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Unearthing the Ground: Architecture and the Politics of Waste

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In 1948, Robert Moses established the Fresh Kills Landfill on the western shore of Staten Island. The site, chosen for its remote marshland and cheap land value, was meant to be temporary, but by 1955 it was the largest landfill in the world, receiving up to 29,000 tons of refuse per day at its 1991 peak. By 2001, after more than fifty years of continuous operation, Fresh Kills covered 2,200 acres, roughly three times the area of Central Park, and was, unspectacularly, visible from space. When it started, Moses didn't expect to design a dump but, without calling it that, a new landform with four artificial hills rising up to sixty meters above sea level built entirely from the accumulated residue of eight million daily lives.

That landform is now, slowly, becoming a park. James Corner Field Operations won the international design competition launched by the city in 2001, producing a master plan called Lifescape that will take thirty years to complete. The landfill's four mounds are being capped, planted, and gradually opened to the public. Methane from decomposing waste is captured and fed into an energy system as the wetlands are being restored around the engineered hills. Evidence of New York's consumption transformed into a feat of ecological engineering and an act of institutional memory management (a way of making a city's most embarrassing landscape slowly look like something it was always meant to be).

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SuperSpatial Explores E-waste in Proposal for the Korean Pavilion at Expo 2020 Dubai

Multidisciplinary practice SuperSpatial was selected as one of the 6 finalists for the South Korean Pavilion at Expo 2020 in Dubai. Their design explores the future of e-waste through an architecture that re-uses thousands of obsolete computer parts as a construction material. Shaped like an amphitheater for temporary events, the project uses the Expo as an occasion to think about the global problem of e-waste by using a pavilion as a critical medium.

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