The design by heneghan peng architects, Dublin, with Ralph Appelbaum Associates, Berlin, was awarded 1st prize in the international competition for the replanning and expansion of the Old Tower of the Kaiser Wilhelm Memorial Church. The competition’s purpose was to redesign the original West Tower, which was partially destroyed during a bombing by the Allied Forces in 1943, and return it to the tourist circuit as a war memorial and exhibition space.
Predominantly associated with places of worship, stained glass has been used by artisans across the globe for thousands of years in an array of art ventures and installations. Intensifying architecture with vivid color, the process of stained glass refers to a particular action in which glass has been colored via metallic oxides during its manufacture, using different additives in order to create a range of hues and tones.
In terms of architectural enhancement, stained glass is often pieced together in order to produce depictions of decorative art, allowing light to filter and penetrate a particular structure or building. As a component it is both decorative and a variety of window, allowing a substantial and sufficient amount of light into a space, for atmospheric and beneficial effect.
Driven by an intrigue in the ruination of Roman architecture, Brazilian architect, and photographer Olympio Augusto Ribeiro has undertaken a fascinating comparative analysis of Giovanni Battista Piranesi's architectural etchings and the scenes as they stand today. Travelling to each of the Italian sites brought to life in Piranesi's drawings, Ribeiro has managed to recreate the original angle and shot, eventually compositing them together to create collages which cross time periods.
Piranesi's drawings show different architectural styles side by side, and it was this coexistence that urged Ribeiro to investigate what has changed in Rome and Tivoli since their conception. The project, officially dubbed "Piranesi Project (In search of Giovanni Battista Piranesi’s Rome, 1720-1778)" took Ribeiro two months to photograph, meticulously recreating the images across Rome, Villa Adriana, and Tivoli.
Looming over the small Bavarian town of Hohenschwangau are the turrets and towers of one of the world’s most famous “fairytale” castles. Schloß Neuschwanstein, or “New Swan Stone Castle,” was the fantastical creation of King Ludwig II – a monarch who dreamed of creating for himself an ideal medieval palace, nestled in the Alps. Though designed to represent a 13th-century Romanesque castle[1], Neuschwanstein was a thoroughly 19th-century project, constructed using industrial methods and filled with modern comforts and conveniences; indeed, without the technological advancements of the time, Ludwig could never have escaped into his medieval fantasy.[2]
