SPPARC architecture and design studio has revealed plans to renovate the former Ravenscourt Park Hospital in Hammersmith, London, which has stood vacant for two decades. The building, originally named the Royal Masonic Hospital and designed by Thomas S. Tait, is regarded as one of the first major modern buildings in the UK and was Europe's largest independent acute hospital when it was opened by King George V in 1933. Built to provide low-cost treatment for Freemasons and their families, the 260-bed facility operated until 1994, reopened as an NHS hospital in 2002, and was permanently closed in 2004. According to the recent announcement, the Grade II listed landmark, currently on Historic England's Heritage at Risk register, is intended to be repurposed as 140 new homes, a 65-bed care home, and spaces available for public hire.
Across Asia, bamboo scaffolding has symbolized an intersection of traditional knowledge and modern construction. Hong Kong's skyline is shaped by intricate bamboo scaffolding, yet this time-honored craft is steadily vanishing from the region. Moving east, Indian cities still utilize bamboo scaffolding on building sites throughout the subcontinent, revealing a different kind of paradox.
In February 2023, the governor of Kagawa Prefecture, Japan, announced the planned demolition of the Kagawa Prefectural Gymnasium, designed by Pritzker Prize-winning architect Kenzo Tange. Discussion surrounding its fate dates back to its permanent closure in 2014, after a roof leak caused structural problems in the ceiling boards. Since then, several organizations have worked to save the building, including a petition by the World Monuments Fund and an effort by a promotional council to nominate it as a UNESCO World Cultural Heritage site in 2021. Despite these initiatives, on August 7, 2025, the Kagawa Prefectural Government officially announced a public competitive bidding process to select a contractor for the demolition, something the Former Kagawa Prefectural Gymnasium Regeneration Committee is determined to prevent.
In 1968, Swiczinsky co-founded Coop Himmelb(l)au alongside Wolf D. Prix and Michael Holzer. The studio quickly gained international recognition for its radical design approach, defined by fragmented geometries, exposed structural systems, and spatial complexity. After Holzer's departure in 1971, Swiczinsky and Prix continued to lead the practice through the 1980s and 1990s, establishing it as one of the most prominent voices of the deconstructivist movement.
The Cristo Rei Cathedral is Oscar Niemeyer's design for the cathedral of Belo Horizonte, the capital of the state of Minas Gerais in southeastern Brazil. Conceived between 2005 and 2006, it is one of the late architect's final projects in the country. The design features a domed structure approximately 60 meters in diameter, suspended by two towering elements rising 100 meters high. Niemeyer referred to the project as a "square," consisting of a cathedral with a capacity for 3,000 people and an external altar designed to accommodate up to 20,000 worshippers for mass and public events. Construction began in 2013 and is still ongoing. Earlier this year, photographer Paul Clemence visited the site, documenting the building process and capturing the emergence of Niemeyer's signature curves.
The Getty Foundation's Conserving Black Modernism initiative was launched in 2022 as a grant program to preserve and ensure the legacy of African American architects within the Modernist movement across the United States. In partnership with the National Trust for Historic Preservation's African American Cultural Heritage Action Fund, it supports conservation efforts, training, and educational initiatives to address the historical oversight of significant architectural landmarks and their designers' contribution. For its third funding cycle in 2025, five new buildings will receive critical support, expanding the initiative's reach into new communities with the first projects in Chicago and the Pacific Northwest.
Fireplaces have profoundly shaped architectural design, influencing how spaces are organized, experienced, and perceived. More than merely functional elements, they represent symbols of power, community, comfort, and culture, tracing humanity's evolving relationship with the built environment. From the primitive hearths that characterized early human settlements to the sophisticated ecological designs of contemporary architecture, fireplaces have reflected broader cultural, social, and technological changes, serving as enduring focal points in the spatial narrative of architecture. Scholars have frequently explored the intimate relationship between architecture and fire. Luis Fernández-Galiano, in his seminal work "Fire and Memory: On Architecture and Energy" argues that architecture fundamentally mediates the relationship between humanity and energy. By understanding how these structures have shaped spaces, symbolized cultural values, and driven technological innovation, we gain deeper insight into architecture's complex interplay between form, function, and meaning.
Jonas Salk Institute for Biological Sciences (1959-65). Image Courtesy of Form Portfolios
In the history of modern architecture, Louis I. Kahn is regarded as the undisputed master of monumentality in the United States. At the height of his career, Kahn managed to create a unique type of architecture, often awe-inspiring, but avoiding overdone grandiosity, expressing its constructive system, yet avoiding structural exhibitionism, steeped in history but developed with a new language and system of forms. His interest in light as a functional element and the specific qualities of materials extended beyond his buildings, in all the objects he created to populate them following their intrinsic spirit. To celebrate this legacy, Form Portfolios has now launched "Monumental Modernism," the first collection of lighting, objects, and furniture modeled after those discovered in Louis I. Kahn's buildings.
