Architectural history often advances through iconic gestures or technological breakthroughs, yet some works remain influential precisely because they resist spectacle. Built between 1972 and 1974 in Sint-Martens-Latem, Belgium, the Van Wassenhove Residence stands as one of those quiet but decisive projects. Conceived as a single, continuous concrete volume set within a wooded landscape, the house challenges conventional ideas of domestic comfort, privacy, and spatial hierarchy. Its presence is direct and uncompromising, yet it avoids monumentality, positioning itself instead as a lived structure shaped by everyday rituals and long-term inhabitation.
The house was designed by Juliaan Lampens, a figure who operated largely outside the dominant architectural narratives of his time. Working mostly in Flanders and often on private commissions, Lampens developed a body of work centered on radical spatial reduction, material honesty, and an almost ethical approach to construction. The Van Wassenhove Residence is frequently described as his most complete work, not because it introduces new ideas, but because it consolidates many of the principles that run consistently through his career.
Building Frame of the House. Image Courtesy of IGArchitects
Founded in 2020 by Masato Igarashi, IGArchitects is an architectural practice based in Tokyo and Saitama, Japan. The studio, one of the winners of the ArchDaily 2025 Next Practices Awards, explores enduring architecture through a careful yet assertive treatment of structure, scale, and materiality. Prior to establishing his own practice, Igarashi worked at the large-scale firm Shimizu Sekkei as well as the Suppose Design Office, gaining experience across projects ranging from major developments to smaller, concept-driven works. This breadth of experience continues to inform IGArchitects' current focus on residential and commercial architecture across Japan.
Living by the beach has long been a defining aspiration—drawn by the promise of tempered nature, privacy, and immediate access to the water. Historically, beach houses tended to be rustic and pared back: partly because servicing remote sites and delivering materials was difficult, and partly because their charm lay in being closer to the elements—simpler, rougher, more direct.
Accordingly, many early beach houses were built in timber. Wood offered clear advantages: it was lightweight, adaptable, quick to work with, and could be erected with minimal heavy machinery. While timber weathers and fares poorly in salt-laden humidity, exterior-grade lumber carries a raw, natural character that reinforced the appeal of the beach-house ideal.
It shouldn't be too surprising that architectural concepts were traveling around the globe long before the online spread of information. While many regions share certain historical events and hence references (such as colonization and the mid-20th-century independence movement/ turn of political systems), others might have simply developed parallel solutions to similar climates and material availability. Additionally, it was only natural that with the dissemination of a more uniform architectural pedagogy acquired while studying abroad, followed by the internet boom, we would find almost twin projects from every corner of the world. While these might look nearly identical from some angles, they might bear different layers and stories. Then again, they might also display the same reasoning and prompts shared by counterparts from across the seas.
ICON, the office that pioneered large-scale 3D printing, has announced a new residential development of 3D-printed homes to take shape at Wimberley Springs, in Texas, United States. The complex, comprising 8 single-family homes, features designs from ICON’s CODEX Digital Architecture Catalog. The houses, currently under construction and available for sale, leverage ICON’s robotic technologies to create an energy-efficient, low-carbon construction process.
The early 20th century marked a pivotal era in Brazilian architecture with the advent of the modernist movement. Architects like Oscar Niemeyer or Lúcio Costa introduced avant-garde designs characterized by sleek lines, reinforced concrete, and a focus on functionality. What's more: residential projects of the era, in particular, blurred the lines between indoor and outdoor, flawlessly merging interior and exterior spaces to reflect a lifestyle that harmonizes with nature. Fast forward to the present day, and contemporary architects and designers in Brazil continue to embrace the challenge of creating indoor-outdoor homes that nod to the country's tropical climate. These residences often feature open floor plans, expansive glass walls, and strategic positioning of courtyards, gardens, or terraces with a design philosophy that emphasizes natural light, ventilation, and the incorporation of greenery for increased well-being. We take a detailed look at four recently completed residential projects in Brazil that fuse contemporary architecture, sustainable living, and a deep appreciation for their natural surroundings.
In 1993 a young professional couple from Amsterdam set out to build a private house unlike any other. They wanted to create something that “would be recognized as a reference in terms of renewal of the architectural language.” They reached out to several architects, including Rem Koolhaas, but finally decided to entrust the commission to Dutch architect Ben van Berkel after he studied the site and came up with a vision for the project, relating it to the couple’s lifestyle.
Located in Het Gooi, its design took over 5 years, going through several iterations, but always coming back to its core inspiration: the Möbius loop. The shape, defined as a single-sided surface with no boundaries, was the key to a new architectural language that aimed to weave together all the individual activities of each family member, allowing the functional program to be integrated within the dynamic structure. By 1998, when the house was completed, it became widely published and internationally recognized. It also became a sort of manifesto for its architect, as it uses an organizational principle to inform the final image.
Villa Badran. Image Courtesy of Rare Books and Special Collections Library American University in Cairo
While Egyptian architects were exercising their understanding of modernism in the urban fabric in the 1970s, a “chubby rebellion” in the form of Villa Badran defied the standardized curvilinear forms and rigid geometry. Gamal Bakry dived deep into his imagination to construct this unique piece of architecture that still stands as part of the city of Cairo today. With curving and free-flowing facades, Villa Badran drew inspiration from natural forms. In an attempt to create a living space that was more natural in its essence, the bubbly intervention puts in place a monolithic composition that hosts a two-story detached home for an Egyptian family.
Walking down the streets of cities like Hanoi and Saigon in Vietnam, you might encounter houses with surprisingly narrow facades in contrast to the stacking of three to five floors, with windows for ventilation and natural light only on the front facade. These are the famous traditional Tube Houses. According to ancient popular culture, this type of housing emerged due to property taxes being based on the width of the facade, but the true reason is to optimize land use, allowing a larger number of plots in the same square.
However, this legacy is now being recreated in contemporary designs by Vietnamese architects. Old facades give way to innovative solutions featuring atriums for natural lighting and ventilation, courtyards and interior gardens, greenery incorporated into different environments, split-levels, etc., allowing for high-quality spaces. With that in mind, we have put together a selection of Tube Houses, together with their respective section drawings. Check out below:
For much of the world, this past year was spent within the confines of our homes, undoubtedly blurring the lines between our public, professional, and private lives and transforming our living spaces into places of work and productivity. This transformation of spaces and how they are used is nothing new in the world of architecture as countless spaces take on various roles beyond what they were originally designed for--a fact reflected in their layout, design, and the materials used within them.
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