Buildner, in collaboration with building materials manufacturer Kingspan, has announced the winners of the MICROHOME Kingspan Edition with a 100,000 EUR prize fund.
What does a change in use and/or scale in buildings imply? How can a church or chapel be transformed into a home? While the architecture of many contemporary sacred spaces shows a remarkable capacity for adaptation and evolution, the creative boundaries of many professionals extend beyond their conception as structures of spirituality or worship. Globally, the conversion of large churches and small chapels into private residences reveals a wide field for intervention and exploration, one that can preserve, restore, adapt, and/or renew the character of spaces originally conceived for other uses and scales, which for various reasons have been abandoned, become obsolete, or now require transformation.
Earth-based flooring materials comprise natural elements such as clay, sand, silt, lime, and organic fibres. They offer both structural performance and sensory engagement when used in both outdoor and interior spaces. Due to their thermal properties, durability, and sustainable qualities, these materials have evolved from vernacular construction techniques into high-value architectural elements that are always being reinvented and optimized. There are several types of earthen floorings, each offering unique benefits, and they are increasingly used in interior settings.
Think of a chair designed for a meeting room. Its height, upright posture, and material language are deliberate choices—they signal presence, focus, and a degree of formality in a space where important decisions are made. Replace that chair with a low, plush sofa and the entire spatial dynamic shifts: focus softens, posture relaxes, and hierarchies dissolve. Every chair, stool, or sofa is more than just a way to fill space. It is a device designed for a specific type of interaction, a defined posture, a particular rhythm of use. When these purposes are ignored, even the most carefully curated interiors can feel fragmented or incoherent. Furniture plays an invisible yet fundamental role in shaping how people behave, how they feel, and what kind of work happens.
Tampa International Airport. Image Courtesy of Hensel Phelps and HNTB, in association with Gensler
From Bangkok to Billund, a new wave of architectural project announcements is reshaping how spaces for work, culture, mobility, and public life are conceived. Across Norway, Thailand, the United States,Denmark, Australia, and Thailand, these projects reflect an increasing emphasis on technological integration, sustainable construction, and flexible, future-ready environments. Whether designing production hubs for digital creators, adaptable media campuses, or civic landscapes layered with history and ecological intent, each scheme offers insight into how architecture is evolving to support emerging industries, cultural programming, and new forms of public engagement. This edition of Architecture Now brings together a selection of recently announced projects that highlight the intersection of design, technology, and innovation in a global context.
Aluminum recycling plays a meaningful role in reducing emissions and conserving resources in the built environment. With the introduction of Loop 80, a certified alloy composed of 80% recycled content, Alumil continues its efforts to lower the environmental impact of architectural materials.
Following the 2023 launch of Loop 60, the first certified 60% recycled aluminum for architectural systems, Loop 80 represents a step forward in material efficiency. Certified by TÜV AUSTRIA, the increased recycled content reflects both technical progress and a stronger alignment with circular economy principles in product development.
At the end of each edition of the Architecture Biennale, far from the public eye, tons of exhibition materials are transported across Venice in handcarts and boats. Only a small portion of these materials is reused. The main obstacles are the limited storage space in Venice and the high logistical costs—recurring challenges for circular architecture. As a result, most of the waste ends up in landfills or nearby recycling centers. But this scenario is beginning to change. In response to growing environmental concerns, architects are developing strategies to make reuse more viable. These efforts go beyond architectural and construction decisions—they also involve logistics and international trade.
Innovation is thriving around the world—and the latest results from the A' Design Award & Competition make that clear. The 2024–2025 edition has recognized 1,823 remarkable designs from 115 countries across 157 creative fields. From architecture and product design to fashion and communication, these entries highlight what happens when imagination meets craftsmanship.
Chosen by an international jury of design experts, this year's winners offer fresh perspectives and bold ideas. The A' Design Award isn't just about recognition—it's about celebrating original thinking and the creative minds reshaping how we interact with the world.
In the productivity-driven dynamics of contemporary cities, playful interventions in public spaces offer an innovative way to reclaim urban environments. These interventions encourage new ways of thinking and acting, temporarily breaking the monotony of everyday life and redefining the concept of play. Once confined to childhood and separate from daily activities, play has begun to intertwine with routine paths, becoming an integral part of urban life even outside traditional leisure times. In this way, reintroducing the swing—the most iconic children's toy—becomes particularly significant. As a symbol of childhood, pleasure, and joy, the swing contrasts sharply with the rigid appropriations of most public spaces, inviting a more relaxed and playful engagement with the urban environment. On June 11th, the UN International Day of Play reminds us of the benefits of incorporating diverse activities into urban spaces, for both children and adults, fostering community, creativity, and well-being.
