Hashim Sarkis: The Latest Architecture and News

Chilean architect Smiljan Radić Clarke has been announced as the laureate of the 2026 Pritzker Architecture Prize, regarded as one of the highest honors in the field of architecture. The award recognizes Radić for a body of work that explores architecture through material experimentation, spatial perception, and a careful engagement with landscape and context. Born in Santiago, Chile, where he continues to live and work, Radić leads the practice Smiljan Radić Clarke, established in 1995. As the second Chilean to receive the prize, after Alejandro Aravena in 2016, he joins a distinguished list of previous laureates, including Liu Jiakun in 2025, Riken Yamamoto in 2024, David Chipperfield in 2023, and Diébédo Francis Kéré in 2022.

Radić's architecture operates within a territory where the phenomenological experience of space precedes explanation. His buildings often appear quiet, elemental, and resistant to easy verbal interpretation, encouraging visitors to experience them through movement, atmosphere, and perception rather than through formal expression. 

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Since 1895, the Venice Biennale has invited the world to witness the evolving landscape of contemporary art. In 1980, the event expanded its reach with the launch of the Architecture Biennale, which quickly became one of the discipline’s most influential global platforms. Today, alternating annually between contemporary art and architecture, the Biennale affirms itself as a space where disciplines and ideas intersect. Always timely and provocative, it fuels essential debates on the role of art and architecture in the contemporary world. Among its most recent editions are the 17th Architecture Biennale, themed How Will We Live Together? (2021), curated by Hashim Sarkis; The Laboratory of the Future (2023), by Lesley Lokko; and Intelligens. Natural. Artificial. Collective (2025), curated by Carlo Ratti and open to the public until the end of November.

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Last night, the Aga Khan Award for Architecture announced the constitution of its new Steering Committee for the 2023-2025 cycle. Composed of 5 primary jurors, this selection plays a pivotal role in the governance of the world-renowned award. Initially established in 1988, the award is internationally recognized as a leading award celebrating architecture projects that set a new standard of excellence in various practices, including architecture, planning practices, historic preservation, and landscape architecture. The award is also most known for its emphasis on applauding projects that use local resources and respect the contextual surroundings.

Chaired by His Highness Aga Khan, the Steering Committee for the 2023-2025 cycle comprised members from very diverse backgrounds. These members include Meisa Batayneh from Amman, Jordan; Souleymane Bachir Diagne from New York, USA; Lesley Lokko from Accra, Ghana; Gülru Necipoğlu from Cambridge, USA; Hashim Sarkis, also from Cambridge, USA; and Sarah M. Whiting, also affiliated with Harvard University in Cambridge, USA. Each individual is well-established in their respective practice, and together, they steer the Award, establishing eligibility criteria for different project submissions. The Committee provides thematic direction for the Award and plans for the institution's future. Finally, their most critical task involves selecting an independent Master Jury, which subsequently chooses award recipients.

In this two-part episode of Design and the City - a podcast on how to make cities more livable – reSITE covers the 17th Venice Architecture Biennale, exploring the question of “How will we live together". Part-one looks into the works of the U.S, Nordic, and Luxembourg Pavilion curators, focusing on their use of timber construction as an answer to the exhibition's theme. Part-two features curator Hashim Sarkis and Greg Lindsay, along with the British and Austrian pavilion curators, as they explore the topic of accessibility.

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Despite a year-long postponement and strict pandemic regulations, the 17th International Architecture Exhibition of La Biennale di Venezia has finally come to an end with over 300,000 visitors, exceeding the previous edition. Titled "How Will We Live Together", the 2021 edition of the event featured 112 participants and 60 national participations hailing from 46 countries, displayed across the Giardini, Arsenale, and the streets of Venice from May 22nd to November 21st, 2021. UAE's Wetland by curators Wael Al Awar and Kenichi Teramoto took home the Golden Lion for Best National Participation, for presenting an innovative contextual alternative to cement, one of the key emitters of the world's carbon dioxide.

