Pavilions: The Latest Architecture and News

In architecture, the word "pavilion" can describe an endless variety of structures. It might be defined as a principle and a typology, a freestanding structure, a temporary intervention, a gathering place in the city, or a space for experimentation. This last quality is what unites the six unbuilt projects featured here, all designed and submitted by ArchDaily readers. Here, the definition lies in their sculptural qualities and formal exploration, while their permanence and location vary according to each structure's purpose. The proposals also demonstrate another quality inherent to the pavilion: the intention to symbolically represent a stance. Their exploration of form and material thus also reflects a search for a sense of boundary, wonder, or a shared future.

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The timber-framed structure designed by Marlon Blackwell Architects for the U.S. Pavilion at the 2025 Venice Architecture Biennale will be reconstructed at Crystal Bridges Museum of American Art in Bentonville, Arkansas, in late 2027. Originally installed in the Giardini as part of PORCH: An Architecture of Generosity, the structure will return in a new setting as a freestanding pavilion on the museum's 134-acre campus. Following the close of the Biennale in November 2025, it was dismantled and transported from Venice to Arkansas, where it has remained in storage ahead of its planned reconstruction.

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A jury of arts and architecture professionals recently announced the selected curatorial proposal for the Luxembourg Pavilion at the Biennale Architettura 2027. The exhibition will be curated by housing expert Céline Zimmer and architects Bùi Quý Sơn and Paul-Antoine Lucas, co-founders of the critical spatial practice Exutoire, one of the winning practices of the ArchDaily 2026 Next Practices Awards. The proposal is titled "Excess! On the Overconsumption of Living Space" and addresses the inequitable distribution of living space as a reflection of "broader habits of excess that contribute to the current housing and ecological crises." The issue will be illustrated through a dialogue between the realities of Luxembourg and Vietnam to reflect on spatial consumption. The Luxembourg Pavilion is located on the first floor of the Sale d'Armi in the Arsenale, which will open to the public for the Biennale on May 8, 2027.

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The Ukrainian pavilion at the 20th International Architecture Exhibition – La Biennale di Venezia is being designed by the team from CO-HATY, a local volunteer initiative restoring abandoned buildings in the country to transform them into stable homes for internally displaced people. The team is formed by METALAB and relocated members of the Ukrainian Urban Curators agency, who have been developing CO-HATY since 2022. Titled "Pool of Questions," the project poses a question the organization argues is rarely voiced in the context of survival: not simply where displaced people should live, but when they can begin to live. For Venice, the imagined installation extends the restoration and adaptive reuse work into a discourse on affordable housing, dignity and rest during an ongoing war.

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The Türkiye Pavilion has announced "Spolia Futures" as its official exhibition for the 20th International Architecture Exhibition of La Biennale di Venezia, which will take place from May 8 to November 21, 2027. Commissioned by the Istanbul Foundation for Culture and Arts (İKSV), the exhibition will be curated by ba-be commons, a research collective composed of Başak Eren, Asya Ece Uzmay, Beril Sarısakal Erkent, and Ece Yetim. The proposal was selected through an open call and two-stage evaluation process to represent Türkiye at the 2027 edition of the Venice Architecture Biennale. The proposal examines spolia, traditionally understood as the reuse of architectural elements, as an evolving architectural method rather than solely a historical practice.

The Australian Institute of Architects has announced "Lived In" as Australia's official contribution to the 20th Venice Architecture Biennale, to be held in Venice, Italy, from May 8 to November 21, 2027. Developed by Kerstin Thompson, Maryam Gusheh, Lee-Anne Khor, and Louise Wright of Monash Urban Lab at Monash University, the exhibition is based on the ongoing Housing Atlas of Australia research initiative. Presented in response to the Biennale's theme, Do Architecture – For the Possibility of Coexistence Facing a Real Reality, curated by Wang Shu and Lu Wenyu, the exhibition will present a selection of Australian multi-dwelling housing projects through drawings, photographs, film, and data.

