Ecological Architecture: The Latest Architecture and News

As architecture moves beyond human-centered design, new practices are rethinking coexistence as an ethical and ecological framework. From political infrastructures to habitats, these approaches invite us to imagine architecture as a shared living system.

Modern architecture has long been written through an anthropocentric lens, placing the human at its center and rendering other species invisible. Yet this paradigm continues to shift, as architects and researchers redefine the role of design in more-than-human worlds. Studios such as Office for Political Innovation, Studio Ossidiana, and Husos Architects are questioning human-centered narratives and reframing design as a shared practice between species. In this context, architecture is no longer a tool of control but a medium for coexistence, a discipline that mediates between species, environments, and cultures.

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The second edition of the Ammodo Architecture Award has recognized 26 recipients for their contributions to socially and ecologically responsible design. Selected from 168 submissions spanning over 60 countries, the laureates represent a wide range of practices, from established offices to emerging collectives and community-led initiatives. Each recipient receives a grant ranging from €10,000 to €150,000 to support the continued development of their projects. Beyond recognition and financial support, the Ammodo Architecture initiative also functions as a knowledge platform, connecting awardees across regions and facilitating the exchange of ideas on key themes identified by the advisory committee.

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Shenzhen is China's first Special Economic Zone（SEZ), serving as a window for China's Reform and Opening-up and an emerging immigrant city. It has evolved into an influential, modern, and international metropolis, creating the world-renowned "Shenzhen Speed" and earning the reputation of the "City of Design." Architectural design stands as the most intuitive expression of Shenzhen's spirit of integration and innovation. Over the past decade (2015-2025), the development of urban architecture in Shenzhen has closely integrated with its open and inclusive urban character, ecological advantages of being nestled between mountains and the sea, and the local spirit of blending traditional culture with innovative technology, showcasing Shenzhen's unique charm and robust vitality across multiple dimensions.

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Rivers generate a distinct typology of architecture bound by design threads of material practice, environmental adaptation, cultural symbolism, and imagination. Each river system produces a unique ecosystem where water, soil, vegetation, and settlement converge to form a living network. Designing within this environment requires a capacity to read movement rather than resist it, to build on uncertain ground, and to understand permanence as a balance in motion. Unlike the fixed horizon of the sea, the river is never still. It teaches architects to think in gradients rather than boundaries, and to design as part of an evolving landscape.

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Spaces of hospitality are a mirror to how different cultures articulate generosity, care, belonging, and identity. In busy city settings, this is reflected in hotels, service systems, and curated amenities that directly shape the visitor experience. These spaces translate care into measurable forms, where success is correlated with efficiency, luxury, and brand identity.

In rural America, hospitality operates with a different logic. In these environments, care is grounded in labor and community, while directly responding to the specific ecological and cultural geographies. Distance, limited infrastructure, and close social networks demand forms of architecture that are flexible and self-sufficient. Designs respond to shifting weather, local materials, and a culture where support often begins with neighbors. In this landscape, architectural thresholds of hospitality emerge in responsive, yet unexpected, ways.

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Boat docks and harbors are liminal spaces where the shore marks the meeting of land and water, and serve as a space for the convergence of culture, industry, and community. For those who work at sea, from commercial fishers to marine freight operators, the dock is a threshold between labor and rest, between oceanic uncertainty and terrestrial stability. For others, the dock serves as a gateway to recreation, sport, and adventure, accommodating everything from rowing clubs to family sailing trips. And for many who never board a vessel, the dock offers a powerful connection to the marine environment where one can pause, observe, and engage with the rhythmic tides.

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Around the world, a passionate community of bird watchers, from novice observers to seasoned ornithologists, is drawn to the subtle movements, distinct calls, and remarkable migrations of birds. This global fascination has led to the creation of thoughtfully designed spaces by architects and designers, enhancing the bird-watching experience while respecting the ecological landscapes in which they are placed.

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At a time of ecological collapse and rising food insecurity, architecture is increasingly called upon to engage not only with landscapes but with the systems that sustain and regenerate them. Among these systems, agriculture occupies a paradoxical role, as both a leading contributor to environmental degradation and a potential agent of ecological recovery. Industrial farming has depleted soils, fragmented habitats, and driven climate change through monocultures, fossil-fuel dependency, and territorial standardization. In response, agroecology has emerged as a counter-practice rooted in biodiversity, local knowledge, and the cyclical rhythms of nature. It reframes farming not as extraction, but as regeneration of ecosystems, communities, and the soil itself.

This reframing opens space for architecture to contribute meaningfully. To align with agroecology is not only to support food production, but to engage with the broader cultural, spatial, and ecological conditions that sustain it. It implies designing with seasonal variation, supporting shared use, and building in ways that respect both the land and those who work it. Architecture becomes more than enclosure — it becomes a mediator of cultivation, reciprocity, and coexistence.

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The concrete canyon of Melbourne's Degraves Street was once a stark service corridor in functional obscurity. Today, the narrow laneway now pulses with life beyond its famous café. Native grasses cascade from carefully positioned planters while small shrubs create cooling microclimates. Challenging traditional ecological design models, community-led approaches to biodiversity invite a reimagining of how architects, planners, and communities collaborate to develop biodiverse urban futures.

