Glued Laminated Wood (Glulam) is a structural material manufactured through the union of individual wood segments. When glued with industrial adhesives (usually Melamine or Polyurethane resin adhesives), this type of wood is highly durable and moisture resistant, capable of generating large pieces and unique shapes.
One of the most practical and functional spaces of any residential project is the kitchen. Its artificial surfaces – be it countertops, kitchen benches, or coverings – contain most of the space's equipment. Thus, it’s essential to build kitchens with the most resistant and hygienic materials. Aside from these requirements, it's also important to pay attention to aesthetics and profitability, while adapting the space to the dynamics of each family.
Scandinavian firm White Arkitekter has won an architectural competition for a landmark 12-meter-tall observation tower, hosted by the municipality of Varberg, Sweden. The winning proposal will form part of the development of the region’s new ecological recreation area at the Getterön nature reserve.
The need to substantially reduce our impact on the planet must be translated into a significant change to our lifestyle and habits. One of these is to consume responsibly and consider that waste does not exist, but that all material can be transformed into something useful again following a circular ecological system.
In his book Upcycling Wood, Reutilización creativa de la madera, the architect and artist Bruno Sève writes and edits a non-exhaustive guide of the uses and possibilities of recovered wood, as a framework for responsible reuse; from small scale, such as furniture or artists' canvases, to medium scale, with its use in interiors and facades. This book seeks to raise awareness among professionals and citizens in general through analysis of the life cycle, examples of uses and finishing processes, leading to an ecological and responsible framework. The book is illustrated by numerous design and architecture teams who follow the guidelines of ecological design with reclaimed wood.
Reiulf Ramstad Arkitekter has unveiled details of their housing scheme in Hafjelltoppen, Norway. Designed to accommodate about 1000 people, Mosetertoppen is rooted in both tradition and innovation, with inspiration drawn from the cultural landscape and building art, and a rethinking in relation to sustainable architecture, and how to build in the Norwegian mountain landscape in the future.
3XN has released details of its plans for T3 Bayside, the first office building in Toronto’s emerging Bayside community, and the tallest timber office building in North America. Located on the shores of Lake Ontario, the structure stands at 42 meters in height and serves as part of the 2,000-acre revitalization initiative to transform Toronto’s waterfront.
The scheme is designed to reflect and emphasize the emerging neighborhood in which it sits, intertwining principals of life, work, and play. A continuously-activated ground level is abundant with retail opportunities, bleeding into a central plaza, exhibition spaces, flexible office spaces, and coworking facilities.
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The Odunpazari Modern Museum (OMM) by Kengo Kuma and Associates will open in June 2019, situated in Eskişehir, a university town in the northwest of Turkey. The OMM will feature an internationally significant collection of modern and contemporary art, showcased within a scheme designed by the architect behind the recently-completed V&A Dundee.
The 4,500-square-meter scheme is defined by a distinctive stacked timber design, drawing inspiration from Odunpazari’s traditional Ottoman wooden cantilevered houses that are synonymous with the district, and pays homage to the town’s history as a thriving wood market. Along with several other city museums in the surrounding area, OMM will create a museum square and public meeting place in the town.
The Council for Tall Buildings and Urban Habitat has announced that Norway's Mjøstårnet tower is, at 85.4 meters, officially the world's tallest timber building. Beyond the unique distinction, the tower is also Norway's tallest mixed-use structure and third tallest building.
Antonio Serrano and Madrid-based Mad Lab have designed a collection of everyday objects inspired by Renaissance concepts of “Utopia.” The set of trays, boxes, and centerpieces are made from inlay maple and cedar wood, each telling “stories of entrepreneurship, design, craft, and technology.”
The collection, which manifests as a form of “scaled-down city,” considers Utopia as an imagined reflection on reality, rather than a yearning for an ideal city. The objects are full of “nods, winks, and gestures that leave us trapped in an illusion of a dream” conveyed through Renaissance architectural elements such as arches and spires.
C.F. Møller Architects have completed Sweden’s tallest timber building, which is now accepting its first tenants. Situated in Västerås, one hour from Stockholm, the building is constructed from solid timber in order to radically reduce CO2 emissions, positively affect the indoor climate, and enhance the interior quality of life.