Courtesy of AIA Conference on Architecture & Design
The future of architecture isn't just being drawn—it's being coded. Since mathematician John W. Tukey coined the term "software" in 1958 in The American Mathematical Monthly, its influence has steadily expanded, from revolutionizing science and engineering to quietly transforming architecture. What was first embraced as an innovation for structural calculations and drafting has since revealed a much broader potential, becoming a creative driver in architectural narrative and practice.
While that transformation has already taken root—software now embedded in the way we design and think—it continues to evolve. At the recent AIA Conference on Architecture & Designin Boston, current innovations made it clear that we're entering a new chapter: one where software and artificial intelligence aren't just enhancing workflows but actively shaping sustainability, regulation, and decision-making. Architects and software developers now treat code with the same logic as a material—shaped not by modeling or carving, but through parameters, cycles, constant evolution, and feedback. At the same time, architects are working with AI as a co-pilot in the design process, collaborating with it to support decision-making and enhance the design.
https://www.archdaily.com/1030942/ai-and-architecture-software-at-aia25-from-code-to-concrete-in-the-digital-futureEnrique Tovar
Following two International Exhibitions — Broken Nature: Design Takes on Human Survival (2019), which explored the human relationship with natural phenomena, and Unknown Unknowns (2022), which examined the limits of scientific understanding — Triennale Milano now calls on the global cultural, scientific, and artistic communities to confront the pressing issue of inequality.
In an epoch when the risk of species extinction, war and ever-growing geopoliticaI imbalance loom over our future, lnequalities proposes to look again at the sphere of human relations and the increasing inequalities running through it.
The ancient city of Venice, Italy, home to both the art and architecture editions of the Venice Biennale, is known for its unique geography as an island city of canals. Its naval and mercantile prominence now diminished, the city has found a new purpose as a center of learning, exhibiting, and tourism. However, its urban morphology and, indeed, most of its buildings are historic and have remained largely unchanged for hundreds of years. Their appearance exhibits a specific Venetian vernacular that has stood the test of time and stands as a backdrop for the city's contemporary activities. How do the facades of these buildings, particularly their windows, reflect this history? And how do the few modern buildings in the city, such as the Palazzo Nervi-Scattolin, respond to this weight of history?
Gyumri, the capital of Armenia's Shirak region and the country's second-largest city, was historically known for its culture and architectural heritage. While it was part of the Soviet Union, the city hosted many factories that turned it into a primary industrial center in the region, reaching a population of approximately 225,000 people. However, during the past decades, Gyumri has seen a considerable population decline as a consequence of a devastating earthquake that destroyed the city in 1988 and killed thousands of people. More than 30 years later, Gyumri's regeneration process is still unfolding. The city's ongoing efforts to restore its built environment and boost economic development offer valuable insights into how urban regeneration can be navigated in the aftermath of disaster.
Adaptive reuse has become a buzzword in the architecture industry. Framed as a sustainable and economical solution to urban decay, the practice has been adopted by cities facing pressures of climate change, real estate constraints, and cultural preservation. Architects are increasingly being hired to rehabilitate the old rather than build anew. Within this discourse is a growing sentiment towards who gets to reuse and how.
The intersection of neuroscience and architecture/design has brought innovations to the way spaces are conceived.Recently, the relevance of inclusive and regenerative design has come to the fore, addressing the need to create environments that welcome human diversity, including older adults and neurodiverse individuals. This approach not only broadens accessibility but also promotes environmental regeneration and user well-being.
The 2025 Osaka Expo has captured widespread attention—not only for its architectural ambition and spectacle, but also for breaking records and generating controversy. Its most iconic feature, a monumental timber ring designed by Sou Fujimoto, has already made headlines as a Guinness World Record-breaking wooden structure. Built on the reclaimed island of Yumeshima, the site has attracted praise and critique in equal measure. Beyond its awe-inspiring 2-kilometer circumference—parts of which extend dramatically over the water—the structure has also drawn concerns, including questions about health & safety, extreme heat, and swarms of insects that may affect the visitor experience.