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Videos

The United Arab Emirates has won the Golden Lion for Best National Participation at the 2021 Venice Biennale, with its contribution entitled Wetland curated by Wael Al Awar and Kenichi Teramoto. Selected by a jury that consists of Kazuyo Sejima (president-Japan), Sandra Barclay (Peru), Lamia Joreige (Lebanon), Lesley Lokko (Ghana-Scotland), and Luca Molinari (Italy), the winning contribution at the 17th Venice Architecture Biennale explores the local geography of the United Arab Emirates to find alternatives to cement, one of the key emitters of the world's carbon dioxide.

The award ceremony, broadcasted live on the Biennale’s official page also presented the Golden Lion for Best Participant in the International Exhibition How will we live together? to RAUMLABORBERLIN- Instances of Urban Practice while the Silver Lion for a promising young participant in the International Exhibition How will we live together? went to Border Ecologies and the Gaza Strip- Foundation for Achieving Seamless Territory (FAST). Other recognitions included a special mention for the national participation of the Philippines and Russia, and to Cave_bureau for the Anthropocene Museum: Exhibit 3.0 Obsidian Rain.

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Videos

After being postponed for one year, the 17th Venice Architecture Biennale opened its doors to the public on May 22nd, 2021, revealing a wide range of answers to Hashim Sarkis’ question of "How will we live together". With over 112 participants from 46 countries, the contributions are organized into five themes: Among Diverse Beings, As New Households, As Emerging Communities, Across Borders, and As One Planet. Due to travel restrictions, many curators were unable to be physically present at the inauguration of the event, resorting to digital platforms for interviews and presentations. ArchDaily had the chance to physically attend the exhibition and meet with some of the curators to further explore their pavilions. The following are 9 interviews from ArchDaily’s Youtube playlists that feature these exclusive interviews.

“We need a new spatial contract." This is the call of Hashim Sarkis, curator of the Venice Biennale 2021, as an invitation for architects to imagine new spaces in which we can live together. Between a move towards urban flight and global housing crises, the growth of more low-rise, dense developments may provide an answer in the countryside. Turning away from single family homes in rural areas and suburbs, modern housing projects are exploring new models of shared living in nature.

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Exactly a year ago, on August 4, 2020, the third-largest non-nuclear explosion ever-recorded destroyed almost half the city of Beirut, ripping through the port and the eastern part of the capital. One of the biggest urban tragedies of modern times, killed more than 200 people, wounded thousands, and left an estimated 300,000 people homeless, damaging over 80,000 commercial, residential and public spaces. Felt across neighboring countries, the blast stripped the city’s constructions of their cladding, framing, and glass elements, while completely tearing down other buildings, leaving around US$15 billion in property damage, in times of Covid, political and social unrest, and economic collapse.

One year later, so little has changed. One year later, it only became harder for the people of Beirut. One year later, everything in the city still reminds them of that day. Major questions remained unanswered, no rescue or action plans have been taken by governmental institutions, instead, civil society rose to take into their own hands, reconstruction efforts, in the total absence of the state.

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The 17th Venice Architecture Biennale is currently unfolding, revealing a wide range of answers to Hashim Sarkis’ question of "How will we live together". With over 60 national pavilions, installations by international architects, and several collateral events, this year's edition restates the Biennale's role as a platform for inquiry, exploration, and innovation in architecture. ArchDaily asked the curators of Luxembourg, Chile, United Arab Emirates, Argentina, Mexico, the KOYAÜWE Installation, and Hashim Sarkis, who were all physically present in Venice at the time of the interviews, what they believe is the future of our built environment in one word.

Other than the contribution of national participations, the 2021 Venice Architecture Biennale invites architects and researchers to exhibit their work between the Central Pavilion at the Giardini, the Arsenale, and Forte Marghera, seeking to answer the general theme of “How will we live together?”, set by curator Hashim Sarkis. With 113 Participants from 46 countries, and an increased representation from Africa, Latin America, and Asia, these architectural contributions underline worldwide and contextual challenges as well as present multidisciplinary and inventive solutions.

The 17th International Architecture Exhibition, running from 22 May to 21 November 2021, divides these projects amongst the following titles: Co-Habitats, Stations, Among Diverse Beings, As New Households, As Emerging Communities, Across Borders, and As One Planet, How Will We Play Together? After having explored the recurring qualities observed in the national pavilions, this feature highlights the rest of the interventions through the lens of Laurian Ghinitoiu.