Renovation Project of Puerta de Arnedo Health Center (La Rioja). Photos: María Natali.
In modern architecture, materials must meet a range of functional, aesthetic, technical, and environmental demands. Gres Aragón offers ceramic tile solutions that respond to all aspects of a project—from façades and interiors to exteriors, pools, staircases, and industrial spaces—while maintaining a consistent design language.
With more than 80 years of experience and deep expertise in the extruded tile manufacturing process, Gres Aragón has established itself as a trusted partner for architects and interior designers. Its product offerings are based on four core principles: visual continuity, extreme durability, high-tech performance, and a strong commitment to sustainability.
Founded in 2022 by art advisor Filipe Assis, ABERTO is an exhibition platform celebrating the convergence of art, design, and architecture in Brazil and beyond. Staging exhibitions in private and public modernist spaces, its past editions have highlighted the global connections forged by Brazilians from the 20th century onwards. Following three exhibitions in São Paulo, "ABERTO 4 – Brazil After Le Corbusier" marks its first international edition, taking place at Le Corbusier's Maison La Roche in Paris, from 14 May to 8 June 2025. The exhibition presents around 35 design and art pieces by Brazilian artists, spotlighting Le Corbusier's seminal connection to Brazilian modernist architecture and exploring his influence on contemporary Brazilian creatives. Previous editions of ABERTO have featured over 100 artists from Brazil and abroad in houses designed by Oscar Niemeyer (2022), Vilanova Artigas (2023), and Ruy Ohtake and Chu Ming Silveira (2024).
The Mid-Century Modernist movement was more than an aesthetic or material shift in the United States, as it was a response to a rapidly changing world. Emerging after World War II, this architectural revolution rejected ornate, traditional styles of the past in favor of clean lines, functional design, and incorporation of flashy materials like steel, glass, and concrete. Modernism was a break from tradition, focusing instead on simplicity, efficiency, and a vision for the future. It reflected the optimism of a nation rebuilding itself, where technology and innovation shaped everything from cityscapes to suburban homes.
Through his unbuilt projects, built works, and research, Amancio Williams's ideas emerge as the result of a deep understanding of the most advanced trends of his time reflecting on architectural design, urbanism and city planning. By exploring various themes, concepts, and even materials, he aims to create a personal universe that interprets the present as something future-oriented, both international and distinctly Argentine. His proposal "La ciudad que necesita la humanidad" presents linear and layered buildings raised 30 meters above ground, incorporating everything from office spaces to roads and magnetic trains on different levels of a single structure. The Amancio Williams archive at the Canadian Centre for Architecture in Montreal documents Williams' career as an architect and designer from the 1940s to the late 1980s. The fonds documents his work for over 80 architectural, urban planning and design projects, as well as the administration of his architecture practice and his professional activities. Including drawings and sketches, presentation models, photographic materials, such as photographs of models, finished project (when realized), reference images, photographic reproduction of plans, and site photographs, the archive is available to consult offering more details.
Functionality is non-negotiable when designing, but crafting the right ambiance is crucial—especially in bathrooms and kitchens, where a few well-chosen finishes, hues, and fittings can completely transform the atmosphere and favor the composition of a cohesive environment. Concepts such as beauty, quality, and variety drive much of the design process of these spaces, encouraging what some might perceive as an aspiration for perfection in all dimensions. The interaction of these factors enhances both the visual composition and the user experience, shaping a balanced and appealing setting that adapts to the evolving architectural and design language.
https://www.archdaily.com/1026872/crafting-an-aura-of-perfection-with-intense-metallic-finishes-in-modern-interiorsEnrique Tovar
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Meeting House Square, Temple Bar. Image Courtesy of Sean Harrington Architects
The veteran Irish architecture critic Shane O'Toole once remarked that when traveling in Europe in the 1970s, "The universal comment was is there modern architecture in Ireland? Now, in less than 50 years, we've gone to a Pritzker Prize and two RIBA Royal Gold Medallists in five years." He attributes this change in perception to a design competition that launched the careers of several of Ireland's award-winning architects of today. This was the Temple Bar Framework Plan competition of 1991 in the center of Dublin, the capital of Ireland, which was won by a group of architects still in their 30s, running under the name of Group 91.
Located on the top of the Boa Viagem viewpoint in the city of Niterói, the Niterói Contemporary Art Museum - MAC was designed by architect Oscar Niemeyer. Inaugurated in 1996, it is a modern architectural masterpiece dedicated to housing a collection of Brazilian contemporary art from the 1960s to the 1990s. Rising above the cliff like a lighthouse, it appears to float in the air, resting on a water basin. Facing Rio de Janeiro’s Guanabara Bay in Brazil, its circular lines and revolutionary double-curved form stand out on the horizon, offering an open plaza of 2,500 square meters alongside a reflective pool that gives the structure a remarkable sense of lightness.
