Zaha Hadid Design: The Latest Architecture and News

Some cities grow through continuity, others construct themselves through moments of acceleration. Baku, in Azerbaijan, seems to operate somewhere in between. Its historic core, the Icherisheher, still holds a spatial logic that resists expansion: dense, enclosed, defined by proximity and repetition. But just beyond its walls, the city begins to shift. Scale increases, distances expand, and the relationship between buildings becomes less about continuity and more about visibility.

Over the past two decades, Baku has been the site of a deliberate effort to construct an image of itself. Oil wealth provided the means, but architecture became one of its primary tools. Projects such as the Heydar Aliyev Center by Zaha Hadid Architects or the Flame Towers are symbols of this transformation, their forms designed to circulate as much through media as through the city itself. They are precise, controlled, and highly resolved objects. But they also introduce a different urban logic, one that privileges singularity over continuity and positions architecture as an agent of representation.

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The relationship between architecture and naval design has been a fascinating interplay of form and function that has evolved significantly. Both disciplines have a shared history of innovation, aesthetics, and functionality that have informed and inspired each other. This "love affair" has seen architects drawing inspiration from boats, particularly in the modernist era when ships' streamlined, efficient designs influenced the aesthetic of buildings. Conversely, architectural principles have also been adapted to enhance the functionality and form of boats, demonstrating a reciprocal exchange that continues to shape both disciplines.

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In collaboration with architecture and engineering consultancy Sweco and landscape architects Tredje Natur, Zaha Hadid Architects was selected to deliver the new Aarhus football stadium in Denmark. Dubbed the "Arena of the Forest," the stadium will be embedded within the city's Marselisborg forest, offering public and ticketed spaces all year round while revealing glimpses of the surrounding landscape. Scheduled for opening in 2026, the complex will cover 69,912 square meters, including the Aarhus arena and the renovation of the adjacent 'Stadionhallerne' building completed in 1918 by architect Axel Høgh-Hansen.

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The first exhibition by Zaha Hadid Architects 'ZHA Close Up – Work & Research' at the Modern Art Museum in Shanghai is now open to visitors. The exhibition displays an in-depth look at the evolution of Zaha Hadid Architects’ projects over the last 40 years, from the MAXXI Museum and the Leeza SOHO in Beijing, to the studio’s current ongoing projects across the world. The exhibition is the first by the architect to be held in in mainland China and will run until August 29, 2021.

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A single, continuous line unbroken by handle rotation: such was the simple, yet difficult-to-execute design concept motivating Zaha Hadid Design’s new innovative door handle. The result is a beautifully molded sculptural yet ergonomic design, playfully balancing form with function.

As Milan Design Week continues to set avant-garde design trends for the upcoming years, the 2019 Salone del Mobile’s lighting biennale, Euroluce, saw a nod to classic designs mixed with contemporary craftsmanship.

Two dominant trends at this year’s Euroluce are ‘rediscovering the past’ and a ‘reference to nature’. Vintage lighting pieces were rediscovered, not only to serve as valuable tokens of the past, but as foundation for new research. The reference to nature is evidently the most dominant design trend at this year’s lighting biennale, as designers found inspiration from natural, organic forms, and produced their pieces with eco-friendly material.

However, some of the most unique pieces at this year’s Euroluce were developed in collaboration with heavyweights in the world of design. Profound architects found their way into the 2019 Euroluce, bringing together their design skills with the engineering solutions of design companies.

Zaha Hadid Design has released images of its latest collection set to be featured at the Maison et Objet 2019 in Paris later this month. The collection, embodying Zaha Hadid’s inventive process, features a Swirl bowl in crystal glass, and a monochromatic marble collection from the Cell range.

The Maison et Objet festival is described as the international authority for home décor, interior design, architecture, and lifestyle culture, with its bi-annual Paris trade fair taking place from January 18th to 22nd 2019.

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From city master plans to pocket-sized products, Zaha Hadid Architects (ZHA) have explored architectural formalism through innovative digital design methods. In 2006, the collaboration with furniture-makers and fashion houses led to the creation of Zaha Hadid Design that served both as an iterative process for and a resultant of ongoing architectural design.

A pop-up exhibition, located suitably on the ground floor of ZHA's renowned condominium along the High Line in New York City, features a scale model of the building itself on display. To honor and present the work produced by the firm in the last four decades, the Zaha Hadid Gallery showcases a series of projects in a wide range of mediums including the six 'Silver Models' that represent eight of the firm's key works.

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This week, Zaha Hadid Design released a new platform wedge shoe and accompanying clutch bag with British shoe and accessory brand Charlotte Olympia. The limited edition pieces, which sport the familiar flowing forms perfected by Hadid in her architecture, are both constructed using a combination of transparent perspex and rose gold accents.

The designs of the Zaha Hadid-created statuettes to be handed out at this year’s BRIT Awards have been unveiled. One of Hadid’s final commissions before her death this March, the design consists of a family of 5 interrelated trophies take the form of abstracted female figures representing diversity. One of those family members, meant to represent Britannia, the female personification of Great Britain, will be awarded to musicians for their victories in the BRIT Awards ceremony this February.

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The BRIT Awards has announced that the statuettes that will be given during their 2017 awards ceremony have been designed by the late Zaha Hadid.

Hadid had accepted the project in January of this year and developed concepts for the design before her sudden passing in March of this year. The work has since been led by Zaha Hadid Design Director Maha Kutay and the BRIT Awards Niamh Byrne.

“Zaha was truly excited to be doing this,” recalled Kutay. “Her vision was, being an architect, to focus our efforts more on the 3D element, as the statue had previously been used as a canvas for artists to paint on for the last few years. Our design expresses Zaha’s unwavering belief in progress and optimism for the future and a break from the norm.  The biggest challenge was to create something different within certain guidelines, yet achieving a result recognisable to the public. You have to respect the existing to create something new.”