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Vernacular architecture often utilizes locally sourced materials and construction practices honed over centuries. This approach raises questions about its potential relevance for contemporary design challenges. The prevalence of high-rise developments globally, often relying on sealed envelopes and mechanical climate control, contrasts with historical architectural practices. Traditionally, regional architectures emerged from local communities, fostering distinct cultural identities and integrating passive systems for ventilation, cooling, and heating, often utilizing natural elements. The Hanok, traditional Korean houses, serve as a case study. Beyond their current role in tourism, they are also an example of how vernacular knowledge can provide passive climate-response strategies that align with the current principles of creating environmentally friendly buildings.

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The built environment is expected to reduce carbon emissions, support biodiversity, and respond to changing ecological conditions, all while providing housing for communities and reflecting their cultural values. In this shifting landscape, a once-maligned architectural style emerges in a surprising new form. Brutalism, long associated with institutional gravitas and material austerity, is now being reframed through an ecological lens. This hybrid movement, known as eco-brutalism, combines the power of concrete with greenery and climate-sensitive design strategies. The result is a set of spaces that are visually arresting, conceptually complex, and increasingly popular among designers, urban planners, and the general public. This movement includes not only the direct lineage of 1960s Brutalism but also contemporary projects that, while not strictly Brutalist, share its material honesty, monumental scale, and use of expressive concrete forms.

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As climate instability reshapes design priorities, architecture is increasingly drawn into ecological debates not as a spectator but as a participant. Among the concepts gaining traction is rewilding, a practice rooted in the restoration of self-sustaining ecosystems through the reintroduction of biodiversity, the removal of barriers, and the rebalancing of human presence in the landscape. Though often associated with conservation biology, rewilding also opens up new spatial and architectural imaginaries — ones that challenge conventional notions of permanence, authorship, and use.

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Buildings are physical, static, and permanent. To imagine them otherwise often requires some creative thinking. The industry has operated with this strong association between structures and permanence, unknowingly constraining perspectives on building life cycles. Innovations in building materials have opened up avenues for cirular design that challenge the long-held notion that buildings must endure indefinitely. Emerging approaches promote architecture that ebbs and flows with nature.

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Every June, the Spanish city of Logroño transforms into a space of architectural dialogue, opening its streets, plazas, riverbanks, and traffic islands to temporary structures that redefine how cities are inhabited. For ten editions, Concéntrico has worked not as a specialized fair or an architecture biennale, but as a portable museum — a curatorial gesture that brings a dispersed collection of contemporary architecture into public space. Set in a city suspended between arid plains and distant mountains, far from the circuits of capital cities and cultural institutions, Concéntrico presents itself as a temporary promise. It's a reminder that even cities that are often overlooked can host architecture that is current, diverse, and speculative. In this sense, the festival is less about celebration and more about activation.

But beyond its curatorial logic, Concéntrico operates as a political structure. In the ancient sense of polis, it invites citizens, architects, and institutions to reassess what public space can be. The interventions offer speculative proposals for urban life that reveal what is missing, what is possible, and what should be questioned. A temporary pool over a fountain, a bathhouse in a roundabout, or a shared meal on a major avenue are not just spatial gestures — they are political statements, asking how urban infrastructure might be redirected from control to care, from efficiency to encounter. In that way, the festival becomes not just a reflection of the city, but an instrument for its transformation.

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In partnership with the European Cultural Center (ECC), ArchDaily has launched its inaugural exhibition as part of the seventh iteration of Time Space Existence, an architectural showcase occurring concurrently with the 19th Venice Architecture Biennale. Open from May 10 to November 23, 2025, in various locations throughout Venice, this edition centers on the theme of "Repair, Regenerate, and Reuse," promoting innovative and sustainable approaches in architecture. ArchDaily's contribution is located at Palazzo Mora, complementing other venues like Palazzo Bembo, Marinaressa Gardens, and Palazzo Michiel.

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Sustainability in architecture is often framed as a universal challenge, leading to standardized solutions that prioritize efficiency over context. However, architecture is inherently tied to its environment — buildings interact with climate, topography, and cultural history in ways that demand specificity. Instead of relying on standardized sustainability checklists, how can architecture embrace site-specific solutions? This conversation is deeply connected to the concept of Genius Loci, or the spirit of a place, introduced by Christian Norberg-Schulz and embraced by architects advocating for designs that resonate with their surroundings. It suggests that architecture should not be imposed upon a site but rather emerge from it, informed by its materials, climate, and cultural significance. This philosophy challenges the widespread application of generic sustainable technologies, instead proposing that sustainability must be inherently tied to the location in which it operates.

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Boston City Hall, one of the most debated examples of Brutalist architecture in the United States, has significantly transformed since its conception. Designed by Kallmann, McKinnell, and Knowles and completed in 1968, the fortress-like concrete exterior and geometric austerity have long divided public opinion. Critics, including a former mayor, called for its demolition for decades arguing that its imposing design was inhospitable, inefficient, and most importantly, not beautiful. However, rather than tearing it down, Boston has chosen to renovate and revitalize the structure, demonstrating that contested Brutalist architectural styles can be adapted for a more sustainable future.

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Social fragmentation and economic divides have fractured the fabric of urban environments. In this context, ecovillages emerge as influential remedies to societal and ecological crises, microcosms where sustainable living, social cohesion, and economic resilience drive urban growth. Rooted in environmental stewardship and circular systems, ecovillages offer a scalable model to inspire the development of regenerative urban neighborhoods across the world. Traditional urban and suburban development has led to sprawl and social isolation which have had detrimental effects on community cohesion and the environment. Alongside this phenomenon, cities have become inhumane, characterized by anonymity, unaffordable housing, traffic congestion, and pollution. The lack of access to nature solidifies these issues, leaving many urban dwellers disconnected from elements that promote well-being and a sense of belonging.

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