Architecture in the Global South often embodies a rich cultural heritage and craftsmanship, incorporating vibrant colors, intricate patterns, and symbolic elements. It also tackles the challenges faced by developing economies, such as limited resources, rapid urbanization, and social inequality, by promoting inclusive and community-driven design solutions. As installations and pavilions serve as radical templates for interrogating these architectural ideals and seeking innovative solutions, we present the top architectural installations as part of our year-in-review. They encompass curated exhibitions like the Venice Architecture Biennale, as well as permanent pavilion structures in specific contexts that delve into local materials, waste reuse, and the reinterpretation of historical narratives.
Arquitectos, Play You Are in Sharjah, 2023. Photo by Danko Stjepanovic. Image Courtesy of Sharjah Architecture Triennial
Inaugurated on November 11, 2023, and running until March 10, 2024, the Sharjah Architecture Triennial serves as a metaphor drawing attention to the design and technological innovations within the built environment, particularly in the global south. The exhibition features contributions from 29 architects and studios spanning 25 countries. Building upon Venice's global platform for experimentation at the 18th International Architecture Exhibition, the 2023 Triennial embarks on a similar journey, creating space for voices and discussions often overlooked in global exhibitions and unveiling elements that have long existed but remained unseen. With a keen awareness of the global south, but also of the global north, and an understanding of the polarities between them, as articulated by curator Tosin Oshinowo, this second edition of the exhibition focuses on "The Beauty of Impermanence: An Architecture of Adaptability."
Celebrating everything that exists, especially in the global south where places thrive amidst scarcity, the triennial adopts an optimistic approach, drawing lessons from current situations and revealing the value and sophistication of alternative responses that have emerged due to resource constraints. “We're able to celebrate them. We're able to learn from them”, adds the curator. The triennial aims to comprehend a more sustainable, accessible, and equitable future—a collective effort to address the challenges of climate change, explore the built environment, and embrace under-celebrated regional traditions. Highlighting solutions that have endured the course of time and others responding to contemporary difficulties, "The Beauty of Impermanence" emphasizes the necessity of nuanced hybridity essential for our urbanized world.
After being awarded the prestigious Silver Lion for his contribution to this year's Venice Architecture Biennale, Brooklyn-based artist Olalekan Jeyifous shows no signs of slowing down. Currently in the midst of preparing his entry to the next Sharjah Architecture Triennial, he also recently celebrated the opening of Climate Futurism, a group exhibition that highlights the power and efficacy of artists’ methods and processes to imagine a more equitable future – and is working on a public monument to former United States Representative Shirley Chisholm as part of New York City's She Built NYC initiative, among other projects.
The Graham Foundation announced awards to organizations worldwide, supporting 38 different projects. The projects range from exhibitions, publications, and other activations serving the public through arts and culture. Together, these projects examine various topics, platforms, and issues in contemporary architecture discourse and showcase the work of architects, artists, curators, designers, educators, and other professionals working with organizations around the world in places like Chicago, Los Angeles, Tijuana, and Beirut.
Courtesy of Abeer Seikaly | Photo by Hussam Da’na.
A group of 31 architects, studios, and designers have been invited to participate in the Sharjah Architecture Triennial from 11 November to 10 March 2024. For its second edition, the Triennial aims to explore innovative design solutions emerging from conditions of scarcity in the Global South. The participants, representing 27 countries, offer a diverse and international response to the theme, addressing its implications for the future of architecture. The Triennial is curated by Tosin Oshinowo and revolves around the theme "The Beauty of Impermanence: An Architecture of Adaptability."
Reconstructions: Architecture and Blackness in America. Image Courtesy of The Museum of Modern Art, Robert Gerhardt
The Museum of Modern Art has launched Reconstructions: Architecture and Blackness in America, the fourth installment of the Issues in Contemporary Architecture series. Investigating the intersections of architecture, Blackness and anti–Black racism in the American context, the exhibition and accompanying publication examine contemporary architecture in the context of how systemic racism has fostered violent histories of discrimination and injustice in the United States.
9 Ash Street, formerly the “Philip Johnson Thesis House” is seen as a precursor to the Glass House, but is, unfortunately, protected by a privacy enclosure from street views. Image via Google Maps
The Harvard Graduate School of Design (Harvard GSD) will no longer refer to a private residence at 9 Ash Street in Cambridge as the “Philip Johnson Thesis House.” Moving forward, the home, designed by and inhabited by Johnson while enrolled at the Harvard GSD in the 1940s, will now be known solely by its physical street address.
