Lúcio Costa: The Latest Architecture and News

Between the 1950s and 1960s, two cities were built that would leave a lasting mark on the history of architecture and urbanism. Born of the same concept, yet separated by more than 14,000 kilometers, Brasília, in Brazil, and Chandigarh, in India—both steeped in modernist principles—were planned and built from scratch.

Emerging in a context of profound political and social transformations, where several countries sought to reshape their capitals as symbols of progress, both cities took on a strategic role. Through their chosen architectural language, they reaffirmed ideological and identity narratives linked to state power.

These were cities created in the abstract, guided by a utopian vision. They were conceived as avant-garde cities, free from the issues plaguing mid-twentieth-century urban centers, exemplifying aesthetic principles that reflected progressive political ideologies while embracing new technologies—most notably, the automobile.

Ultimately, however, this promise of the future brought major challenges. These difficulties certainly reflect the social and economic struggles of their respective countries, but they could also be said to be "seasoned" by a modernist idea that is now being called into question.

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Founded in 2022 by art advisor Filipe Assis, ABERTO is an exhibition platform celebrating the convergence of art, design, and architecture in Brazil and beyond. Staging exhibitions in private and public modernist spaces, its past editions have highlighted the global connections forged by Brazilians from the 20th century onwards. Following three exhibitions in São Paulo, "ABERTO 4 – Brazil After Le Corbusier" marks its first international edition, taking place at Le Corbusier's Maison La Roche in Paris, from 14 May to 8 June 2025. The exhibition presents around 35 design and art pieces by Brazilian artists, spotlighting Le Corbusier's seminal connection to Brazilian modernist architecture and exploring his influence on contemporary Brazilian creatives. Previous editions of ABERTO have featured over 100 artists from Brazil and abroad in houses designed by Oscar Niemeyer (2022), Vilanova Artigas (2023), and Ruy Ohtake and Chu Ming Silveira (2024).

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The complex relationship between architectural education and modernist principles in Brazil raises important questions about contemporary architectural practice. To explore this topic, we invited five professors from different Brazilian universities to share their perspectives: Eduardo Lopes (Universidade do Vale do Itajaí), Eduardo Westphal (Universidade Federal de Santa Catarina), Fábio Mosaner (Universidade Federal de Pernambuco), Marta Bogéa (Faculdade de Arquitetura e Urbanismo da Universidade de São Paulo), and Rodrigo Bastos (Universidade Federal de Santa Catarina). Their insights highlight modernism's lasting influence on architectural education while raising key questions for the current architectural debate.

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Brazilian modern architecture is often celebrated as a landmark of innovation and national identity, projecting the country onto the international stage with iconic works and a distinctive aesthetic. However, recent research and publications have highlighted its deep entanglement with colonial narratives, both in its influences and its social impact. Although modernism emerged as an attempt to break away from European academic traditions, it remained dependent on foreign references and incorporated strategies of domination that echoed colonial logic.

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Much of the production of modern architecture on the American continent was based on the model of European architects who, with their works, projected the fundamental premises and ideas for modern living. These pillars of architecture were transferred and consequently adapted to the American territory, introducing, at the same time, their own characteristics according to the territorial, socio-cultural and economic context. 

We understand that good architecture is that which serves as a model for solving problems inherent to the discipline of architecture in general. This is why certain references that we consider today as "classics" are examples of good architectural practices that have been appropriated by other architects, taking the pertinent and necessary elements to achieve a result in accordance with the particular context. 

Few places in the world have an overlap of complexities as intense as Brasília. Even so, its architecture symbolizes the Republic and democracy of Brazil, and any act of attack on these symbols carries meanings and consequences for Brazilian memory and cultural heritage. The terrorist acts of January 2023 destroyed part of the heritage and raised questions beyond objects and architecture, touching on education, culture, and national political capital.

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Located at the head of the abstract bird-shaped city plan by Lúcio Costa, and as the only building within the central greensward of the eastern arm of the Monumental Axis, the palace of the National Congress (Congresso Nacional) enjoys pride of place among Oscar Niemeyer’s government buildings in Brasília. The most sober of the palaces on the Plaza of the Three Powers, the National Congress reflects the strong influence of Le Corbusier, while hinting at the more romantic and whimsical forms that characterize Niemeyer’s trademark Brazilian Modernism.

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After launching virtual exhibitions about Parma (Italy), Pittsburgh and Milwaukee (United States), and Lagos (Nigeria), the online platform Google Arts & Culturehas opened the virtual exhibition Brasília: um Sonho Construído (Brasilia: a Built Dream), which presents an immersive tour of the Brazilian federal capital designed by Lúcio Costa.

Curated by the National Museum of the Republic, the exhibition had the collaboration of the Public Archives of the Federal District, the Institute of Architects of Brazil, the Chamber of Deputies Museum, the Federal Supreme Court, and other organizations based in Brasília. Through images from Google Street View, visitors travel through the corridors of six museums in the capital in 360° virtual tours, including the Museu de Valores (Museum of Currencies), the Square of the Three Powers, and also the Supreme Federal Court building.

After receiving Paulo Mendes da Rocha's complete collection in 2020, Casa da Arquitectura - Portuguese Center for Architecture, based in the city of Matosinhos, has just received Lucio Costa's estate. The donation was made by the family of the Brazilian architect and urban planner and includes about eleven thousand documents produced between 1910 and 1998.

We know you're an architecture aficionado and that your passion takes you places that inspire and awe. Even though a visit to the classic tourist sites can result in an amazing trip, visiting lesser-known places can make for an unforgettable experience. It is because of this passion for parts unknown that we have compiled this list of some of Latin America's hidden architecture gems for you to consider as you plan your next trip.

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CRA - Carlo Ratti Associati has unveiled a major extension for Brazilia, reinterpreting “Lúcio Costa and Oscar Niemeyer’s modernist master plan for Biotic - a high-tech innovation district immersed in nature”. Developed in collaboration with Ernst&Young, the project that started in 2018 reimagines primarily the superblocks.

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In the ambit of architecture, much of the twentieth century is marked by a production that reads, in general, as modern. The foundations of this work have been the subject of discussion for at least six decades, bringing together conflicting opinions about the true intention behind the modern gestalt.

Brazilian planner, preservationist and modernist thinker Lúcio Costa (27 Feburary 1902 – 13 June 1998) is best known for his 1957 plan of Brasília that shaped the Brazilian capital into a monument to utopian modernism. A resolute and often controversial figure in the Brazilian establishment, Costa’s contributions to Brazilian architecture helped to shape the distinctive modernism that was practically Brazil’s official style until the 1980s.

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Created as a microcosm of Brazilian life and culture, Maison du Bresil is a significant example of Le Corbusier’s high-density residential design. Inaugurated in 1959, it is one of twenty-three international residences at the Cité Internationale Universitaire de Paris, located in the heart of Paris. As the “House of Brazil”, the building acts as both a residence hall for Brazilian academics, students, teachers, and artists, and as a hub for Brazilian culture, by providing exhibition spaces and archival resources. Notably, the building has provided residence to famous Brazilians, such as the renowned journalist Barroso Zózimo do Amaral.

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Wearing masks with the faces of Oscar Niemeyer and Lúcio Costa, architects and urban planners swarmed the 50th Annual IAB (Institute of Architects of Brazil) Awards in Rio de Janeiro this week. The architects were protesting a contract the city government of Brasilia struck with a Singaporean firm to create an urban masterplan outlining the next 50 years of Brasilia's future.