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Wood is among architecture's oldest and most familiar materials, yet its contemporary use raises complex questions about environmental impact, resource availability, material provenance, and circularity in relation to local economies. At the same time, advances in computational design, CNC machining, and robotic fabrication are also reshaping how timber is designed and assembled, opening new possibilities for structural innovation and formal expression while redefining the balance between automation, labor, and efficiency.

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Austria has announced Koncesija / Konzession / Concession(e) as its contribution to the 20th International Architecture Exhibition – La Biennale di Venezia. Curated by architects Adna Babahmetović and Ajna Babahmetović together with curator Sebastian Höglinger, the project proposes temporarily granting the Austrian Pavilion to Bosnia and Herzegovina through a cooperative concession. Selected through Austria's open competition process, the pavilion examines questions of national representation, diplomacy, and architectural exchange by responding to the absence of a Bosnian national pavilion in the Giardini, where the Biennale's historic national pavilions are located.

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Architect and urbanist Paola Viganò has been selected by Pro Helvetia to curate the Swiss Pavilion at the 20th International Architecture Exhibition – La Biennale di Venezia. Chosen following a unanimous recommendation from the selection jury, Viganò's proposal explores water as a territorial, ecological, and political condition, taking Switzerland's role as "Europe's water tower" as its conceptual point of departure. Developed with StudioPaolaViganò and an interdisciplinary team, the project examines water not only as a resource but also as a subject, a legal entity, and a force that shapes landscapes, infrastructures, and the built environment.

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The Icelandic Pavilion at the 20th International Architecture Exhibition – La Biennale di Venezia will present SOAK: Rituals of Collective Belonging, an exhibition examining Iceland's bathing culture through the lens of architecture, public space, and social interaction. Commissioned by Halla Helgadóttir, Iceland Design and Architecture, the project is curated by Marcos Zotes, partner at Basalt Architects, and developed through a multidisciplinary collaboration between Basalt Architects, design studio Gagarin, and artist Rán Flygenring. SOAK marks the second Icelandic participation in the Architecture Biennale selected through an open call process, following Lavaforming by s.ap architects, which represented Iceland at the 2025 edition.

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The 2026 Serpentine Pavilion, titled "a serpentine," designed by Mexico City-based architecture studio LANZA atelier, will open to the public on 6 June 2026 at Serpentine South in London. Newly released preview-days images show the completed structure ahead of its seasonal activation, which will run through 25 October 2026 and include Serpentine's annual programme of public events. Now in its 25th edition, the Serpentine Pavilion marks a milestone for the annual commission first launched in 2000 with Zaha Hadid's inaugural project. To commemorate the anniversary, Serpentine Galleries will also collaborate with the Zaha Hadid Foundation and the Architectural Association on a parallel programme reflecting on the Pavilion's legacy and its role in contemporary architectural discourse.

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Mexican architecture practice LANZA atelier has unveiled new details for the 2026 Serpentine Pavilion, titled "a serpentine," which will open to the public on 6 June 2026 at Serpentine South. Designed by studio founders Isabel Abascal and Alessandro Arienzo, the project reinterprets the historic serpentine or crinkle-crankle wall through a lightweight brick structure integrated into the landscape of Hyde Park. Marking the 25th edition of the annual commission, the pavilion will remain on view through October 2026 and serve as a venue for Serpentine's public programme of performances, talks, screenings, and community events.

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In December 2024, art curator Koyo Kouoh became the first African woman selected to curate the 61st International Art Exhibition of La Biennale di Venezia. She proposed an introspective and sensitive approach to the exhibition, shaped by themes of grief, memory, spirituality, and global exhaustion. Following her premature passing in May 2025, the Biennale decided to continue with the same curatorial project, titled In Minor Keys. Wolff Architects was appointed by Kouoh in early 2025 to realize the exhibition design and scenography, focused on "the transformative spatial power of the threshold as a portal to alternative comprehension and experiences." The event was inaugurated on Saturday, May 9, and will run until Sunday, November 22, 2026, across the Giardini della Biennale, the Arsenale di Venezia, and other locations throughout Venice.

