This edition of a+u introduces the 23 recent works of architecture and technology that emerged from their relationship with the urban structure or the development history. In this issue, we focus our attention on the process of conceiving and realizing the projects driven by various motivations and tactics. We invite readers to look beyond the confinement of a single building and examine the works on their possibilities to be in use for a long time.
Architecture is art, but art vastly contaminated by many other things. Contaminated in the best sense of the word—fed, fertilized by many things.
– Renzo Piano
Italian architect Renzo Piano (born 14 September 1937) is known for his delicate and refined approach to building, deployed in museums and other buildings around the world. Awarded the Pritzker Prize in 1998, the Pritzker Jury compared him to Leonardo da Vinci, Michelangelo, and Brunelleschi, highlighting "his intellectual curiosity and problem-solving techniques as broad and far ranging as those earlier masters of his native land."
“Lightness and transparency are very close friends. You start from something and then you take off, you take off, you take off... And at a certain point you have to stop taking off, otherwise, everything falls down. If you do this you find that there’s a kind of beauty there. It’s a beauty that is profound, it’s not cosmetic.”
In this video by Luis Fernández-Galiano, Italian architect Renzo Piano talks about his path to finding beauty in lightness and transparency. This clip is a part of a full documentary and interactive booklet series by Fundación arquia and produced by White Horse.
A dynamic, pulsating installation is lighting up Renzo Piano's Intesa Sanpaolo skyscraper in Turin, Italy. Designed by Migliore+Servetto Architects, the installation is part of Turin's "Luci d'Artista," an annual, open-air light exhibition illuminating the squares and streets of the city.
The following is an extract from A Place for All People, a new semi-autobiographical manifesto by Lord Rogers. It is a mosaic of life, projects and ideas for a better society, ranging backwards and forwards over a long and creative life, integrating relationships, projects, stories, collaborations and polemics, with case studies, drawings and photographs.
Through his sketches, Renzo Piano communicates the true intentions of his projects, pointing to the specific concepts that will become the protagonists of his works, including concern for the human scale and comfort, solar studies, and dialogue with the immediate environment. We compile here ten projects by the architect accompanied by their sketches, through which it is possible to see how the 1998 Pritzker Prize winner takes his designs from paper to reality.
A year ago, Dutch telecom company KPN announced the move from its former headquarters in The Hague, to the famously leaning tower designed by Renzo Piano, at the foot of Rotterdam’s Erasmus Bridge. Completed in 2000, the tower is now set to undergo extensive renovation and expansion as part of the company’s relocation, to be headed by local firm V8 Architects with the intention of creating a new distinctive entry of the Wilhelminapier.
Piano himself was consulted in the design process, with the final proposal receiving his approval. "As a Rotterdam office, we are proud to have been asked to bring this characteristic building—and the first tower on the Wilhelminapier—to new life," said Michiel Raaphorst of V8." And we are honored our intervention is welcomed by Renzo Piano."
Construction is an exercise in frugality and compromise. To see their work realized, architects have to juggle the demands of developers, contractors, clients, engineers—sometimes even governments. The resulting concessions often leave designers with a bruised ego and a dissatisfying architectural result. While these architects always do their best to rectify any problems, some disputes get so heated that the architect feels they have no choice but to walk away from their own work. Here are 6 of the most notable examples:
Louis Kahn’s Kimbell Art Museum is a masterclass in natural lighting, with thin-shelled concrete vaults that feature subtle openings to reflect light into the galleries below. While Kahn’s wing of the Fort Worth Museum opened in 1972, in 2013 a second Renzo Piano-designed pavilion was added to the complex. Piano was selected to design the addition because he had worked for Kahn as a budding architect, and the homage to his former mentor is evident in the building’s similar layout and use of translucent glass panels. In this video, architect-photographer Songkai Liu takes viewers on a serene stroll through the museum’s campus. Time-lapses and pans of Kahn’s concrete are juxtaposed with the clean details of Piano’s glass in a soothing exploration of the two complementary projects.
