Paper: The Latest Architecture and News

In a recent interview with Louisiana Channel, acclaimed Japanese architect Shigeru Ban shared his perspectives on architecture, his journey in the field, and his dedication to socially responsible design. Known for his innovative use of materials such as paper and timber, Ban has spent much of his career creating solutions for disaster-stricken communities and displaced populations around the world.

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Shigeru Ban Architects, in collaboration with The Glass House and The Irwin S. Chanin School of Architecture of the Cooper Union, have just revealed “Shigeru Ban: The Paper Log House at The Glass House.” This collaborative installation opened on April 15th and is on display until December 15th, 2024, welcoming more than 13,000 annual visitors. This year, students from The Cooper Union actively participated in the making of this structure as part of the university’s Building Technology Course.

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Although the field of architecture likes to think it is cutting-edge, adamantly liberal, and on the forefront of history, we still look towards the compulsive tendencies of the glorified visionary, their revolutionary thoughts, illuminating process, and iconic vision. This historiography is, in and of itself, an obsession - fetishizing personas, establishing camps, crafting a storyline that awards persuasion and trend over quality and sincerity. In the longstanding tradition of self-made, winner-take-all fanaticism, now more than ever do we see a craving for attention that is pulling (or rather dragging) the field even further from its core values and closer to soulless squander.

3D printing itself is no longer a new technology, but that hasn’t stopped researchers and innovators around the world from coming up with new applications and opportunities. Some experiments with new materials have been driven by sustainability concerns and others are simply the result of imagination and creativity. Others have chosen to invest their time utilizing more traditional materials in new ways. Materials, however, are just the beginning. Researchers have developed new processes that allow the creation of objects that were previously impossible to print and, on a larger scale, new building typologies are being tested - including a Mars habitat!

cartasia, the international paper Biennale, is looking for artists and designers from around the world to collaborate and create works of art, sculptures, exhibitions and performances, through the medium of paper and following the theme chosen for the next edition: Chaos and Silence. Cartasia takes place in the beautiful city of Lucca between August and September 2018.

After reimagining famous landmarks with paper cutouts, photographer Rich McCor is back, this time with holiday-themed scenes based in London’s Covent Garden.

For the past few months, Rich McCor has been traveling around the world reimagining famous landmarks with paper cutouts.

Starting with some research on the locations he visits, McCor shifts between finding instant inspiration and letting his subconscious drive his creations: “After doing the first few cut-outs, I think my brain learned to look for quirky shapes and ideas in architecture and everyday objects; it’s a pretty good mental exercise.”

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To demonstrate the structural potential of "pulp," Ball-Nogues Studio built an experimental reclaimed paper pavilion this year at Coachella. The lightweight, self-supported structure, known as the "Pulp Pavilion," was made from a low-cost blend of recycled paper, water and pigment sprayed onto lattices of organic rope. After its use as a place of refuge for festival goers, it will be either composted or recycled. See the pavilion illuminated at night, after the break.

Japanese artist Katsumi Hayakawa's "Paperworks" exhibition explores the impression of architectural density through delicate three-dimensional installations. The intricate sculptures were all hand-crafted piece by piece out of paper and glue, creating an awe-inspiring assemblage of multi-layered urban conditions at different scales. For more information and images, keep reading after the break.

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Disappointed that most architecture is built for the privileged, rather than society, Shigeru Ban has dedicated much of his career to building affordable, livable and safe emergency shelters for post-disaster areas. As described by TED:

Long before sustainability became a buzzword, architect Shigeru Ban had begun his experiments with ecologically-sound building materials such as cardboard tubes and paper. His remarkable structures are often intended as temporary housing, designed to help the dispossessed in disaster-struck nations such as Haiti, Rwanda, or Japan. Yet equally often the buildings remain a beloved part of the landscape long after they have served their intended purpose.