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In Six Memos for the Next Millennium, Italo Calvino explores lightness from a literary perspective and argues, "Opposed to lightness is weight. Removing weight produces lightness; it is a value, not a defect." Drawing on Greek mythology, he reflects on one of Perseus's feats after severing the head of the terrible Gorgon Medusa without being turned to stone. Assisted by the gods Hades, Hermes, and Athena, Perseus flies with his winged sandals and uses a bronze shield as a mirror to reflect her image. Relying, like many architects, on what is lightest—the wind and the clouds—he also fixes his gaze on what is revealed through indirect vision: an image reflected in a mirror.

Historically, transparency has been naturalized as an inherent condition of modern architecture. With the shift from the heavy load-bearing wall to the lightweight glass envelope, glass was introduced into the discipline, blurring the boundaries between interior and exterior spaces. In connection with inflatable architecture, transparency is linked to lightness and impermanence, leaving temporary traces on the landscapes it inhabits. By using textiles or plastics as main materials and air as a structural system, the search for lightness in the built environment now recognizes more than a single atmosphere of application.

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The annual Winter Stations design competition returns to Toronto for its twelfth edition, once again transforming the lifeguard stations of Woodbine Beach into temporary works of public art. On view from February 16 to March 30, 2026, this year's exhibition is organized under the theme Mirage, inviting participants to examine perception, illusion, and the shifting boundaries between what is seen and what is constructed. Selected from more than 300 international submissions, three winning proposals from Canada, the United States, and a Germany–Ukraine collaboration are presented alongside two installations developed by university teams. Installed along the frozen shoreline of Lake Ontario, the projects reinterpret seasonal infrastructure as platforms for spatial experimentation during the winter months.

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Concéntrico is an urban innovation laboratory that invites reflection on the city through architecture and design. Since 2015, it has carried out more than 180 interventions in Logroño, Spain. The new 2025/2026 season of the festival expands on this experimental spirit with three international calls for proposals that bring the ideas in the book Concéntrico: Laboratorio de Innovación Urbana (Park Books, 2025) into action. Through these calls, the organization seeks to explore further three lines of research, the ephemeral, the ecological, and the symbolic, to imagine different ways of inhabiting the city. The winning projects from this edition's calls for entries will be developed, built as urban installations, and presented in the exhibition during the festival, taking place in Logroño from June 18–23, 2026.

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In much of China, concrete remains the dominant construction material. Despite growing concerns over its environmental impact, concrete continues to align with the priorities of many developers and clients—it is fast, cost-effective, and highly durable. As a result, most building types in China still rely heavily on concrete. This reliance is further reinforced by China's position as the world's largest producer of Portland cement. A deeply entrenched supply chain, rooted in raw material manufacturing and economic infrastructure, ensures that concrete remains the default choice in the construction industry.

Yet historically, Chinese architecture was built upon a rich tradition of timber construction. The Forbidden City is a prime example: not only is it emblematic of China's architectural heritage, but it also remains one of the largest and best-preserved collections of ancient wooden structures in the world. This legacy prompts an important question: does timber construction have a meaningful future in China's contemporary building industry?

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Videos

As the 19th International Architecture Exhibition enters its final week before closing on November 23, the 2025 Venice Architecture Biennale offers a lens through which to revisit the ideas and experiments that have shaped this year's global architectural conversation. Curated by Carlo Ratti under the theme "Intelligens. Natural. Artificial. Collective.", the Biennale brings together more than 750 participants across national pavilions, collateral events, and city-wide installations. Framed around interconnected forms of intelligence, this edition examines architecture's role in navigating climatic instability, evolving technologies, and emerging forms of collaboration.

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