In an effort to “feed the world,” penda, in collaboration with Alex Daxboeck, has won first runner-up in the two-stage competition for the Austrian Pavilion at the 2015 Milan Expo. Supporting the Expo’s theme, penda’s proposal plans to be designed and harvested by its visitors, who will plant herbs, vegetables and fruits all over it throughout the duration of the seven-month event. By the end of the Expo, the pavilion will be fully taken over by organic food, which will then be prepared by chefs and served back to the visitors in the Pavilion-Restaurant.
Construction begins in late October on the approximately 16,000 square foot new wing and building renovation of the Tacoma Art Museum. The new wing will provide a home for the Haub Family Collection of Western American Art, double the museum’s gallery space, provide greater art experiences for visitors, and increase the museum’s role in downtown Tacoma. Award-winning architects Olson Kundig Architects will design the expansion and renovation.
Night View (Front). Image Courtesy of Asymptote Architecture
New York based Asymptote Architecture have unveiled designs for a new Centre of Performing Arts in Sejong, South Korea. Described as celebrating "the cities emergence and growth as a place of stature and culture," the arts centre is designed to "seamlessly connect to the city fabric." Containing two theaters, the program of the building has been designed to create a unified experience, allowing for a "powerful and 'episodic' interiority and experience."
The entrance to the Museum of Modern Art is tucked beneath a demure facade of granite and glass in Midtown Manhattan. Its clean, regular planes mark Yoshio Taniguchi's 2004 addition to the MoMA's sequence of facades, which he preserved as a record of its form. Taniguchi's contribution sits beside the 1984 residential tower by Cesar Pelli and Associates, followed by Philip Goodwin and Edward Durell Stone’s original 1939 building, then Philip Johnson’s 1964 addition. Taniguchi was hired in 1997 to expand the Museum’s space and synthesize its disparate elements. His elegant, minimal solution presents a contemporary face for the MoMA while adhering to its Modernist roots.
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