Architecture practice Skidmore, Owings & Merrill (SOM) have designed a concrete pavilion for the 2019 Chicago Architecture Biennial. Today, the practice is unveiling the work of its interdisciplinary practice with Stereoform Slab, a to-scale prototype of a future building system made using advanced robotic fabrication techniques. The project is simultaneously an activation and an exhibition that illustrates a design method that reduces the carbon footprint of concrete construction.
The Chicago Architecture Biennial has released its cultural agenda for this year’s edition of the international exhibition. Held in the Chicago Cultural Center and all over the city, from the 19th of September 2019 till the 5th of January 2020, this edition under the theme of: ... And Other Such Stories, is going to be curated by the artistic director Yesomi Umolu, the executive director Todd Palmer and co-curated by Sepake Angiama and Paulo Tavares.
The Chicago Architecture Biennial has announced more than 40 citywide partner sites and organizations for the festival’s 2019 edition. Cultural organizations from across the city, such as the Art Institute of Chicago and Navy Pier, will be activated by independent programming in coordination with the Biennial, resulting in “a citywide exploration of architecture, space, the environment, history, and community.”
The third Chicago Architecture Biennial will occur from September 19, 2019, to January 5, 2020, and yesterday the first group of contributors to the 2019 edition and publication was announced. This year’s theme, “...and other such stories,” will bring together a multi-faceted and international exploration of architecture and the built environment. Newly commissioned projects for the Biennial will highlight issues including public housing, social justice, and the appropriation and preservation of the natural environment.
The curatorial team of the Chicago Architecture Biennial has announced the theme of the third edition of the event, to be titled "...and other such stories". The intentionally-broad theme proposes an investigation of architecture / the built environment not just as a form, but as a culmination of the conditions that shape it. ...and other such stories is a collaborative effort between Artistic Director Yesomi Umolu and co-curators Sepake Angiama (a curator focused on education) and Paulo Tavares (a Brazilian architect and academic).
This issue focuses on the second edition of the annual Chicago Architecture Biennial, 2017, that featured the participation of 140 artists from 20 countries, under the theme Make New History. Guest edited by Sharon Johnson and Mark Lee, Artistic Directors of the Biennial, the first part looks back on the Biennial through a conversation with architectural historian, Michael Hays. The second part introduces built work and projects selected with reference to the exhibition's theme by the guest editors and participating architects.
The Chicago Architecture Biennial has announced the appointment of curator and educator Sepake Angiama and architect and urbanist Paulo Tavares to the curatorial team for the event’s 2019 edition.
The Chicago Architecture Biennial has announced the selection of writer and curator Yesomi Umolu as Artistic Director for the event’s 2019 edition.
Chicago Mayor Rahm Emanuel has announced the figures for the 2017 Chicago Architecture Biennial, which closed its four month run on Sunday, January 7th.
This article was originally published on the blog of the Chicago Architecture Biennial, the largest platform for contemporary architecture in North America. The 2017 Biennial, entitled Make New History, will be free and open to the public between September 16, 2017 and January 6, 2018.
Venice? Chicago? Lisbon? Seoul? Architecture biennials, biennales, triennials, and triennales have become a vital part of the culture of modern architecture. Every two or three years, they debut new ideas, discuss popular topics, and showcase the best of what is happening in the field for both today and tomorrow. But, with the proliferation of these events in countries around the world, they can be tough to keep track of. How many are there, and when are they? ArchDaily has you covered. Below we have compiled what we believe is a comprehensive list showing the what, where, and when of the world's architecture and design biennials, triennials, and a handful of the larger yearly events. We've also included some more in-depth descriptions of a handful that have (in recent years at least) proven themselves to be big names.
While architecture exhibitions have a tendency to be drab affairs with poorly displayed poster boards and reams of intellectualized text spouting pseudo-complex ideas, the Chicago Architecture Biennial stands out for its undeniable sense of playfulness. From its central HQ to the fringe performance events, this exhibition is bright, fun and Instagram-ready.
The Museum of Contemporary Art Chicago presents the first-ever museum exhibition of breakout Chicago artist Amanda Williams, featuring a new addition to her highly acclaimed project, Color(ed) Theory, which debuted at the first Chicago Architecture Biennial. The bright, monochromatic houses painted as part of Color(ed) Theory bring attention to the overwhelming number of vacancies on Chicago’s South Side, reflecting Williams’ perspective that architecture serves as a microcosm for larger social issues. Together with new works such as A Dream or Substance, a Beamer, a Necklace or Freedom? -- where Williams invited Englewood-based collaborators to gild a room in imitation gold leaf in the same proportion of a Chicago lot, and then sealed off the room with just a small gap for viewing the gleaming interior -- Williams’ solo debut creates an experience that comments on race, class, and urban space. Chicago Works: Amanda Williams is organized by MCA Curatorial Assistant Grace Deveney and is on view from July 18 to December 31, 2017.
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When it comes to tall building design, it’s often the structural system where the most groundbreaking innovations are made. Premiering this week in partnership with the Chicago Architecture Biennial is a new exhibition highlighting the innovative structural systems of an architecture firm that has completed their fair share of tall buildings: SOM.
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Today SO-IL, in collaboration with Ana Prvački, debuted L’air pour air on the occasion of the press preview of the second edition of the Chicago Architecture Biennial. The performance explores the art of performing behind a filter in an age where many cities suffer from the environmental impact of human habitation. Described as "part installation and part musical performance," the creators have drawn inspiration from abundant plant life and the interconnectedness of people and nature.
The Chicago Architecture Biennial and it's artistic directors, Johnston Marklee, have revealed a collection of Special Projects designed to harness the curatorial vision of the event—entitled Make New History—and bring it to a number of significant landmarks in the city and in it's surrounding area. Featuring a SO-IL and Ana Prvački collaboration, a Francois Perrin installation, a new performance artwork by Gerard & Kelly at the Farnsworth House, photographs by James Welling, and films by Gerard & Kelly, the projects will inhabit some Chicago's greatest "architectural gems."
Two months before the much-anticipated opening of the Chicago Architecture Biennal, this video collaboration between Berlin-based PLANE–SITE and Chicago-based Spirit of Space offers an insight into what is to come this fall. The first video of the series delves into the core message that curators Mark Lee and Sharon Johnston of Johnston Marklee have established as the groundwork for contributions from over 100 international participants. One of the youngest biennials in the architectural scene, the Chicago Architecture Biennial is only in its second edition and is still defining the unique and independent traits that will help it stand out from other similar events.
In response to this year’s Chicago Architecture Biennial prompting Make New History, the Chicago Architectural Club is pleased to announce the 2017 Burnham Prize Competition: Under the Dome. In partnership with the Chicago Architecture Biennial, a call for entries for the Burnham Prize is taking place with submissions due August 18th.
This year the Chicago Cultural Center will perform as the main venue for the second edition of the Chicago Architecture Biennial. The Center—formerly a Public Library– was designed by Shepley Rutan and Coolidge in 1897. Inside the building, the acclaimed Tiffany Dome was recently restored and brings in millions of