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Responding to “How will we live together” in 115 different ways, the 2021 Venice Architecture Biennale welcomed, physically, the large public, on May 22nd, 2021. Opening up furthermore to the world, the timeless yet context-sensitive theme engendered a collective imaginary, highlighting a world that would rather come together than stay apart. Building an architectural narrative of the present that reflects on a resilient future, the interrogation, first asked in 2019, gained more relevance with the pandemic that paused the world for a while. With a lot of optimism and love for the craft, the architectural exhibition opened its doors to a longing public and revealed recurring qualities in the showcased interventions.

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The 2021 Venice Architecture Biennale finally opened its doors to the public, on May 22nd, despite all odds and after two postponements. Presenting 115 different responses to “How will we live together”, the architectural exhibition gathered innovative answers from across the globe, all arising from a common determination to change the status quo. Bringing people who face the same issues together to partake in a vital exchange of ideas, the 17th edition has amplified the role and status of the Biennale as the biggest platform for architecture.

Onsite, in Venice, ArchDaily had the chance to meet with curator Hashim Sarkis, to discuss once more the ever-growing relevance of the biennale, different overlapping scales and fields, recurring qualities, and the international language of architecture. Hoping that “people will walk out of the biennale with a stronger belief in architecture as being a medium that can make a difference”, Sarkis in his third interview talks of a collective imaginary that can inspire new spatial contracts.

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The Board of Directors of the 2021 Venice Biennale has appointed Kazuyo Sejima as president of the international jury, in charge of awarding mainly the Golden Lion for Best National Participation, the Golden Lion for the Best participant, and the Silver Lion for a promising young participant. In addition, they have also selected four other jury members from Peru, Lebanon, Ghana-Scotland, and Italy. The Awards Ceremony will take place in Venice on Monday, August 30th, 2021.

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Scheduled originally from August to November 2020, the 17th Venice Architecture Biennale was postponed, like every other event this year, and will be held from May 22nd to November 21st, 2021, due to the pandemic. Questioning “How will we live together?” the original statement of curator Hashim Sarkis, called upon architects “to imagine spaces in which we can generously live together”. Relevant today more than ever, with the current worldwide circumstances, the theme of the Biennale is in fact the focus of interest of the global scene.

After having discussed “How will we live together?” in 2019 with Hashim Sarkis in Venice, ArchDaily had the chance to open the debate once more and re-examine the question of the Architecture Biennale. In a two-part interview, the architect tackles the theme, the Biennale, the present situation, and the future.

The Golden Lion for Lifetime Achievement of the 17th International Architecture Exhibition of La Biennale di Venezia was awarded to Spanish architect, educator, critic, and theoretician Rafael Moneo. Selected by the Board of Directors of La Biennale di Venezia, upon recommendation of the Curator of the Biennale Architettura 2021, Hashim Sarkis, the acknowledgment will be awarded to the architect on Saturday, May 22nd, 2021 together with the Special Golden Lion for Lifetime Achievement in memoriam to Lina Bo Bardi.

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La Biennale di Venezia has just announced in a press conference, live-streamed on April 12, that the 17th International Architecture Exhibition under the theme of “How will we live together?” curated by Hashim Sarkis, will open to the public from Saturday 22 May through Sunday 21 November 2021 at the Giardini, the Arsenale, and Forte Marghera. In addition, the preview will be held on 20 and 21 May.

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In the second part of his interview with Archdaily, Hashim Sarkis reflects on the future of architecture as he tackles the timeless question of the 2021 Venice Biennale. The curator of the Biennale, which proposes the question of “How Will We Live Together?”, discusses the role of the profession in the midst of all these new paradigms, stating that “Architects do change the world […] by creating […] wish images for what the world could be”.

In this feature, the curator of the anticipated biennale and dean of MIT School of Architecture and Planning presents his views on the evolution of Architecture, and the new directions the academic world should take, to reflect “the complexity of the urban problems of today”. Sarkis also brings up Beirut, discussing reconstruction approaches, civil society, and the exasperating notion of resilience.