Club: The Latest Architecture and News

For decades, cities around the world have been promoting their nightlife scene and the designed spaces in which these activities occur. Occasionally hidden away from the hustle and bustle, offering a sort of escapism from the day-to-day-routine behind red velvet ropes and intense security measures, or sometimes proudly on display for people from all walks of life to congregate and spend the evening under the glisten of a disco ball or flashing lights, nightclubs are an example of how fashion, culture, and societal norms influence an often overlooked and underground side of architecture.

In May 1985, an old theater and concert hall opened its doors to the public for the opening of a brand new nightclub in New York City. Located on 126 East 14th Street, the project was commissioned by entrepreneurs Steve Rubell and Ian Schrager, owners of the also famous club Studio 54, and was conceived as a vibrant and luminous independent structure arranged inside a rather classic shell, which appears as a beautiful backdrop behind the clean geometry of Isozaki.

As The New York Times pointed out in its May 20, 1985 edition: 'Arata Isozaki is at once a great eminence of Japanese architecture and a source of some of its freshest thinking. And all sides of Mr. Isozaki are visible in the Palladium'.

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As part of Art Basel in Miami Beach, a modern and contemporary art fair that highlights galleries and the newest developments in the visual arts, Carsten Höller created an installation piece for the Fondazione Prada. The installation, “The Prada Double Club Miami” is only open for a few days as part of Art Basel and is a fully-functioning nightclub.

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