This article was originally published on Common Edge in 2021 to celebrate Venice's 1,600th birthday.

"We native Venetians and long-term residents number just over 50,000. We are dying out. Soon, we will disappear. The city prefers to be inhabited by someone else: not so much by other categories of human beings but by another way of being in the world.” – Tiziano Scarpa

March 25, 2021, dawned quietly in Venice. The city was still in full lockdown, a Zona Rossa. The Piazza was empty, the calli were eerily still. It was a subdued day to celebrate the birth of Venice. According to 16th century Venetian historian Marin Sanudo, the city was founded in 421 AD. In a city brought to a halt by the pandemic, the joyful clamor of bells ringing out across the city commemorating 1,600 years of existence was a welcome respite from the dreaded silence.

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The world has changed, and accepting this fact is no longer a matter of choice but survival. Our rainfall patterns, periods of drought, average temperatures, sea levels—everything is in constant flux. The denialist stance of many countries, including Brazil, has led to catastrophic situations like the one we are facing now.

The floods that devastated the southern region of the country in recent days cannot be considered isolated incidents. Due to global warming, climate events like this will become increasingly frequent. In other words, unfortunately, we cannot prevent them from happening, but we can—and must—make our cities more resilient to these situations.

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There's something quite exciting about imagining how a particular space within an existing built form can dictate its use and vice-versa, how the function of a determined space can shape the space's appearance, and the endless possibilities that this entails. This reciprocal process is a concept we often find in the works of the experimental architecture duo Davidson Rafailidis, whose projects evidence a thorough understanding of the existing form that results in a careful and thoughtful ensemble of dynamic architecture.

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In a new collaboration, Trimo and Pininfarina have introduced the Qbiss Notch Wall System, setting a new standard in architectural design. This partnership marries Trimo's expertise in engineering with Pininfarina's legacy of design innovation, presenting a prefabricated modular metal wall system that promises to redefine the aesthetic and functional landscape of modern architecture.

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In Copenhagen, during the 2024 UNESCO International Day of Light, The Daylight Award has announced Spanish architect and professor Alberto Campo Baeza as the laureate for the architecture category and German professor of chronobiology Till Roenneberg for his scientific research regarding the impact of daylight. The two categories create an interdisciplinary bridge between fields, grounding architectural thinking with high-level research. The two winners have been commended for scientific investigations into issues like circadian rhythms and dependencies in the case of Professor Roenneberg, and the poetic qualities obtained through the use of daylight in Alberto Campo Baeza’s architectural works.

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Seoul-based Korean architect Minsuk Cho and his firm Mass Studies have been selected to design the 23^rd Serpentine Pavilion, to open on June 5, 2024, in London’s Kensington Gardens. Titled “Archipelagic Void,” this iteration of the iconic commission will consist of five ‘islands’ displayed around an open space, breaking down the structure into a series of smaller elements intertwined with the park’s natural ecology. The pavilion will be open to the public from June 7, until October 27, 2024, with a press preview two days before the opening.

The Pritzker Architecture Prize and the Illinois Institute of Technology’s College of Architecture present "Community: The Architect as Catalyst for Change", the 2024 Laureate Lecture and Panel Discussion, on Thursday, May 16th at 6:00 pm CDT, in partnership with the Chicago Architecture Center.

The Pritzker Architecture Prize 2024 Laureate Riken Yamamoto will deliver the lecture, "uncovering his journey in the discovery of communities throughout the world, inspiring his socially-driven architecture that blurs the boundaries between public and private dimensions". Following the lecture, Yamamoto will be joined by recent Laureates, Sir David Chipperfield CH (2023), Francis Kéré (2022), and Anne Lacaton (2021), who share a similar commitment to the value of the social system." They will discuss the responsibility of the architect as a catalyst for change and debate respective challenges of creating and bridging communities as they shape new approaches to the design of the built environment."

This article was originally published on Common Edge.

In 1956, when car ownership and the suburban development that this enabled were just being embraced as American cultural ideals, pioneering urbanist Jane Jacobs wrote that the U.S. was becoming “an unprecedented nation of centaurs. … Our automobile population is rising about as fast as our human population and promises to continue for another generation.” She continued, “the car is not only a monstrous land-eater itself: it abets that other insatiable land-eater—endless, strung-out suburbanization.”

