Perhaps one of the most common phrases you'll hear when talking about interior renovations is "whatever you initially planned on spending, double it, and double the time with it". Renovations, regardless of their scale, can be very time consuming and costly, especially when unexpected changes pop up last minute. However, we are often met with situations where the interior layout is no longer efficient or we feel that the interior design is a little outdated and its time for a change. 

Giving your space an upgrade does not necessarily mean spending all your savings, and spending less does not necessarily mean low quality work. From doing the construction work yourself, to giving furniture pieces completely new functions, here are different ways you can renovate residential and commercial interior spaces without breaking the bank.

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Over the years, interior design has evolved according to the needs that arise, but above all according to the experiences it seeks to evoke in the user. In the last two years we have witnessed a radical change and a special interest in this subject because the pandemic forced us to pay specific attention to the configuration of the places we inhabit. This brought about much more holistic designs that seek to address the wellbeing of the user, combining colours, sensory experiences, technology and natural elements that promote health.

The region we know today as the Metropolitan Zone of the Valley of Mexico (ZMVM) has had a continuous and dynamic occupation for more than 4,000 years. Archaeological and anthropological evidence reveals the presence of complex human societies on the banks of the lake basin, starting with Tlatilco and Cuicuilco in the Preclassic period, passing through Teotihuacan in the Classic period, and culminating with the different urban centres of Nahua affiliation in the Postclassic period, with the cities of Mexico Tenochtitlan-Tlatelolco, as well as Texcoco, Azacapotzalco, Iztapalapa and Chalco, among many others, undoubtedly standing out.

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Graphics, even before language and writing, were the first means of communication and significance for humanity. Drawing is the act of replacing reality with representation, that is, replacing objects with images encoded in each of the graphic representation systems.

In architecture, graphics stimulate the imagination and are the basis of project thinking since they do not only constitute our code of communication but configure our ability to express ourselves in disciplinary terms. In fact, at first, the drawing is constructed in the mind of the architect, before it looks for support from any type of instrument.

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Mies Crown Hall Americas Prize announced the full list of jurors for its fourth edition, chaired by Sandra Barclay of Barclay and Crousse Architecture, and just released the nominated projects comprising 200 built works in North and South America, for MCHAP 2022 and 50 projects for MCHAP.emerge 2022.

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People often gather around sports activities, whether they are the ones exercising or the ones cheering. This internationally recognized social interest brings everyone together seamlessly, regardless of their background, gender, culture, ethnicity and so on.

Urban regeneration can take different aspects, and one of the most prominent and efficient solutions that can reconcile a community with itself and its surroundings is a sports function. In fact, this purpose encourages people to reclaim their fundamental right to public spaces and regenerate demoted, hostile or forgotten areas.

Read on to discover examples from all over the world, where physical activities made an urban impact on the neighborhood and the community.

As we have seen throughout the history of architecture, ephemeral installations and pavilions are important tools for talking about specific moments in architecture in an almost immediate way. While it is true some pavilions have been so relevant that they broke with their ephemeral quality to become permanent, such as the German Pavilion in Barcelona, designed by Ludwig Mies van der Rohe and Lilly Reich, most are documented in photographs, plans and experiences to be rewritten in future projects.

"Soy de Azteca" (Or "I'm from Azteca") is a photographic project by Zaickz Moz that seeks to re-think the expressions of community and identity of the periphery of Mexico City—which is becoming more diffuse and overflows beyond its geographical limits. The objective of this project is to re-think the interpretations of community and identity of the residents of Ciudad Azteca (State of Mexico) manifested in private, public and urban spaces, through photographic series that addresses issues such as appropriation and modification of space habitable, urban development and the sense of community in the neighborhood of Ciudad Azteca.

The particular characteristics of a community give the inhabitants a sense of identity and belonging. Does this happen in any inhabited place? When observing that the history of Ciudad Azteca always exists in relation to Mexico City, it is worth asking if identifying traits have emerged among the inhabitants of Ciudad Azteca. As in other areas of the capital's periphery, it is possible to observe in this group of neighborhoods located in the municipality of Ecatepec the capacity of the locals to build and transform a space into a variety of forms of urban habitat.