In this video, Ben Uyeda of HomeMade Modern demonstrates how to build a sleek, contemporary spiral staircase using just a standard schedule steel post, plywood and a CNC router (along with a healthy amount of wood and construction glue). To build the staircase, Uyeda uses the CNC to cut out 12 shapes of incremental size from a plywood sheet, which he then stacks and fits around the post to secure into place.
In the late 20th century, restricted by an a small landmass and extreme terrain, the Hong Kong urban area grew to become one of the densest and most vertical places on the planet, with more buildings taller than 500 feet than any other city in the world. But instead of the steel or aluminum structures used as scaffolding in Europe and the Western Hemisphere, the majority of skyscrapers built in Hong Kong and much of Asia used scaffolding systems constructed out of bamboo.
The AA School of Architecture’s DRL Masters Program has developed a thesis project, entitled Growing Systems, which explores adaptable building systems using methods of robotic fabrication and generative special printing within the context of housing.
This article is part of our new "Material Focus" series, which asks architects to elaborate on the thought process behind their material choices and sheds light on the steps required to get buildings actually built.
As part of the Danish contribution to the 2016 Venice Biennale Urban Agency embarked on a challenging feat: the construction a 1:50 concrete model. The firm—based in Dublin, Copenhagen and Lyon—contributed three projects to the "Human Architectures" exhibition at this year's Danish Pavilion.
London-based design firm Caventou has designed a series of “stained glass” everyday objects that turn daylight into electricity, even indoors.
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This article is part of our new "Material Focus" series, which asks architects to elaborate on the thought process behind their material choices and sheds light on the steps required to get buildings actually built.
Since 2015, Gramazio Kohler Research has been in the process of developing "Mesh Mould Metal," a project that studies the unification of concrete reinforcement and formwork into a single, robotically fabricated material system. The project is based on their first phase of research, Mesh Mould, which spanned from 2012 to 2014, and developed a robotic extrusion process for a polymer mesh.
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This article is part of our new "Material Focus" series, which asks architects to elaborate on the thought process behind their material choices and sheds light on the steps required to get buildings actually built.
Thanks to a new robot named Hadrian X, we made soon be able to construct an entire brick house in just 2 days. Developed by the appropriately named Australian firm Fastbrick Robotics, the giant truck-mounted robot has the ability to lay up to 1,000 bricks an hour. Its innovation comes via the machine’s 30-meter telescopic boom, which allows the base to remain in a single position throughout the brick-laying process.
With their latest facade construction, Iranian architecture firm Sstudiomm explores the potential that brick can offer by utilizing parametric architecture. Instead of relying on unique construction elements for assembly on-site at a later date, in their new project (called, in full, "Negative Precision. On-Site Fabrication of a Parametric Brick Facade // A DIY for Architects") the firm considers how a simple mass-produced element like the brick can be assembled in unique ways by taking advantage of digital technology. While firms like Gramazio Kohler have already developed industrial methods of assembling brickwork following parametric designs, Sstudiomm aims for a more lo-fi approach, creating parametric brick walls using little more than the traditional construction methods found in Iran and a dose of ingenuity.
A game-changing protective coating from Line-X has the power to make buildings virtually impenetrable. The spray creates a thin barrier which is watertight, abrasion and impact resistant and can withstand high temperatures; all of which combine to make it almost indestructible. The concoction deemed "Paxcon®," is stronger than steel, and can protect buildings from explosions or natural disasters such as earthquakes or storms.
After discovering a vibrant new pigment of blue by accident, chemists at Oregon State University have brought the compound to market in the form of a paint that looks promising to architectural sustainability.
Architect Nguyen Hoa Hiep of a21 studio, in collaboration with Saigon architecture students, have created a cocoon-inspired pavilion. This exhibition is organized annually by Handhome.net in Vietnam in order to connect older generations of architects with students.
When posed with a brief for a Japanese-style mobile fashion store, Kooo Architects decided not to respond in a purely visual symbolic way. Rather, they looked at the climate for constructing architecture in Japan, and decided to raise social awareness of the destructive power of earthquakes. Using approximately 1000 disaster hoods to create an 8m diameter partial dome, their design embodies the color and texture of their client's fashion range while reminding the public of the prevalence of natural disasters.
Before starting the design process, the most important thing is to understand how the kitchen is going to be used. This is a basic approach that any architect must take. A kitchen can’t be just a leftover space or a space to be defined at the end of a project. Designers must understand that a kitchen has various flows and different work areas that need to be integrated throughout the entire project.
Until July 3rd, you can experience the latest and last work of artist duo Christo and Jean-Claude. Called The Floating Piers, the floating dock extends over the water of Italy's Lake Iseo.
A proposal from George Batzios Architects for the Konaki Averof Cultural Center in Greece uses a cutting edge, sustainable approach to revive a deeply historical site. The design intertwines elements of architecture and agriculture to refit an existing structure with reference to the Thessalian plains on which it lies. The new architecture recreates the existing envelopes with straw cladding, regenerating the "golden environment" which defined the place in the late 19th century.