Buffalo: The Latest Architecture and News

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There's something quite exciting about imagining how a particular space within an existing built form can dictate its use and vice-versa, how the function of a determined space can shape the space's appearance, and the endless possibilities that this entails. This reciprocal process is a concept we often find in the works of the experimental architecture duo Davidson Rafailidis, whose projects evidence a thorough understanding of the existing form that results in a careful and thoughtful ensemble of dynamic architecture.

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This article was originally published on Common Edge.

Recently I visited Pittsburgh for a fascinating hand-drawing conference at Carnegie Mellon’s superb school of architecture, which to my knowledge is not among the top 10 in U.S. News and World Report. I wonder why? The curriculum is cutting-edge, the faculty world-renowned, and the students well-grounded and talented. More people of color are in the design community at CMU than at Princeton, SCI-Arc, or Harvard.

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The Buffalo AKG Art Museum (formerly known as the Albright-Knox Art Gallery) has announced that it will welcome its first visitors on the 25th of May, 2023. Revamped and expanded, the new campus designed by OMA/Shohei Shigematsu in collaboration with Cooper Robertson features “new work of signature architecture, the Jeffrey E. Gundlach building, and extensive renovation to existing buildings”.

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This week's reprint from Metropolis explores the ongoing renovation and transformation of an iconic site in Buffalo, Silo City, in order to create ambitious residential and public projects.

Design practices SO-IL and West 8 have won a competition to redesign a 37-acre cultural hub along New York's Niagara Gorge. The project will include a renovated main stage and an outdoor ampitheatre, as well as a series of pathways, galleries and viewing stations integrated into the canyon. The teams are tasked with the development of a strategy to revitalize the Artpark grounds, while improving connectivity, facilities and programs.

Throughout history shifting economies, disasters, regime changes, and utter incompetence have all caused the evacuation of impressive architectural structures. From the 1986 explosion at the Chernobyl Nuclear Power Plant in Ukraine that rendered a region of the then-Soviet Union uninhabitable, to the decline in public transport that saw a number of US train stations becoming superfluous, the history of architectural abandonment touches all cultures. And, without regular maintenance, structures deteriorate, leaving behind no more than awe-inspiring ghosts of the past to fuel the ever-growing internet trend for "ruin porn." Below are 8 abandoned buildings slowly being reclaimed by nature:

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Buffalo and Erie County Public Library of Buffalo, New York, has recently opened a new exhibit at their Central Library titled Building Buffalo: Buildings From Books, Books From Buildings. The exhibit will feature a large selection of rare, illustrated architectural books from the Library’s collection dating from the fifteenth century to the mid-twentieth century. The bonus for those who are geographically distant from Buffalo is that, as part of the exhibit, the Library has also made dozens of historical architecture books available online, completely digitized and free to the public.

One of the most fascinating things about vernacular architecture is that, while outsiders may find a certain city fascinating, local residents might be barely aware of the quirks of their own surroundings. In this photographic study from Issue 4 of Satellite Magazine, originally titled "The Telescope Houses of Buffalo, New York," David Schalliol investigates the unusual extended dwellings of New York State's second-largest city.

The first time I visited Buffalo, New York, I was there to photograph the great buildings of the city’s late nineteenth- and early twentieth-century expansion for the Society of Architectural Historians: monumental buildings designed by Louis Sullivan, Fellheimer & Wagner, and, later, Frank Lloyd Wright. Many of these architects were the period’s leading designers, outsiders from Chicago and New York City hired to announce the arrival of this forward-looking city at the connection of Lake Erie and the Erie Canal.

These remarkable buildings, and the grain elevators that made them possible, have been thoroughly documented and praised, but they are also a far cry from the vernacular architecture I typically study. When I returned to Buffalo for the second, third, and—now—sixth times, I became fascinated by another building type: the Buffalo telescope house.

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Urban waterfronts have historically been the center of activity for many cities. They began as economic, transportation and manufacturing hubs, but as most industries changed their shipping patterns and consolidated port facilities, many industrial waterfronts became obsolete. In Europe, smaller historic ports were easily converted to be reused for leisure activities. However, in North America, where the ports were larger, it was more difficult to convert the waterfronts due to logistical and contamination issues.

Over the past 40 years or so, architects and urban planners have started to recognize the redevelopment potential for waterfronts across the United States and Canada, and the impact they can have on the financial and social success of cities. Though cold-climate cities pose a unique challenge for waterfront development, with effective planning waterfront cities with freezing winter months can still take advantage of the spaces year-round.

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New York Governor Andrew Cuomo has announced that the Richardson Olsmted Complex, a National Historic Landmark that is widely considered to be one of Buffalo's most important and beautiful buildings, will be rehabilitated and reused as a hospitality venue and cultural amenity for the city. The design team, including New York-based Deborah Berke of Deborah Berke Partners and Buffalo-based Peter Flynn of Flynn Battaglia Architects, have high hopes of transforming the unused building into a "thoroughly modern travel and cultural experience" while maintaining a deep respect for its long history.

"Working on the rehabilitation of the Richardson Olmsted Complex is an extraordinary design opportunity," said Deborah Berke. "We are designing a 21st-century architectural addition to H. H. Richardson's spectacular 19th-century buildings that is both rooted in history and forward thinking."