LANZA Atelier: The Latest Architecture and News

This week, architecture's cultural dimension took center stage through a series of new platforms, institutional developments, and public-facing projects that expand how the discipline is discussed, preserved, and experienced. From the announcement of participants for the inaugural Pan-African Biennale in Nairobi and the unveiling of Concéntrico Festival's urban interventions across Logroño, to the opening of La Biennale di Venezia's new archival headquarters at the Arsenale, architecture emerged as a vehicle for research, exchange, and collective reflection. Alongside these initiatives, projects such as the expansion of Crystal Bridges Museum in Arkansas and the opening of the 2026 Serpentine Pavilion demonstrate how cultural institutions continue to invest in new spaces for gathering and engagement. This week's selection spans Kenya, Spain, Albania, Saudi Arabia, Italy, Lebanon, the United Kingdom, and the United States, reflecting the diverse contexts in which cultural institutions, public events, and architectural initiatives continue to evolve.

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The 2026 Serpentine Pavilion, titled "a serpentine," designed by Mexico City-based architecture studio LANZA atelier, will open to the public on 6 June 2026 at Serpentine South in London. Newly released preview-days images show the completed structure ahead of its seasonal activation, which will run through 25 October 2026 and include Serpentine's annual programme of public events. Now in its 25th edition, the Serpentine Pavilion marks a milestone for the annual commission first launched in 2000 with Zaha Hadid's inaugural project. To commemorate the anniversary, Serpentine Galleries will also collaborate with the Zaha Hadid Foundation and the Architectural Association on a parallel programme reflecting on the Pavilion's legacy and its role in contemporary architectural discourse.

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This week's stories reveal a growing focus on reconnecting design with physical reality, whether through construction, landscape, public space, or collective participation. From the curatorial direction of the upcoming Venice Architecture Biennale 2027 to internationally recognized projects addressing flood resilience, affordable housing, and ecological restoration, many of the week's discussions challenged architecture's increasing detachment from material, environmental, and social conditions. At the same time, major cultural interventions, temporary structures, and public forums explored how institutions and civic spaces can become more accessible, adaptable, and engaged with everyday urban life.

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Mexican architecture practice LANZA atelier has unveiled new details for the 2026 Serpentine Pavilion, titled "a serpentine," which will open to the public on 6 June 2026 at Serpentine South. Designed by studio founders Isabel Abascal and Alessandro Arienzo, the project reinterprets the historic serpentine or crinkle-crankle wall through a lightweight brick structure integrated into the landscape of Hyde Park. Marking the 25th edition of the annual commission, the pavilion will remain on view through October 2026 and serve as a venue for Serpentine's public programme of performances, talks, screenings, and community events.

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Architecture's public role emerges as a central theme across recent announcements, institutional projects, and professional programs. The selection of the 2026 Serpentine Pavilion designer foregrounds architecture as a space for public encounter and material inquiry, while major civic and cultural projects point to renewed investment in institutions that support education, exchange, and urban continuity. Alongside these developments, international award programs and policy-aligned initiatives continue to situate architecture within broader conversations on sustainability, social responsibility, and long-term impact, highlighting how design decisions at both intimate and monumental scales respond to shared environmental and civic challenges.

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The design of public bathrooms and changing facilities has historically catered to a generalized notion of user needs, often oversimplifying the complexities of gender-specific requirements and falling short of supporting the unique needs of women. These needs extend beyond biological differences—such as the necessity for more stall privacy and differences in height and body posture—to include cultural factors that influence restroom use and expectations over time.

For instance, women's contemporary clothing often lacks adequate pocket space, resulting in the need to carry a handbag, even for simple essentials like phones and wallets. Despite efforts in recent architectural designs to address these disparities, the layered nuances of biological, cultural, and gender identity factors present a multifaceted challenge that defies a one-size-fits-all solution.

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The 7th edition of the International Architecture and Design Festival Concéntrico proposed new readings of public space through a series of temporary installations that re-imagined various places throughout the Spanish city of Logroño. Emerging architecture practices and artists from around the world shared their perspectives on the public realm and the spaces of social interaction by exploring various themes and experimenting with new ways of understanding urban spaces.

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The International Architecture and Design Festival Concéntrico, now at its 7th edition, prompts an exploration of the urban environment through temporary installations inhabiting the public spaces of the city of Logroño, Spain. From September 2nd to 5th, the festival brings together an array of emerging architects and artists from all over the world to share their perspectives on urban spaces and communities.

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As we have seen throughout the history of architecture, ephemeral installations and pavilions are important tools for talking about specific moments in architecture in an almost immediate way. While it is true some pavilions have been so relevant that they broke with their ephemeral quality to become permanent, such as the German Pavilion in Barcelona, designed by Ludwig Mies van der Rohe and Lilly Reich, most are documented in photographs, plans and experiences to be rewritten in future projects.

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On November 22, 1988, one of the most important and revered figures in the history of Mexican and international architecture died in Mexico City. Luis Barragán Morfín, born in Guadalajara and trained as a civil engineer left behind an extensive legacy of published works, conferences, buildings, houses, and gardens that remain relevant to this day. While Barragán was known for his far-reaching research in customs and traditions, above all, the architect spent his life in contemplation. His sensitivity to the world and continued effort to rewrite the mundane has made him a lasting figure in Mexico, and the world.

Undoubtedly, Luis Barragán's legacy represents something so complex and timeless that it continues to inspire and surprise architects across generations. It is because of this that, 30 years after his death, we've compiled this series of testimonies from some of Mexico's most prominent contemporary architects, allowing them to reflect on their favorites of Barragan's works and share just how his work has impacted and inspired theirs. 

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'Central Community Pavilion' was a response to an invitation to design a variety of temporary pavilions by different creators as a part of Arch Days CDMX and Design Week 2018. For the occasion, three up-and-coming architectural firms have joined forces to design and construct a single pavilion with a common theme. The design process between TO Arquitectura, LANZA Atelier, and Alberto Odériz reinforced the idea of a generation plagued with a certain collective curiosity and concern.

Thinking broadly of architecture, the masterpieces of the past inevitably come to mind; buildings constructed to withstand the passage of time, that have found an ally in age, cementing themselves in the history of humanity. Permanence, however, is a hefty weight to bear and architecture that is, due to its program, ephemeral should not be cast aside as "lesser-than."

The Architectural League of New York has announced the winners of the 2017 Architectural League Prize for Young Architects + Designers. Established in 1981, the prize has grown to become one of North America’s most prestigious awards recognizing young architects (ten or fewer years removed from a bachelor’s or master’s degree program) for their talent and forward-thinking ideas.

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