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For three years now, Villeroy & Boch has been implementing the TwistFlush vortex flush technology in selected toilets. This innovative flushing technology harnesses the physical force of the swirl to optimize flushing performance and toilet hygiene. Two nozzles generate a powerful water vortex, which cleans nearly the entire inner surface of the toilet and pulls all dirt residue into the drain with its strong suction. Coupled with the conical geometry and extra-smooth walls of the bowl, this makes repeated flushes and the use of the toilet brushes practically unnecessary. Compared to conventional flushes, this innovation is also particularly water-saving, making a significant contribution to resource conservation.

Delving into the realm of unbuilt architectural projects by renowned offices offers a peak into the design principles and ethos of the studios. The curated list of unbuilt projects submitted by established architecture practices has the potential to reveal new perspectives on the socio-cultural and environmental factors shaping contemporary architecture. These designs often respond to complex challenges such as sustainability, urbanization, and cultural preservation, reflecting architects' efforts to navigate and contribute meaningfully to the built environment.

Within this curated selection, one standout project is Rafael Viñoly Architects' Médano El Pinar, marking the late architect's last contribution to the architectural landscape. Other projects such as Aedas' Ellinikon Commercial Hub explore the opportunities of new developments, such as the disused airport transformed into Europe's largest coastal park in the periphery of Athens, while others are highlighting natural landscapes or offering spaces for creative and innovative programs. Featuring internationally recognized offices like SOM, Kohn Pedersen Fox, Gensler, or GAD Architecture, the selection showcases the unrealized concepts and architectural experimentations of renowned offices.

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More realistic visuals and expedited as-built modeling workflows (directly on iPad with Scan-to-Design [Labs]) are part of the latest release of SketchUp architectural design software. The 2024 version includes performance upgrades to boost productivity, ranging from a new graphics engine to easier ways to share ideas with stakeholders.

The Serbian Pavilion at Expo Osaka 2025 emerges as a compelling example of sustainable architecture infused with cultural storytelling, seamlessly integrating cutting-edge technology and emotional resonance. Designed by Aleatek Studio, the pavilion takes inspiration from Belgrade's protected Ratno Ostrvo (Great War Island) to realize the concept of a "Floating Forest." It stands out as the only Expo pavilion featuring a living façade, with over 95% of its materials recyclable and 80% intended for reuse in future construction. The design strategy also aligns with the theme "Play for humanity" of the upcoming Specialised Expo 2027 to be held in Belgrade.

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For designers seeking to evoke a sartorial expression of "quiet luxury" through an interior, a necessity to a minimalist palette is the addition of a sculptural object—one that catches the eye, glints like a jewel, and nods towards understated refinement. For kitchens and bathrooms where functionality reigns, how about capturing that moment of chic tension—that je ne sais quoi—with a radical faucet?

In the quest to promote a more sustainable construction where the use of natural materials contributes to the transmission of local traditions and cultures, an increasing number of architecture projects are exploring different resources and techniques to address environmental, economic, or social concerns. Understanding the benefits and qualities of materials such as color or texture influences the final experience of those who inhabit, walkthrough, or visit spaces. Therefore, understanding their technical, constructive, aesthetic, and functional properties should be part of the design process from the beginning.

The A' Design Award and Competition was established to promote and recognize the best in design worldwide, in all creative disciplines. The award is aimed at designers, innovators and companies that wish to stand out and attract the attention of the media, editors and buyers. These aspects are especially important in the world of design, where millions of products and projects are launched, and often end up being swallowed up and not receiving due recognition. To address this, hundreds of projects are submitted every year with a focus on innovation, technology, design and creativity. It offers a chance for recognition, with the valuable curatorship of a renowned jury and the possibility of a successful international launch. The A' Design Award contains a series of public relations, advertising and marketing services to celebrate the success of its winners. In addition, and unlike other design awards, it is completely free of charge.

The Wayfarers Chapel, known locally as "The Glass Church," was designed by Lloyd Wright, the eldest son of architect Frank Lloyd Wright, and completed in 1951. Located in the Palos Verdes peninsula in Los Angeles, its design aimed to blend the lines between architecture and nature, with large-span glass panels opening up to space toward the redwood canopies. Last year, the structure was designated a national historic landmark. Now, due to “accelerated land movement” in the area, the structure, which has been closed off to the public since February, was announced to be disassembled to protect it from further damage.

Powerhouse Company has revealed the design for the largest timber-built affordable housing complex in the Netherlands. “Valckensteyn” is a circular design featuring a 12-story timber structure and 82 homes. Situated within Pendrecht, a post-war neighborhood in Rotterdam, it sits on the site of a residential flat bearing the same name, demolished a decade ago. The timber structure seeks to be circular and sustainable in its design, creating a nature-inclusive environment that is accessible to all.

