Pablo Casals-Aguirre: The Latest Architecture and News

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From the changing seasons to the users' interactions, there is almost an infinite set of facets of the architectural project that can be represented through film, and many photographers have entered into this dimension in different formats: documentaries, fixed camera, scripted performances or time-lapses, among others that you can browse in our video section.

Over the years, ArchDaily has brought us the most innovative architecture projects through the eyes of creative specialized photographers. Their captures bring us closer to the works, reflect the vision of the architects and, above all, transmit and generate the most varied emotions.

From conversations with these talented photographers, we can understand, at least a little, what they feel when facing an architectural project with a camera in hand.

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Videos

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In this episode of “Behind the Scenes”, where we showcase the work of visionary photographers and ask about their experiences beyond what is seen by the public, we present Pablo Casals Aguirre, an architect, professor, photographer, and filmmaker based in Santiago, Chile. Here, he shares his methodology, which he developed with references to cinema, and highlights his intentions of translating the best architectural works into imagery - be it still or in movement.

Chilean architecture has a strong relation to the unique geography and climate of the country. Germán del Sol is recognized as one of the most prolific Chilean architects working with these demanding conditions, with projects across the country that enhance and rediscover the natural landscape, through architecture that uses natural materials, local techniques, and a profound sense of the place.

Photographer and filmmaker Pablo Casals-Aguirre revisits the Remota Lodge in Patagonia, one of the most celebrated projects by Germán del Sol, in a video that is able to transmit not only the static relationship with nature, but also the experience of inhabiting the landscape from the building.

The wild landscape of the Patagonian plains covers also the roofs of the buildings. The roofs concrete slabs are coated with the same synthetic asphalt membrane and a carpet of wild grasses 2 feet high [...] The ever changing light of Patagonia enters the building through the sequence of vertical cuts of the windowpanes. Then it surrounds big concrete or wooden pillars, and slides along the ceilings wooden trellises that hang well under the concrete slab. - Germán del Sol

What is the draw of the aerial view? Whereas architects and designers often find solace in this particular spatial perspective there is a more inclusive, universal appeal to this way of seeing. The ease of access to online mapping services has increased our collective reliance on understanding our world from above.

Maps condense the planet into a little world inside our pocket, the commodification of which has universalised the ‘plan-view’ photograph. The question of whether or not their ubiquitous availability, having now been assimilated into our collective consciousness, is a positive step for the status of the plan is a discussion ongoing. Yet, in the face of this dilemma, architectural photographers are pushing the boundaries of drone technology in order to find new meaning.

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