This year also marks a significant anniversary: the 55th year since the 1970 Osaka Expo, held under drastically different socio-economic conditions. Comparing these two expos—both hosted in the same city—offers a rare opportunity to reflect on how the rhetoric, curatorial themes, and architectural ambitions of world expos have evolved over time. From "Progress and Harmony for Mankind" in 1970 to "Designing Future Society for Our Lives" in 2025, the shift in thematic focus reveals changing global priorities. Meanwhile, the scale and nature of architectural involvement have also transformed, from the futuristic visions of Japanese Metabolism to a more internationally dispersed group of designers concerned with sustainability, technology, and civic engagement.
The contemporary bookstore is a paradoxical space. It is commercial, but rarely commercialized; public, but often privately owned; small in scale, but expansive in impact. As adjacent architectural typologies evolve under the pressures of digital consumption, economic precarity, and changing social habits, the bookstore has not dimensioned, but adapted to the twenty first century. It is not a site for private or institutional literary exchange, but a spatial hybrid that accommodates ritual, rest, performance, and socialization.
Living in densely populated cities is a reality for many. While the benefits of urban living—such as proximity to amenities, infrastructure, job opportunities, and lifestyle—remain highly valued, homes have seen a significant reduction in square footage. The trend toward smaller apartments has become increasingly common, with interior design playing a fundamental role. Reducing square meters demands efficient use of space and smart floor plan layouts. However, far from generating dull spaces, creativity in design has led to interesting architectural solutions that condense high-quality living into what is often called a micro apartment or studio, studios of 40m2 or under.
At the heart of design lies the intersection of technique and creativity—a space where ideas take shape and environments are reimagined. In a world prevalent with mass-produced objects, the focus is shifting toward something more deliberate, where every decision opens up new possibilities and allows design to break free from the conventional. Think of the LC1 armchair by Le Corbusier or Mies van der Rohe's Barcelona chair—not simply furniture, but outcomes that illustrate a studio-driven freedom where ideas, materials, and finishes are allowed to converse, not conform. These pieces don't just fill a room; they reimagine it. This spirit of innovation now extends to every detail, from kitchen to bathroom fittings, where the range of choices—materials, form, and function—becomes an opportunity to craft something truly unique.
https://www.archdaily.com/1029100/swan-taps-checkered-seashell-fixtures-and-the-new-frontier-of-bespoke-designEnrique Tovar
Architectural competitions have long offered a space for experimentation: platforms where ideas can be tested, typologies reimagined, and critical questions addressed through design. Freed from some of the constraints of commercial commissions, competition entries often reflect ambitious visions for how architecture can respond to environmental, cultural, and social challenges. Whether focused on future habitats, public institutions, or small-scale community infrastructure, these proposals give shape to the values and priorities driving architectural thinking today.
This month's Unbuilt selection brings together eight competition-winning projects submitted by the ArchDaily community. Each received first, second, or third place in recent local and international competitions. The featured proposals span a wide range of programs and geographies: a sustainable library in Lima, a Martian habitat exploring closed-loop systems, an adult orphanage designed for empowerment in India, a new French school in Athens, and a placemaking initiative in Singapore rooted in local folklore. While varied in scale and scope, they all highlight architecture's capacity to engage context, foster inclusion, and propose new ways of inhabiting space.
Cafés in museums and galleries do more than provide convenience — they have become an essential part of today’s cultural experience. As Claire Bishop explains in her idea of the “expanded aesthetic experience,” cultural spaces now include hybrid environments that encourage new ways of engaging, socializing, and reflecting. In this context, cafés are not just places to rest; they extend the visit on both sensory and symbolic levels, offering moments of interaction and contemplation in carefully designed settings. By blending architecture, art, and hospitality, they help create immersive and welcoming atmospheres — a concept already hinted at by Brian O’Doherty, who viewed exhibition spaces as an integral part of the artwork itself.
What can our existing buildings teach us about building for the future? In a time of dwindling resources, architects are increasingly called to engage in dialogue—with the site, its history, and the untapped potential of what already stands. Rather than defaulting to demolition and new construction, the future of architecture may rest in uncovering the possibilities for innovation within buildings that have already stood the test of time.
Urban green spaces are considered one of the most appropriate and accessible ways to mitigate the effects of rising temperatures in urban environments. As the global climate warms, cities worldwide face more frequent and extreme heat waves, putting their citizens at risk. Many cities are employing strategies for reducing the impact of urban heat islands, which are generated when natural land cover is replaced with surfaces that absorb and retain heat, such as pavements and buildings. This raises the temperature by several degrees compared to the surroundings. Cities have their micro-climate, influenced by this phenomenon combined with a series of often overlooked factors. For a climate strategy to be efficient, all factors need to be taken into consideration.