ROTOR: The Latest Architecture and News

This article is part of our new Opinion section, a format for argument-driven essays on critical questions shaping our field.

Who designs architecture today? In a professional landscape increasingly defined by collaborative workflows, generative software, and distributed teams, the figure of the architect as a singular creative author feels both anachronistic and inadequate. This article argues that architectural authorship is no longer an individual act, but a collective and distributed condition shaped by institutions, technologies, and shared forms of labor. The transition from individual to collective authorship is not simply a consequence of larger offices or digital tools; it signals a deeper structural shift in how architecture is produced, communicated, and validated.

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Across Europe and beyond, architects are confronting a turning point. As rising emissions targets collide with shrinking material supplies and the growing urgency of climate commitments, the built environment is being forced into a deeper reckoning with how it consumes, circulates, and discards resources. What was once considered waste is now revealing itself as a dormant architectural archive, an urban ecosystem of materials waiting to be reclaimed, revalued, or reimagined. Within this shift, architects are beginning to play a radically different role. Not only as designers of buildings, but also as orchestrators of the flows that sustain them.

This emerging mindset is reshaping the foundations of practice. Instead of depending on long, extractive supply chains, designers are beginning to build their own closed-loop networks, establishing material banks, negotiating deconstruction protocols, and participating in new forms of urban mining.

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In a world facing ecological exhaustion and spatial saturation, the act of building has come to represent both creation and consumption. For decades, architectural progress was measured by the new: new materials, new technologies, new monuments of ambition. Yet today, the discipline is increasingly shaped by another form of intelligence, one that values what already exists. Architects are learning that doing less can mean designing more, and this shift marks the emergence of what might be called an architecture of restraint: a practice defined by care, maintenance, and the deliberate choice not to build.

The principle recognizes that the most sustainable building is often the one that already stands, and that transformation can occur through preservation, repair, or even absence. Choosing not to build becomes a political and creative act, a response to the material limits of the planet and to the ethical limits of endless growth. That Architecture moves beyond the production of new forms to embrace continuity, extending the life of structures, materials, and memories that already inhabit the world.

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The climate crisis has become a staple of the architecture discourse, with the field slowly acknowledging its contribution to environmental issues and seeking to reframe its values and approaches. However, there is an evident lack of commitment and consistency in addressing the matter and an absence of systemic change. Emerging practices, organizations and startups are carving a new architecture practice, slowly unfolding a paradigm shift beyond "green" add-ons and technical equipment. Addressing environmental issues on multiple levels, from policy and design strategies to materials and construction processes, the following are some of the actors reframing the profession's relationship with sustainability.

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The Oslo Architecture Triennale, which will start in just a few days under the title “The Future of Comfort,” will discuss how sustainability is challenging our idea of comfort and posit how architects can enter into this debate. ArchDaily had the chance to talk with Rotor, the curators of the Triennale, who have collected over 600 objects carrying claims of sustainability from over 200 architecture offices, companies and environmental organizations across the world.

Most of all, we wanted to find out: what truly counts as "sustainable"? Read the complete interview after the break: