Public spaces remain some of the most dynamic sites for unbuilt architectural experimentation, revealing how cities and architects can imagine accessibility, gathering, and civic identity. In this curated Unbuilt edition, submitted by the ArchDaily community, the selected proposals examine parks, pedestrian corridors, cultural landscapes, and open-access urban environments that invite people to meet, move, rest, and participate in collective life. Rather than treating public space as leftover terrain, these projects position it as essential infrastructure—shaping urban health, memory, and social interaction.
Rafael Viñoly Architects has released new renderings of their design for the new international terminal at Aeroporto Amerigo Vespucci in Florence, Italy. According to the architects, upon completion, the new terminal is expected to welcome over 5.9 million passengers a year, becoming one of the largest airports in the Tuscany region of Italy. In a nod to the Tuscan traditions of winemaking, the terminal’s rooftop features a 19-acre productive vineyard. The project is divided into two construction phases, with the first one scheduled to be completed in 2026, and the second in 2035.
The XIV Florence Biennale of Art and Design announced that Santiago Calatrava will receive the Lifetime Achievement Award, a "tribute to one of the most influential architects of our times and a recognition of your audacious experimentation, extraordinary talent, and ingenious ability to combine architecture and art in projects imagined and designed in harmony with nature and oriented towards the ideals of beauty.”
After a prolonged period known as the Middle-Ages, a growing desire to both study and mimic nature itself began to emerge, with an inclination to discover and explore the world. Between 1400-1600 A.D. Europe was to witness a significant revival of the fine arts, painting, sculpture, and Architecture. The ‘Renaissance’, meaning ‘rebirth’ in French typically refers to this period of European history, although most closely associated with Italy, countries including England and France went through many of the same cultural changes at varying timescales.
Prior to the dawn of the Renaissance, Europe was dominated by ornate and asymmetrical Gothic Architecture. Devoured by the plague, the continent lost approximately a third of its population, vastly changing society in terms of economic, social and religious effect. Contributing to Europe’s emergence into the Renaissance, the period ushered in a new era of architecture after a phase of Gothic art, with the rise of notions of ‘Humanism’. The idea of attaching much importance to the essence of individualism. The effect of Humanism included the emergence of the individual figure, greater realism and attention to detail, especially in depictions in art.
In his book Breve Historia del Urbanismo (Brief History of Urbanism), Fernando Chueca Goitia states that the medieval city appeared at the beginning of the 11th century and flourished only between the 12th and 13th centuries. According to the author, this growth was closely linked to the development of commerce that allowed permanent occupations, resulting in a city no longer composed mainly of travelers. In other words, the bourgeoisie was formed thanks to the most diverse activities - craftsmen, tradesmen, blacksmiths, longshoremen - which stimulated the development of the medieval city.
As architects around the world reimagine public spaces in the midst of the coronavirus, Italian architecture firm Caret Studio has envisioned the “StoDistante” installation. Searching to reconcile people with the outdoors, and allowing theses spaces to reopen safely while respecting the social distancing measures, Caret Studio created a temporary installation that reflects our current situation.
A Spanish tourist has been killed by a piece of falling masonry in the Basilica of Santa Croce in Florence, Italy. As reported by The Guardian, the 52-year old victim was hit by "a piece of decorative stone that fell from a height of 20 metres (66 ft) as he visited the religious building with his wife." Reports suggest that the fragment was around 15cm by 15cm (6 by 6 inches) in size; according to Yahoo, the fragment "had supported a beam in the right transept of the Basilica."
Following the incident, the attraction has been closed to visitors indefinitely.
https://www.archdaily.com/881997/falling-masonry-kills-tourist-in-florences-deteriorating-basilica-di-santa-croceAD Editorial Team
Each year, thousands of tourists flock to the Italian region of Tuscany to view works of architectural mastery. Renowned architectural figures such as Michelangelo and Brunelleschi transformed Tuscan cities to be stages of cultural rebirth during the 14th-17th century. These times, however, have passed. Today, Tuscany is faced with problems such as the decline of suburbs, abandoned buildings, and property speculation. The modern Italian architecture scene is in decline, and the country is experiencing an oversupply of architects, requiring many to emigrate in search of work.
Can the spirits of these Renaissance architectural masterminds be emulated today in modern Tuscany? This is exactly the topic that cultural association 120g explores in their new documentary, Tuscanyness. The film depicts how this nature of cultural rebirth is alive today through the architects born and educated in the Tuscan region. Here, emerging architects have the unique opportunity to listen to the teachings of the past to inform the architecture of the future.
The above video, filmed and edited by DUOSEGNO Visual Design, features a look into the new Careggi entrance in Florence, designed by Ipostudio which becomes the ‘gateway’ to the hospital campus as it acts as both an urban junction as well as an architectural presence. The new entrance does not just function as a door to get inside, but is an area for strolling, for spontaneous interaction, and a place which represents the intricacy of the largest hospital development in all of central Italy. Through a new ‘square’, a new archway for Florence, this covered plaza, which draws inspiration from the grand urban traditions of the Florentine porticos, allows for this to happen.
The new extension designed by 1+1=1 Claudio Silvestrin Giuliana Salmaso architects and planners for laRinascente in Piazza della Repubblica, Florence, is conceived as a symbol of strength through the square, yet of lightness, in the detail of the Archangel’s wing in Filippo Lippi’s painting of the Annunciation. Visually, the new extension is floating above Palazzo del Trianon while preserving its authentic architectural structure. More images and project description after the break.
The team of Uros Novakovic and Nevena Radojevic have shared with us their proposal for a Urban Design Contest in Florence, Italy which focuses specifically on the development of Santa Maria Novella Square. Additional images and a project description after the break.
Uros Novakovic and Renato Pucci, students of the Università di Firenze in Florence, Italy shared with us their temporary pavilion for the Italian national rail-transport company. You can see more images and architect’s description after the break.
