Stantec serving as executive architect.

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The Limbo Museum is a new institution dedicated to architecture, art, and design based in Ghana, West Africa. The museum challenges the concept of the ruin, operating from a formerly abandoned Brutalist estate that currently conveys the image of an unfinished building. The project was founded by Limbo Accra, a spatial design and research-based practice established in 2018 by Dominique Petit-Frère and Emil Grip, dedicated to "unlocking the potential of unfinished buildings across West Africa and beyond." On October 31, 2025, the museum opened its first public exhibition, On the Other Side of Languish by Reginald Sylvester II, developed through the institution's visiting artist residency program.

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Snøhetta has been selected to design the Qiantang Bay Art Museum, a new cultural landmark within the Qiantang Bay Future Headquarters development in Xiaoshan District, Hangzhou, China. Conceived in collaboration with the Architectural Design & Research Institute of Zhejiang University Co., Ltd. and Buro Happold, the project encompasses architecture, landscape architecture, and interior design over 18,000 square meters. The museum will form part of Hangzhou's expanding downtown area along the Qiantang River, serving as an important destination for art, culture, and public life.

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Known today for her poetic yet rigorous approach to architecture, Lina Ghotmeh has become one of the most compelling voices in contemporary design. Her work spans continents, from the British Museum's Western Range redesign in London to AlUla's Contemporary Art Museum, and includes landmark commissions such as the Serpentine Pavilion in London, Stone Garden in Beirut, the Bahrain Pavilion at the 2025 Expo Osaka, and the Estonian National Museum in Tartu, Estonia which she won the competition to design at just 25. Through a palimpsest of projects, Ghotmeh has established a distinctive architectural language that bridges memory and contemporary life. Wherever she builds, her process captures a constant dialogue between people, place, past and future.

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