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Step into the realm where the minimalism of the 1960s Light and Space movement intertwines with contemporary high-tech algorithms and sensors. Back then, light artists like James Turrell, Dan Flavin, and Robert Irwin captivated audiences with the bare essentials, using precisely daylight or lamps to heighten visual perception. Fast forward to today, Chromasonic takes this synergy of light and color but augments it with sound and algorithms. Envisioned as a global network to experience the harmony of body and mind, Johannes Girardoni's team unveiled the first satellite of perception in the heart of Venice Beach, California. Through a collaboration with Google, Milan Design Week showcased how the interplay of light and color can go on tour as a walk-in installation on a larger scale.

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Throughout history, the undeniable interrelationship between sound and architecture has shaped users' experiences. From auditoriums to offices, cultural centers, and schools, acoustics in architecture can manifest itself in two ways: as a determining element of a structure's shape and as a material. When discussing aesthetics, the latter aspect is particularly relevant, as any material that forms part of a composition aims to have a cohesive design with the rest.

Integrating acoustics through materials presents a significant challenge, as certain attributes such as color, texture, or dimensions may hinder harmonization with the overall design of the space. This can unbalance the experience of the environment, since, although the acoustics are improved, the interior atmosphere is negatively affected. This situation highlights the importance of selecting the right material that can enhance acoustics while maintaining the coherence of the design.

It's fundamental that architects know about structures, not only to bring their designs to reality but also to be able to discuss their projects with engineers in order to find the best solutions for construction. Structural pre-dimensioning is crucial to the initial design of the structural components, revealing the restrictions and the possibilities of the spaces.

One of the main loads that a structure must support is its own weight, so it's essential to know this information so that the different parts of the building can be dimensioned. When starting a structural project, the engineer doesn't yet know the dimensions of the different pieces that make up the structure, and therefore, can't know their own weight. A paradox appears without a solution: to know the weight it's necessary to know the dimensions, but, to know the dimensions, it's necessary to know the weight.

During the development of the project the architect finds himself in the curious situation of having to design without necessarily knowing the size of each of the parts of the building (such as the size of the pillars, for example). These important elements directly affect functionality and aesthetics of the project.

A new exhibition presenting the works of artist Zeng Fanzhi has opened in the historic Scuola Grande della Misericordia in Venice, Italy. Running from April 17 to September 30, 2024, concurrent with this year’s edition of the Venice Arts Biennale, the “Zeng Fanzhi: Near and Far/Now and Then” exhibition showcases the latest breakthroughs in the artist’s practice in a space adapted by architect Tadao Ando.

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IE University has just announced the establishment of a new Creative Campus to be inaugurated in 2025 in Segovia, Spain. Situated within the historic Palacio de los Condes de Mansilla, this new campus will serve as an extension of the IE School of Architecture and Design. Developed to become an Innovation Hub, the project spans more than 5,000 square meters and boasts a Fab Lab, construction workshops, biomaterials, textile research laboratories, experimentation spaces, digital fabrication classrooms, and an exhibition venue. The amenities are designed for creative minds from different disciplines to collaborate, fostering a platform that provides real solutions for different challenges.

Humanity has inhabited cities for millennia and witnessed a shift to a predominantly urban global population since 2010. Throughout this time, it has repeatedly come up with creative solutions to ease the challenges of living in urban environments. The “fifth façade," as Le Corbusier proposed, is a yearning for serenity, greenery and space, and is currently experiencing a growth in popularity, with people transforming rooftops into serene sanctuaries as one way to achieve it. Especially in densely populated areas, the attraction of roof terraces is undeniable, offering a break from the frenetic pace of urban life and a deeper connection with nature.

However, access to these spaces requires care, especially when it breaks through the roof slab. This requires seamless integration with the space below, technology to enable water-tightness and visual connection, along with easy handling for opening and closing. Designed with functionality and aesthetics in mind, these access hatches can integrate seamlessly into the roofscape, offering convenient access, adding value to the property, increasing its appeal to potential buyers or tenants, and creating a symbiotic relationship between architecture and lifestyle, where innovation drives desirability.

Zaha Hadid Architects (ZHA) has been announced as the winner of the international competition for the design of the Riga Ropax Terminal in Latvia. Collaborating with Latvian practices Sarma Norde Architects and Alps Landscape Architects, as well as Sweco Finland, ZHA’s proposal includes the repurposing of an existing shipping warehouse, to be transformed into a key multi-modal transport hub for the city, located along the Daugava River. The competition was open to anyone who qualified. Out of the ten registered entries, the third prize was awarded to US-based Berenblum Busch Architects, the second prize went to R-Konsult from Estonia.