The 8.5-story-high tower features an elevated ground floor and double-height top floor, with all walls, beams, balconies, lifts, and stairwells made from cross-laminated timber. The use of CNC-milled solid timber and glulam allows for an airtight, energy-efficient structure without the need for additional cladding.
Precht has designed a timber skyscraper concept that combines modular housing with vertical farming. The concept was created by Penda co-founder Chris Precht and his wife Fei to reconnect people in cities with agriculture. In their proposal, the modular housing units would be built so that residents can produce their own food. Dubbed the Farmhouse, the concept aims to create more sustainable ways of living as city dwellers are increasingly losing touch with food production.
Sidewalk Labs has released new renderings from Snøhetta and Heatherwick Studio of the Quayside neighborhood development in Toronto. After announcing plans to create a model smart city, Sidewalk Labs has been working to pioneer a new approach to future urban developments. Plans for Quayside were first revealed last summer, designed to be interconnected smart neighborhood for the city. The latest renderings were released with further documents outlining how the company plans to pay for the ground-up development.
Construction has begun on the Powerhouse Company-designed pavilion for the ING campus in Amsterdam. Located in the up-and-coming district of Amsterdam Southeast, the 900-square-meter pavilion seeks to “make a bold statement while integrating with its surroundings."
The clean, minimalist pavilion will sit at the heart of the ING campus, serving as both a dining area and a multifunctional space for the community. Emphasizing the natural landscape, the pavilion offers a synergy between the built and natural environment through a friendly circular form, a timber interior, and green Tichelaar tiles on the north and east facades.
Researchers at New York’s Columbia University have unveiled a method of vibrantly replicating the external and internal structure of materials such as wood using a 3D printer and specialist scanning techniques. While conveying the external profile and patterns of natural objects is tried and tested, a major challenge in the 3D printing industry has been replicating an object’s internal texture.
In their recent study “Digital Wood: 3D Internal Color Texture Mapping” the research team describes how a system of “color and voxel mapping “led to the production of a 3D printed closely resembling the texture of olive wood, including a cut-through section.
A new set of renderings has been released the Shigeru Ban Architects’ Terrace House development in Vancouver, revealing the interiors of the residential building for the first time. Being developed by PortLiving, the project will utilize an innovative hybrid timer structural system. When completed, it will become the tallest hybrid timber structure in the world.
Are the concrete buildings we build actually a sign of architectural progress? Defunct housing projects abandoned shopping malls, and short-sighted urban projects are more often than not doomed to a lifetime of emptiness after they have served their purpose. Their concrete remains and transforms into a lingering reminder of what was once a symbol of modern ambition. Stadiums and their legacies, in particular, come under high scrutiny of how their giant structures get used after the games are over, with few Olympic stadiums making successful transitions into everyday life. With a new approach to sustainability, the Shell Mycelium pavilion is part of a manifesto towards a more critical take on building. Say the designers on their position: “We criticize these unconscious political choices, with living buildings, that arise from nature and return to nature, as though they never existed.”
The Shell Mycelium Pavillion is a collaboration between BEETLES 3.3 and Yassin Areddia Designs and offers an alternative to conscious design through temporary structures. Located at the MAP Project space at the Dutch Warehouse, the pavillion formed part of the Kochi Muziris Biennale 2016 Collateral in India.
Warren and Mahoney Architects' design for the extension of Wellington Airport in New Zealand highlights the potential of using laminated wood in large-scale architectural projects.
The structure of the facade is the result of recognizing the great versatility of laminated wood when designing large structures and complex shapes, allowing, in this case, to propose the construction of a straight piece that is curved to join the next piece.
Riksbyggen and Sweco Architects were announced as the winners of a government-led competition to create a cross-laminated timber framed housing development for the Johanneberg district of Gothenburg, Sweden. The proposal, called “Slå rot” (Swedish for “put down roots”), was chosen for its response to its existing environment with nods to tradition, while still providing an innovative structural system and modern living to the neighborhood.
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