Within the framework of the recent election of Malta to the Presidency of the Council of the European Union—a position that will be held through June 2017—architectural photographer Danica O. Kus has created a photo series detailing Renzo Piano Building Workshop’s Valletta City Gate in Malta.
Completed in 2014, the project is composed of four parts: the Valletta City Gate and site, an open-air theater “machine,” a Parliament building, and landscaped space. Experience the project in beautiful detail though the photo series, after the break.
Reviled by Parisians for its shocking inside-out appearance when it first opened in 1977, the Centre Pompidou has reached its 40th birthday, and as a gift, is set to receive to 2-year, $110 million renovation that will preserve the unique structure for years to come.
A group of six young architects under the leadership of Renzo Piano have been hard at work transforming unused spaces within Italy's suburban framework. The team, known as G124, focuses its efforts on injecting life back into overlooked and forgotten areas of its built environment and stimulating the local economy through design. This most recently entailed transforming a long abandoned area under a viaduct in northeast Rome into a bustling cultural hot-spot.
In The New Yorker's latest Postcard from Rome Elizabeth Kolbert talks to Renzo Piano in his Senate Office at the Palazzo Giustiniani, just around the corner from the Pantheon. Piano, who was named a Senator for Life by Italian President Giorgio Napolitano in September 2013 (when he was 75 years of age), immediately "handed over the office, along with his government salary, to six much younger architects." He then "asked them to come up with ways to improve the periferie - the often run-down neighborhoods that ring Rome and Italy’s other major cities." Kolbert attests to Piano's belief in the power of museums and libraries and concert halls. For him, "they become places where people share values [and] where they stay together." "This is what I call the civic role of architecture."
With the opening of the Harvard Art Museums a week ago today, Renzo Piano was able to finally complete on a project which, in various guises, has been in progress for seventeen years. The relationship between Piano and Harvard began with a 1997 plan to build a new branch of the Fogg Museum on the Charles River and ended, after objections from locals and then the 2008 recession, in the decision to consolidate the university's three museums (The Fogg, Busch-Reisinger and Arthur M Sackler Museums) under one roof.
With its long history, restricted space, the listed facade of the original Fogg Museum and the ultimate difficult neighbor in Le Corbusier's Carpenter Center for the Visual Arts, the Harvard Art Museums project was inevitably going to cause a fuss on completion. So how did Piano do? Find out what the critics said after the break.
Renzo Piano Building Workshop has been awarded planning approval for Feilden House, a 26-storey residential building at London Bridge Quarter, directly adjacent to the Shard. Designed to complement the Shard and Place Buildings, the third piece of Piano's London Bridge Developments will add "generous public realm amenities" to the area at ground level.
In discussion with Christopher Hawthorne of the LA Times, Renzo Piano has taken his comments of modesty - verging on "self-deprecation" - to a new level. In response to questions about the design of the proposed Motion Picture Academy in Los Angeles he has said: "I don't think it will be that bad. [...] Actually, I'm struggling to do something good." Although Piano's design has previously been met with criticisms from Hawthorne, the Italian architect notes in this latest interview that "everything we've made at LACMA has been extremely complicated." The project, which has already seen a major alteration in the core design team, remains set to complete in 2015.
This time last year we published our 30 Architecture Docs to Watch in 2013 featuring a fantastic range of films telling the tales of some of the world's greatest unsung architectural heroes. We now bring you eleven more for 2014, looking past the panoply of stars to bring you more of the best architectural documentaries which will provoke, intrigue and beguile.
Sellar Property Group has announced plans to commission yet another Renzo Piano-designed tower in London at the base of The Shard. Replacing the current Fielden House, a 1970s office building located on London Bridge Street, the new 27-story residential tower plans to provide 150 apartments, retail space and roof garden. As part of the area’s regeneration plan, the project will be the third Piano-designed building on the block.
.jpg?1442216412 "Isabella Stewart Gardner Museum. Image © Nic Lehoux")
.jpg?1442215764 "Menil Collection. Image © D Jules Gianakos")
