Western philosophical tradition has long placed culture in opposition to nature. This dual thinking has shaped the canon of the sciences and humanities, and architecture was not left aside. Under that logic, everything that is not human exists to be exploited by them and is named "natural resource". This extractivist mindset has shaped the development of many parts of the world in the last centuries, leaving deep—sometimes irreparable—marks on the planet. Nevertheless, other ways of living have always existed. From West-African religious practices based on animism to the herbal sciences of the masters of the Sacred Jurema in Brazil; from indigenous communities in India whose life rhythm mirrors the monsoons, to the Arctic's Inuits who can see dozens of shades of white: humans and nature bear no distinction, what exists is life.

Contemporary authors bring this discussion to the realms of philosophy and, more specifically, architecture. Donna Haraway, Antônio Bispo dos Santos, Achille Mbembe, and Beatriz Colomina are only a few whose work has helped expand the narrow Western perspective, shedding light on alternative ways of living together—with other humans and more-than-humans—on this planet.

Cobe and ArchDaily invite you to the launch of the guest-edited edition of Cobe Notes x ArchDaily, on June 10, 2026. Focused on the theme of Thresholds, the event will explore architecture as a condition of ongoing transition.

Hosted at the Cobe Bookcafé, the public launch will feature a live conversation with Christele Harrouk, Editor-in-Chief of ArchDaily, Mads Birgens, Head of Urbanism at Cobe, and Jacob Blak, Head of Sustainability, moderated by Kristoffer Lindhardt Weiss, CEO and Publisher of the Danish Architectural Press. 

In our current cities, urban density and rising land values often force a choice between large-scale civic buildings and open public space. Traditionally, plazas have been treated as areas surrounding a building's footprint, but this strategy was modified when pilotis were introduced by the early 20th-century modernist movement. While the original intent was to create a sense of lightness that would allow circulation and light to flow beneath a structure, contemporary requirements for seismic loads, fire egress, and heavy occupancies render thin columns insufficient for the needs of current large-scale civic projects.

However, the pursuit of architectural lightness is not a strictly contemporary phenomenon. Following the modernist introduction of pilotis, several mid-century projects began experimenting with the illusion of suspension to achieve civic transparency. In 1953, the National Congress of Honduras in Tegucigalpa, designed by Mario Valenzuela, applied these principles to a legislative setting. The building consists of a solid assembly chamber elevated on a series of slender columns. Because the site sits on a terrace at the end of a sloping street, the resulting void does more than just provide circulation; it frames views of the city, creating the impression that the heavy legislative mass is lightly suspended above the urban fabric.

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ArchDaily is looking for a proactive and curious architect to be part of our Projects Collaborator Program. As a part-time program participant, you will be working with the team in charge of curating and coordinating all built project publications on ArchDaily.

ArchDaily is looking for Expert Contributor to join our Sponsored Content team. In this role, you will produce high-quality, editorially strong content that highlights architectural products, materials, and projects while maintaining the editorial integrity and design-focused voice that ArchDaily is known for.

This role requires a strong understanding of architecture and design, experience with branded or sponsored content, and the ability to communicate complex ideas in a clear, engaging, and professional manner. Sponsored content at ArchDaily is brand-funded writing created with partners that presents products, projects, and ideas in ArchDaily's editorial voice, with the aim of informing, inspiring, and engaging readers.

There's only one week left to nominate your favorite projects for the 2026 Building of the Year Awards! This is your chance to recognize the best architecture from around the world in 15 categories, from housing to educational projects, offices, interiors and more.

A new year has begun, and with it, a new edition of the ArchDaily Building of the Year Awards. For 17 years, we have handed over the reins to you, our readers, to choose the best architectural projects of the year, and you have consistently delivered. With a brand new set of over 3,000 projects from around the globe, it is now time to get lost in our projects library and start making your selection.

From a tiny library in rural Myanmar, awarded in the first ever edition of the Building of the Year in 2009, to an innovative waste-to-energy plant in 2025, the winners of the Awards have always been surprising, inspiring and, most importantly, a reflection of the current architectural landscape. Anyone can register for a free ArchDaily account and vote, and we invite you to delve into the catalog of projects published in 2025—all of which are eligible to participate under one or more of the 15 available categories—to choose your favorites.

The potential of existing buildings to shape cities and communities in flux through reuse and adaptation is the key focus of HouseEurope! and their activism: addressing the pressing challenge across much of Europe, where it is often easier, cheaper, and faster to demolish buildings than to renovate. For decades, construction policies, industrial practices, and market systems have favored new development, often undervaluing the cultural, social, and environmental significance of existing structures. For their work advocating systemic change in architecture, HouseEurope! received the 2025 OBEL Award under the theme "Ready Made." In a conversation with ArchDaily, collective members of HouseEurope! Alina Kolar and Olaf Grawert discussed the organization's approach to architecture, policy, and collective action.

Which materials have taken center stage in the architectural discourse of 2025? Which projects have rediscovered new construction practices and methods through material innovation? While the future of building materials still appears uncertain, year after year, experimentation and research continue to reveal diverse practices, initiatives, and efforts dedicated to understanding their value and responsibility within the built environment. From agricultural waste that reduces carbon footprints to recycled plastics given new life, and living materials that engage with emerging technologies while reconnecting with nature, 2025 has highlighted and strengthened the role of architects as mediators between materials, disciplines, knowledge, and interests from diverse origins.

