Material Inspiration: The Latest Architecture and News

To recover, revitalize, convert—these actions have become increasingly present in contemporary cities, where architecture takes on the role of stitching together the overlapping layers of time that make up the urban fabric. Faced with this task, architects have explored a range of design strategies. Among them, one material in particular has stood out for how frequently—and effectively—it appears in interventions on historic buildings and contexts: corten steel. With its rusted surface, rich in texture and tone, it seems to offer a compelling answer to the challenging question of how to insert the new into the old. But what makes this material so recurrent in these situations? Is it simply its durability and versatility, or is there something deeper in its visual and symbolic presence?

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In recent years, continuous material finishes enveloping interior spaces have become increasingly prominent, particularly in branding-focused retail environments. A continuous interior refers to using what are typically liquid-applied materials that are cured to create seamless, uninterrupted surfaces, eliminating the appearance of joints and seams—at least during the initial application. A growing range of products now offer various color options, textures, and practical properties, making these finishes more versatile. Interestingly, the aesthetic effect of such interiors is uncanny to the rise of 3D rendering software, where the seamless, fluid look mirrors the smooth, idealized spaces typical of digital renderings. This effect also contributes to a sense of scalelessness, as the absence of visible seams or joints makes it harder to discern the actual size of a space, often giving the illusion that the interior is larger than it is.

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For decades, the construction industry followed a familiar rhythm: design came first, materials followed. The pressing need for sustainable buildings has shattered this routine. Material selection is no longer an afterthought, but a critical decision made at the outset, with the potential to dramatically reduce a project's environmental footprint. This shift is even more crucial given the construction industry's appetite for raw materials – a staggering 3 billion tons extracted annually. To navigate this new landscape, digital material libraries and data-driven evaluation are emerging as powerful tools, creating a culture where materiality takes center stage to shape a more sustainable built environment.

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Beyond serving as mere backdrops for fashion shows, architecture often influences fashion collections, contributing spatially to their storytelling, offering material inspiration, and showcasing the connection between structure and shape. As both disciplines revolve around form, structure, and the human experience, architecture, and fashion share a strong connection, one often explored by creators in both fields. From meticulous tailoring and structural designs that mimic architectural lines, contours, and volumes, to architecture taking cues from how fashion works with the human shape, this interplay can create multidimensional experiences for the enthusiasts of both high fashion and architecture.

On June 10, French brand Jacquemus, known for its minimalist designs with surrealist touches, chose to celebrate its 15th anniversary with an exclusive runway show at Villa Malaparte. The location, usually inaccessible for this type of event, has made another exception for Saint Laurent, who featured it as the backdrop of its 2018 spring campaign starring Kate Moss.

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In a bid to explore new materials and methods for more sustainable construction, Henning Larsen opens the “Changing our Footprint” exhibition at the Danish Architecture Center in Copenhagen. The initiative, open from November 17, 2023, until March 3, 2024, aims to showcase ideas for more climate-friendly architecture and to start conversations on architecture and construction’s role in mitigating the effects of climate change. This represents the second iteration of the exhibition, as the first version opened at the Aedes Architecture Forum in Berlin earlier this year.

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The building industry is one of the biggest generators of carbon emissions, with some estimates suggesting that 38% percent of all CO2 emissions are linked to this field. As a response to the current crisis, architects, designers, and researchers are taking measures to reduce their carbon footprint during and after construction. Many initiatives and research teams are looking at building materials to find low-carbon solutions and reduce the impact of building materials during production.

One of the most prominent fields of research is concerned with biofacture, the type of process that involves using biological organisms to manufacture materials. By understanding the abilities of organisms such as algae of fungi, alternatives to widely used materials can become carbon neutral or even carbon negative. Other initiatives are researching novel ways to use untapped, yet readily available resources such as desert sand, soil, or waste from demolitions.

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Material Minds, presented by ArchDaily Materials, is our new series of short interviews with architects, designers, scientists, and others who use architectural materials in innovative ways. Enjoy!

Arthur Andersson of Andersson-Wise Architects wants to build ruins. He wants things to be timeless - to look good now and 2000 years from now. He wants buildings to fit within a place and time. To do that he has a various set of philosophies, processes and some great influences. Read our full in-depth interview with Mr. Andersson, another revolutionary "Material Mind," after the break.

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In case you missed them, we've rounded up our four popular "Material Inspiration" posts, which celebrated the launch of our new US product catalog, ArchDaily Materials. Check them out below!