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Architects: Studio Razavi Architecture
- Area: 4500 ft²
- Year: 2015

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New York’s most highly anticipated cultural venue, The Shed, is giving visitors the chance to preview some of their innovative programming a year before its planned opening at a temporary pavilion designed by architect Kunlé Adeyemi of NLÉ and artist Tino Sehgal.
To be located at the corner of Tenth Avenue and 30th Street in Manhattan – across the street from the rising Hudson Yards development and future home of the Shed – the pavilion has been designed to accommodate a variety of program types with its reconfigurable structure. Events will include concerts, dance battles, discussion panels and more.

Storefront for Art and Architecture in 97 Kenmare St, New York, opened yesterday “Sex and the So-Called City,” an alternative version of Sex and the City (SATC) made by the architect Andrés Jaque / Office for Political Innovation with Miguel de Guzmán (Imagen Subliminal) on occasion of the show’s 20th anniversary.

The Museum of Modern Art will explore the architecture of the former Yugoslavia with Toward a Concrete Utopia: Architecture in Yugoslavia, 1948–1980, the first major US exhibition to study the remarkable body of work that sparked international interest during the 45 years of the country’s existence. The exhibition will include more than 400 drawings, models, photographs, and film reels culled from an array of municipal archives, family-held collections, and museums across the region, introducing the exceptional built work of socialist Yugoslavia’s leading architects to an international audience for the first time.

With Argeo Ascani, Anne Guthrie, Zev Greenfield, Margaret Anne Schedel, Elaine Sisman, Emily Thompson, and Peter Zuspan




New York City’s latest full-floor luxury apartments are officially for sale in Morris Adjmi Architects’ first ever residential tower, 30 E 31. At 500 feet tall and 40 stories, this building will feature 42 one- and two-bedroom homes with a duplex penthouse—with prices ranging anywhere from $1.65 to $12 mil. Located in Manhattan’s NoMad neighborhood, the building's design draws from its Gothic context. On the facade, 6 columns emphasize the skyscraper's verticality and at the top of the building turn into a diagrid pattern reminiscent of a barrel-vaulted ceiling.



Scaffolding curated by Greg Barton, examines the extraordinary applications of scaffolding as a kit-of-parts technology to provide novel forms of inhabitation and access. Through an installation designed by Shohei Shigematsu and OMA New York with graphic design by MTWTF, Scaffolding will disrupt the architectural space of the Center for Architecture, instilling a new appreciation of scaffolding and its transformative potential.

Architecture Exhibition 5x5 Participatory Provocations opened its doors at the New York Center for Architecture on July 11, featuring 25 models by 25 young American architecture firms. The exhibition engages its participants to take clear stances on a series of provocative issues facing architecture today, with their models “producing a physical expression or provocation that is then made available to the public.” Curated by Kevin Erickson, Julia van den Hout, and Kyle May, the exhibition argues for “participatory criticism” covering growing income gaps, immigration, globalization, technology’s impact on our lives, surveillance, and power.

Four teams have been selected as finalists in the “Driverless Future Challenge.” Organized by Blank Space with the City of New York and NY Tech Meetup, the competition asked teams to envision future strategies for implementation of autonomous transit in New York City.
Participants were tasked with evaluating the future of autonomous transportation through the four principles outlined by Mayor Bill de Blasio’s OneNYC initiative:
Entries were received from more than 25 countries, proposing ideas for everything from driverless food carts and a fully-autonomous MTA transit system, to enhanced use of NYC’s 311 system as a driverless dispatching center, to Link NYC Wifi stations that become stops for autonomous micro-buses. The four finalist teams were selected by a multidisciplinary jury featuring top architects including Jeffrey Inaba (Inaba Williams), Odile Decq (Studio Odile Decq) and Jürgen Mayer H. (J. MAYER H.).
The four finalists include:
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