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Videos

In 2025, the architectural field has been marked by a dense calendar of exhibitions, a measured slowdown in construction across multiple regions, and a period of reflection that scrutinizes the impact of intelligence (artificial and natural)—both on professional practice and workplace culture, as well as its use as a pedagogical tool. Over this calendar year, ArchDaily has published more than 30 interviews in a range of formats—Q&As, in-person conversations, video features, and more. These exchanges have engaged themes of sustainability and nature, housing and urban development, AI and intelligence, adaptive reuse and public life, and have closely followed major exhibition platforms including the Venice Biennale, Expo 2025 Osaka, Milan Design Week, Concéntrico, and others.

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Skidmore, Owings & Merrill (SOM) has designed the Olympic Village for the Milano-Cortina 2026 Winter Olympic and Paralympic Games, located on the site of the former Porta Romana railway yard in Milan. Now nearing completion, the project is set for handover to the Milano Cortina Foundation in the fall, ahead of the Games. In April 2025, ArchDaily editors had the opportunity to tour the construction site, observing the progress of the residential buildings, public spaces, and restored historic structures that will define the new urban district. The village forms a key component of the Porta Romana Railway Yard Master Plan and will serve a dual purpose: housing Olympic athletes during the event and transitioning into student and affordable housing afterward.

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Architecture has always been more than bricks and mortar. It is equally constructed through words, ideas, and narratives. From ancient treatises to radical manifestos, from technical manuals to poetic essays, the written word has served as a spatial, pedagogical, and political tool within the field. Writing shapes how architecture is conceptualized, communicated, and critiqued — often long before, or even in the absence of, physical construction.

Historically, figures such as Vitruvius, Alberti, and Palladio employed writing to codify principles, project ideals, and legitimize architecture as a discipline. In the modern era, Le Corbusier, Adolf Loos, and Lina Bo Bardi wrote prolifically to expand the scope of architecture beyond form and function, often using publications as tools for persuasion and experimentation. The postwar period gave rise to new editorial strategies, as evident in the manifestos of Archizoom and Superstudio, and the polemical publications of Delirious New York and Oppositions, where writing served as both critique and project.

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Italy is preparing to host its third Olympic Winter Games as Milan and Cortina d'Ampezzo welcome Milano Cortina 2026, seventy years after Cortina staged the 1956 edition and two decades after Torino 2006. The Games will take place from February 6 to 22, 2026, marking the first time the Winter Olympics are organized across two cities, two regions, Lombardy and Veneto, and two autonomous provinces, Trento and Bolzano. Covering a territory of 22,000 square kilometers, Milano Cortina 2026 will become the most geographically extensive Winter Games to date, with over 90% of venues already existing or designed as temporary facilities.

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During the opening week of the 19th Venice Architecture Biennale, a consortium of six major architecture awards, including the Aga Khan Award for Architecture, the Holcim Foundation Awards, the EUmies Awards, the Mies Crown Hall Americas Prize, the OBEL Award, and the Ammodo Architecture Award, convened at TBA21–Academy's Ocean Space for a critical discussion titled "Beyond the Prize." This forum aimed to reflect on the role, relevance, and future potential of architecture awards amidst pressing social and environmental challenges. ArchDaily attended the public event and took the opportunity to ask the participants: What would the field of architecture look like if we stopped organizing architecture awards?

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ArchDaily is seeking a freelance copywriter with expertise in architecture and a sharp marketing instinct to help us tell our story—clearly, confidently, and creatively. This role offers an exciting opportunity for someone to contribute strategically to our brand's voice and messaging, shaping how we connect with architects and the wider audience. This is not a full-time editorial role with high volume demands but an on-demand collaboration, ideal for someone with strong writing skills who comprehends architecture yet thinks like a brand strategist, storyteller, and marketer.

Recognized for completing 36 distinct yet cohesive public projects across Mexico in just 36 months, Colectivo C733 showcases the impact of collaborative design on public spaces and communities. The 36 projects were part of a national effort to revitalize vulnerable urban and rural areas in Mexico, earning them the 2024 Obel Award focused on the theme of "Architectures With". The team behind the designs, Colectivo C733, is a collaborative group formed by the joint offices of architects Gabriela Carrillo (Taller Gabriela Carrillo), Carlos Facio, and José Amozurrutia (TO), along with Eric Valdez (Labg), and Israel Espin. In a recent conversation with ArchDaily's Editor-in-Chief, Christele Harrouk, the collective discussed their approach to public architecture, the process of integrating diverse voices, and remaining flexible to the challenges of local conditions.

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The 15-minute city has become an internationally recognized concept advocating for a people-centric urban model where residents should be able to meet most of their daily needs within a 15-minute walk or bike ride from their homes. The concept was introduced by Professor Carlos Moreno in 2015 following the COP21 conference in Paris, which concluded with the signing of the Paris Agreement. The idea proposes a practical and adaptable framework for introducing low-carbon mobility and creating a vibrant local economy to support more social interaction and more sustainable urban environments. Since then, the concept has been recognized with the 2021 Obel Award and has gained a notable recommendation in UN-Habitat's World Cities Report. Now, Professor Moreno is publishing the book titled “The 15-Minute City: A Solution to Saving Our Time and Our Planet” to showcase concrete examples and strategies for achieving better cities. ArchDaily had a chance to sit down with Professor Carlos Moreno to discuss these ideas, offering insight into Moreno’s urban thinking and the impact of this model.

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ArchDaily is looking for a motivated and highly skilled architecture lover to join our content team, as a freelance external collaborator, situated anywhere globally, for our English website. This opportunity provides a unique chance to write engaging, thought-provoking, and insightful articles; focused on "empowering everyone who makes architecture happen to create a better quality of life", the main vision of ArchDaily.

ArchDaily is a digital project in constant evolution. As we grow, we are looking for new and talented writers and editors to engage our audience.